Review by Booklist Review
Ages 4^-7. This newly illustrated version of a book Taback first published in 1977 is a true example of accomplished bookmaking--from the typography and the endpapers to the bar code, set in what appears to be a patch of fabric. Taback's mixed-media and collage illustrations are alive with warmth, humor, and humanity. Their colors are festive yet controlled, and they are filled with homey clutter, interesting characters, and a million details to bring children back again and again. The simple text, which was adapted from the Yiddish song "I Had a Little Overcoat," begins as Joseph makes a jacket from his old, worn coat. When the jacket wears out, Joseph makes a vest, and so on, until he has only enough to cover a button. Cut outs emphasize the use and reuse of the material and add to the general sense of fun. When Joseph loses, he writes a story about it all, bringing children to the moral "You can always make something out of nothing." --Tim Arnold
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
As in his Caldecott Honor book, There Was an Old Lady Who Swallowed a Fly, Taback's inventive use of die-cut pages shows off his signature artwork, here newly created for his 1977 adaptation of a Yiddish folk song. This diverting, sequential story unravels as swiftly as the threads of Joseph's well-loved, patch-covered plaid coat. A flip of the page allows children to peek through to subsequent spreads as Joseph's tailoring produces items of decreasing size. The author puts a droll spin on his narrative when Joseph loses the last remnant of the coatÄa buttonÄand decides to make a book about it. "Which shows... you can always make something out of nothing," writes Taback, who wryly slips himself into his story by depicting Joseph creating a dummy for the book that readers are holding. Still, it's the bustling mixed-media artwork, highlighted by the strategically placed die-cuts, that steals the show. Taback works into his folk art a menagerie of wide-eyed animals witnessing the overcoat's transformation, miniature photographs superimposed on paintings and some clever asides reproduced in small print (a wall hanging declares, "Better to have an ugly patch than a beautiful hole"; a newspaper headline announces, "Fiddler on Roof Falls off Roof"). With its effective repetition and an abundance of visual humor, this is tailor-made for reading aloud. All ages. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Learning Activity: Have students create cut-outs of Joseph's garments as they retell the story, demonstrating their understanding of the central message and its key details. (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
(Primary) ""Joseph had a little overcoat. It was old and worn. So he made a jacket out of it and went to the fair."" So begins this adaptation of a Yiddish folk song (a newly illustrated version of a book Taback first did in 1977). The text is simple to the point of prosaicness-nowhere near as inventive and jazzy as the illustrator's riff on There Was an Old Lady Who Swallowed a Fly-but the art sings with color and movement and humor and personality. Taback employs die-cuts with the same effectiveness and cleverness as he did in There Was an Old Lady to tell the story of resourceful Joseph, a farmer/tailor of Yehupetz, Poland, who recycles his worn overcoat into ever-smaller elements (jacket, vest, scarf, tie, handkerchief, and button). Taback incorporates detail after detail of Jewish life-the Yiddish newspaper the Morning Freiheit; references to Sholom Aleichem and other writers and philosophers; Yiddish proverbs and Chelm stories-to create a veritable pageant of pre-WWII Jewish-Polish life. (In fact, the book is as much a tribute to a vanished way of life as it is a story, but the tribute only enriches the tale.) Broad comedy plays an important part of the pageant: Joseph looks so unhappy and gets such expressively reproachful looks from his animals when his garments become ""old and worn""; in contrast, he is all smiles when, each time, he makes something new out of the old. (The exceptionally clever cover design-which incorporates die-cuts to show first a distressingly full-of-holes and then a jauntily patched overcoat-echoes this satisfying pattern.) Double-page spreads employ a mixture of painting and collage to somewhat surreal but delightful effect, such as the one in which Joseph is standing in a field covered with photographs of fruits and vegetables of every kind, from watermelons to jalape±o peppers. In the end, Joseph loses his button, his last bit of overcoat; left with nothing, he makes one more item-this book. Don't you lose it: clever, visually engrossing, poignant, it's worth holding on to. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
