1st Floor Show me where

FICTION/McCullough, Colleen
1 / 1 copies available
Location Call Number   Status
1st Floor FICTION/McCullough, Colleen Checked In
Subjects
Published
New York : Harper & Row c1977.
Language
English
Main Author
Colleen McCullough, 1937- (-)
Physical Description
533 p.
ISBN
9780517201657
9780060129569
  • 1. 1915-1917 Meggie
Review by Kirkus Book Review

A hefty night-table bender which, in its stretch from 1915 to 1969, encompasses the sledgehammer woes and nuptial/extra-nuptial flights of three sturdy women of succeeding generations. New Zealander Fiona, who has a child by a magnetic politician, gets married off to Padraic Cleary, well below her station but a good man for a' that. Valiant Fiona wearily toils on in poverty, bearing innumerable sons and one daughter, Meggie, before Paddy's land-rich, widowed sister imports the family to Australia. Enter Father Ralph, whose ambition will carry him to Vatican prominence, but whose love.for the child Meggie will lead, when she is a woman, to a passion he cannot control. Meggie, loving only Ralph, will marry cold hand Luke, brutally callous. She tricks Luke into fatherhood and bears Justine before spinning into paradise with Father Ralph--who has temporarily flung cassock to the winds. Gentle son Dane, who will, ironically, become a priest, is the result. But deaths dog the family: Fiona's favorite sons, then Paddy, and then Dane and Ralph. Indestructible Fiona and Meggie are left to bring about Justine's promising marriage to a sensitive, happily exiled German. Again, as in her last, Tim (1974), McCullough's groaning tuckerbag of implausibilities is redeemed somewhat by her sure footing among the shearing sheds and landscapes of Australia. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

The Thorn Birds Chapter One On December 8th, 1915, Meggie clearly had her fourth birthday. After the breakfast dishes were put away her mother silently thrust a brown paper parcel into her arms and ordered her outside. So Meggie squatted down behind the gorse bush next to the front gate and tugged impatiently. Her fingers were clumsy, the wrapping heavy; it smelled faintly of the Wahine general store, which told her that whatever lay inside the parcel had miraculously been bought , not homemadeor donated. Something fine and mistily gold began to poke through a corner; she attacked the paper faster, peeling it away in long, ragged strips. "Agnes! Oh, Agnes!" she said lovingly, blinking at the doll lying there in a tattered nest. A miracle indeed. Only once in her life had Meggie been into Wahine; all the way back in May, because she had been a very good girl. So perched in the buggy beside her mother, on her best behavior, she had been too excited to see or remember much. Except for Agnes, the beautiful doll sitting on the store counter, dressed in a crinoline of pink satin with cream lace frills all over it. Right then and there in her mind she had christened it Agnes, the only name she knew elegant enough for such a peerless creature. Yet over the ensuing months her yearning after Agnes contained nothing of hope; Meggie didn't own a doll and had no idea little girls and dolls belonged together. She played happily with the whistles and slingshots and battered soldiers her brothers discarded, got her hands dirty and her boots muddy. It never occurred to her that Agnes was to play with. Stroking the bright pink folds of the dress, grander than any she had ever seen on a human woman, she picked Agnes up tenderly. The doll had jointed arms and legs which could be moved anywhere; even her neck and tiny, shapely waist were jointed. Her golden hair was exquisitely dressed in a high pompadour studded with pearls, her pale bosom peeped out of a foaming fichu of cream lace fastened with a pearl pin. The finely painted bone china face was beautiful, left unglazed to give the delicately tinted skin a natural matte texture. Astonishingly lifelike blue eyes shone between lashes of real hair, their irises streaked and circled with a darker blue; fascinated, Meggie discovered that when Agnes lay back far enough, her eyes closed. High on one faintly flushed cheek she had a black beauty mark, and her dusky mouth was parted slightly to show tiny white teeth. Meggie put the doll gently on her lap, crossed her feet under her comfortably, and sat just looking. She was still sitting behind the gorse bush when Jack and Hughie came rustling through the grass where it was too close to the fence to feel a scythe. Her hair was the typical Cleary beacon, all the Cleary children save Frank being martyred by a thatch some shade of red; Jack nudged his brother and pointed gleefully. They separated, grinning at each other, and pretended they were troopers after a Maori renegade. Meggie would not have heard them anyway, so engrossed was she in Agnes, humming softly to herself. "What's that you've got, Meggie?" Jack shouted, pouncing. "Show us!" "Yes, show us!" Hughie giggled, outflanking her. She clasped the doll against her chest and shook her head: "No, she 's mine! I got her for my birthday!" "Show us, go on! We just want to have a look." Pride and joy won out. She held the doll so her brothers could see. "Look, isn't she beautiful? Her name is Agnes." "Agnes? Agnes? " Jack gagged realistically. "What a soppy name! Why don't you call her Margaret or Betty?" "Because she's Agnes!" Hughie noticed the joint in the doll's wrist, and whistled. "Hey, Jack, look! It can move its hand!" "Where? Let's see." "No!" Meggie hugged the doll close again, tears forming. "No, you'll break her! Oh, Jack, don't take her away-you'll break her!" "Pooh!" His dirty brown hands locked about her wrists, closing tightly. "Want a Chinese burn? And don't be such a crybaby, or I'll tell Bob." He squeezed her skin in opposite directions until it stretched whitely, as Hughie got hold of the doll's skirts and pulled. "Gimme, or I'll do it really hard!" "No! Don't, Jack, please don't! You'll break her, I know you will! Oh, please leave her alone! Don't take her, please!" In spite of the cruel grip on her wrists, she clung to the doll, sobbing and kicking. "Got it," Hughie whooped, as the doll slid under Meggie 's crossed forearms. Jack and Hughie found her just as fascinating as Meggie had; off came the dress, the petticoats and long, frilly drawers. Agnes lay naked while the boys pushed and pulled at her, forcing one foot round the back of her head, making her look down her spine, every possible contortion they could think of. They took no notice of Meggie as she stood crying; it did not occur to her to seek help, for in the Cleary family those who could not fight their own battles got scant aid or sympathy, and that went for girls, too. The doll's golden hair tumbled down, the pearls flew winking into the long grass and disappeared. A dusty boot came down thoughtlessly on the abandoned dress, smearing grease from the smithy across its satin. Meggie dropped to her knees, scrabbling frantically to collect the miniature clothes before more damage was done them, then she began picking among the grass blades where she thought the pearls might have fallen. Her tears were blinding her, the grief in her heart new, for until now she had never owned anything worth grieving for. Frank threw the shoe hissing into cold water and straightened his back; it didn't ache these days, so perhaps he was used to smithying. Not before time, his father would have said, after six months at it. The Thorn Birds . Copyright © by Colleen McCullough. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from The Thorn Birds by Colleen McCullough All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.