Review by Booklist Review
Ages 5^-9. In a quiet author's note, Polacco tells the true story on which this picture book is based. Her aunt Monique was a child in France during the Nazi occupation. Monique didn't know that her mother was active in the French Resistance and was hiding a Jewish family in the cellar of her house. Told from the child's viewpoint, the facts are spellbinding: Monique's discovery of the hidden refugee child, Sevrine, the end of the girls' strong friendship when the Jewish family is forced to flee and face the Nazi patrols. Unfortunately, the storytelling and pictures are melodramatic and sentimental. The sustained metaphor of the title refers to a fragile butterfly that Monique brings to Sevrine in hiding. It flutters "like the kiss of an angel," but is crushed in the fist of an ominous Nazi. In the end Monique sees a group of butterflies flying free and takes that as a sign that her friend is safe. What will hold grade-school kids is the truth of the friendship story and the tension of hiding to survive. --Hazel Rochman
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Polacco continues to mine her family history, this time telling the story of an aunt's childhood in wartime France. Young Monique doesn't comprehend the brutality of the Nazis' missionÄuntil the day three German soldiers find her admiring a butterfly. "Joli, n'est-ce pas?" says one to Monique, then grabs the butterfly and crushes it in his fist. The butterfly, or papillon as it is frequently called here, becomes for Monique a symbol of the Nazis' victims. Her sympathies are quickly focused: one night Monique wakes up to discover a girl in her bedroom and learns that she and her parents, Jews, have been hiding for months in Monique's house, protected by Monique's mother. The girl, Sevrine, has been forbidden to leave the hiding place, so she and Monique meet secretly. Then a neighbor sees the two girls at the window one night, and Sevrine's family must flee. As an afterword reveals, only Sevrine survives, contacting Monique by letterÄwith a drawing of a butterfly. In comparison with the seeming spontaneity of the author's Pink and Say, this tale's use of the butterfly symbolism gives it a slightly constructed or manipulated feel. Even so, the imagery and the dramatic plot distill for young readers the terrors and tragic consequences of the Nazi regime and the courageousness of resisters. Ages 4-8. (May) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 1-5-Polacco relates the tale of her Aunt Monique to show, in picture-book terms, the suffering of the Jews during Nazi occupation and the courage of those who took part in the French Resistance. The setting is a small village; unbeknownst to the child, Monique's mother is hiding Jews in their basement. It is at night, when Sevrine emerges from the depths to peer out the window, that Monique awakens and the secret friendship begins. Polacco's use of color has never been more effective. The blackness, which starts on the endpapers, surrounds the girls' conversations, Sevrine's basement existence, the ditch hiding the two families as they flee to the next refuge, and the train car on Monique's return trip (she has become separated from her mother). In contrast are the light-filled scenes of Monique and her mother at breakfast, their sweet reunion at home, and, on the last page, mother and child surrounded by butterflies. Earlier, Monique had watched a soldier crush a papillon; later, she had taken a fluttering "kiss of an angel" inside for her friend. The bold pattern and heightened color of the insect provides a counterpoint to the equally dynamic black-on-red swastikas. Convincing in its portrayal of both the disturbing and humanitarian forces of the time, the title is not as dark or graphic as Robert Innocenti's Rose Blanche (Harcourt, 1996). An author's note relates the rest of the story: Sevrine survived and the friendship still flourishes. A perfect blend of art and story.-Wendy Lukehart, Dauphin County Library, Harrisburg, PA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
In this story based on Polacco's family history, Monique befriends a Jewish girl hiding in her basement and inadvertently reveals her presence, forcing the family to move. Set in WWII France, the narrative paints a convincing portrait of life during the Nazi occupation, though the butterfly motif is a bit heavy-handed. Polacco's large, expressive illustrations enhance the drama. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
During the Nazi occupation of France, Monique discovers that a young Jewish girl named Serine has been hidden in her cellar. It is a surprise to Monique that her mother and father have been sheltering the family, but she does not let on that she knows. The girls visit and play together in the evening when the rest of the household is asleep. "They laughed and giggled, and told each other their dreams." Although frightened by the presence of Nazi soldiers in her village, their friendship grows, and Monique brings gifts to Serine from the outside world: rich soil, a bright flower, and finally a real wonder, a butterfly. A neighbor catches a glimpse of Serine, and the family must flee. This is another one of Polacco's (Thank You Mr. Falker, 1998) family stories based on real events and retold in a dramatic picture book for older readers. The strikingly detailed marker and pencil illustrations bring forth the fear, deprivation, and small joys of the time. The richness of the illustrations from the blue-patterned teacups to the gallery of dog portraits that adorn a staircase evokes a strong sense of time and place. Polacco uses a palette of pinks and pastels that are quickly overshadowed by grays, black, and red to evoke Monique's growing realizations of the oppression, danger, and darkness of the moment. A strong contrast comes at the end when hope returns in the form of dozens of bright orange-and-black butterflies. Polacco's choice of monarchs to depict the butterflies emphasizes the miraculous nature of this occurrence because, although these butterflies are abundant in North America, they are rarely sighted in Europe. A portrait of friendship, courage, and hope. (author's note) (Picture book. 6-10) Copyright ©Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.