What's eating Gilbert Grape

Peter Hedges

Book - 1991

Saved in:

1st Floor Show me where

FICTION/Hedges, Peter
1 / 1 copies available
Location Call Number   Status
1st Floor FICTION/Hedges, Peter Checked In
Subjects
Published
New York : Poseidon Press c1991.
Language
English
Main Author
Peter Hedges (-)
Physical Description
335 p.
ISBN
9780671038540
9780671735098
Contents unavailable.
Review by Booklist Review

Dramatists have invented dozens of devices to let audiences know what their characters are thinking but not saying. Hedges, who at age 28 has formed his own theater company and had his plays produced at the off-Broadway Circle Repertory Theater and at a number of regional theaters, has found an unconventional solution: he's written a novel. Narrator Gilbert Grape has a full load of problems. His family thinks "families are what other people have." His love life, such as it is, is a mess. The old-fashioned grocery where he works is losing its customers to a glitzy supermarket with its own lobster tank. And his town itself--Endora, Iowa, population 1,091--is losing its young people, burning down its elementary school, and rapidly turning into Anytown, U.S.A. This is a funny, touching, caring first novel whose characters are familiar and moving in spite of (or perhaps because of) their peculiarities. As 24-year-old Gilbert prepares for his retarded brother's eighteenth birthday party, ends his first sexual relationship and begins what he hopes may be his second, and wrestles with the mysteries of life and death, laughing and crying, loving and accepting others and loving and accepting himself, he takes a long step toward an adulthood delayed by the multifarious things "eating" him as the novel begins. Readers will wish him well. ~--Mary Carroll

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Wonderfully entertaining and amusing, this distinctive first novel goes down like a chocolate milkshake but boasts the sharpness and finesse of a complex wine, for Hedges's ostensibly country-bumpkin-style tale sparkles with sophisticated literary devices and psychological insight. Twenty-four-year-old Gilbert Grape sacks groceries in small, monotonous Endora, Iowa, pop. 1091 (``Describing this place is like dancing to no music''). Fear of leaving Endora, loyalty to his disintegrating family--particularly to obese, TV-addict Momma and goofy younger brother Arnie,``the retard''--and disgust over the technological wave of the future which is destroying the town's values have turned Arnie into ``a walking coma practically.'' As Momma's overeating becomes suicidal and Arnie nears age 18, Gilbert is jostled out of his paralysis and into honest self-examination. The colloquial narrative voice, dialogue, colorful cast of characters and even the theatrically staged scenes are conveyed with appealing credibility. Like John Updike, Hedges invests an antihero's ordinary provincial American life with thematic meaning, fashioning the details of everyday existence into clever literary symbols. He leaves readers demanding a sequel. BOMC alternate. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Grape is 24 and stuck in a rut. Trapped by feelings of responsibility to his eccentric family, he works bagging groceries in their small Iowa town. And what a family! At its core lies his beached whale of a mother; she never leaves her TV chair and clamors constantly for more food and cigarettes. There is Ellen, his maddeningly pubescent sister; 17-year-old retarded brother Arnie, whom Gilbert loves dearly; and his older sister Amy who devotes herself to keeping everyone happy. Gilbert is saved by a beautiful and strange girl who startles him into life. That such a creature would take an interest in an apparent loser like Gilbert requires the reader's willing suspension of disbelief; but with such appealingly funny writing, one is only too happy to oblige. Highly recommended for fiction collections.-- Sheila Riley, Smithsonian Inst. Libs., Washington, D.C. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

An ever-so-gentle coming-of-age story--a saccharine Last Picture Show--that almost smothers the evident talent of its author in an overdose of pop culture. At 24, Gilbert Grape is the sentimental favorite in Endora, Iowa, a good boy still bagging groceries in the local market. But he's not happy: he's mired in an affair with the insurance agent's wife, and outraged by the supermarket chains and burger franchises that are devouring Endora's soul, as well as the loyalties of Gilbert's friends. Most of all, Gilbert hates being put-upon by his grotesquely mediocre family: fat Momma, who eats and sleeps in her chair by the TV; saintly Amy, who's given up everything for Momma except her Elvis fetish; insufferable Ellen, a typically self-involved teenager; Larry, the vanished brother; Janice, the psychologist-cum-stewardess. The only gem in the lot is Arnie--the retarded brother whose 18th birthday is approaching--and who functions both as plot device and provider of tear-jerking dialogue. Every time Arnie does something retarded, like hiding in the town water tower or disrupting a parade, Gilbert bails him out. He enjoys playing the white knight, but as Becky, the new girl in town, intuits, Gilbert has yet to learn Life's Deeper Lessons--such as how to say goodbye, how to love, and how to cry. Suffice it to say, he does all three things by the end of this tale. But despite Arnie's eventful birthday, Momma's expiration, and her cremation in the hated family house, there's hardly any serious effect on the reader's emotions or intellect. Too predictable and too dependent on pop culture to achieve indelibility--but a first novel that does manage to impress with its playwright author's sense of form and craft. Hedges turns a nice phrase; in fact, all that's lacking here are content and nerve.

Copyright (c) Kirkus Reviews, used with permission.

Chapter One Standing with my brother Arnie on the edge of town has become a yearly ritual. My brother Arnie is so excited because in minutes or hours or sometime today trucks upon trailers upon campers are going to drive into our home town of Endora, Iowa. One truck will carry the Octopus, another will carry the Tilt-A-Whirl with its blue and red cars, two trucks will bring the Ferris wheel, the games will be towed, and most important, the horses from the merry-go-round will arrive. For Arnie, this is better than Christmas. This beats the tooth fairy and the Easter bunny: all those stupid figures that only kids and retarded adults seem to stomach. Arnie is a retard. He's about to turn eighteen and my family is planning an enormous party. Doctors said we'd be lucky if he lived to be ten. Ten came and went and now the doctors are saying, "Any time now, Arnie could go at any time." So every night my sisters and me, and my mom too, go to bed wondering if he will wake up in the morning. Some days you want him to live, some days you don't. At this particular moment, I've a good mind to push him in front of the oncoming traffic. My oldest sister, Amy, has fixed us a picnic feast. In a thermos was a quart of black cherry Kool-Aid, all of which Arnie drank in such a hurry that above his top lip is a purplish mustache. One of the first things you should know about Arnie is that he always has traces of some food on his face -- Kool-Aid or ketchup or toast crumbs. His face is a kind of bulletin board for the four major food groups. Arnie is the gentlest guy, but he can surprise this brother. In the summertime, he catches grasshoppers and sticks them in this metal tab on the mailbox, holding them there, and then he brings down the metal flag, chopping off the grasshopper heads. He always giggles hysterically when he does this, having the time of his life. But last night, when we were sitting on the porch eating ice cream, a countless sea of grasshopper bodies from summers past must have appeared to him, because he started weeping and sobbing like the world had ended. He kept saying, "I killed 'em, I killed 'em." And me and Amy, we held him close, patted his back and told him it was okay. Arnie cried for hours, cried himself to sleep. Makes this brother wonder what kind of a world it would be if all the surviving Nazis had such remorse. I wonder if it ever occurs to them what they did, and if it ever sinks in to a point that their bodies ache from the horrible mess they made. Or are they so smart that they can lie to us and to themselves? The beautiful thing about Arnie is that he's too stupid to lie. Or too smart. I'm standing with binoculars, looking down Highway 13; there is no sign of our annual carnival. The kid is on his knees, his hands rummaging around in the picnic basket. Having already eaten both bags of potato chips, both peanut-butter-and-jelly sandwiches and both chocolate donuts, he locates a green apple and bites into it. By trying to ignore Arnie's lip-smacking noises, I am attempting the impossible. You see, he chews as if he's just found his mouth and the sounds are that of good, sloppy sex. My brother's slurps and gulps make me want to procreate with an assortment of Endora's finest women. It's the twenty-first of June, the first day of summer, the longest day of the year. It isn't even 7:00 a.m. yet and here I stand, little brother in tow. Somewhere some smart person still sleeps. "Gilbert?" "Yeah?" Bread crust and peanut-butter chunks fall off Arnie's T-shirt as he stretches it down past his knees. "Gilbert?" "What is it?" "How many more miles?" "I don't know." "How many, how many more till the horses and stuff?" "Three million." "Oh, okay." Arnie blows out his lips with a sound like a motorboat and he circles the picnic basket, drool flying everywhere. Finally, he sits down Indian style and starts quietly to count the miles. I busy myself throwing gravel rocks at the Endora, Iowa, town sign. The sign is green with white printing and, except for a divot that I left last year at this time with my rock throwing, it is in excellent condition. It lists Endora's population at 1,091, which I know can't be right, because yesterday my second-grade teacher, Mrs. Brainer, choked on a chicken bone while sitting on her porch swing. A great loss is felt by no one. Mrs. Brainer retired years ago. She lived half a block from the town square, so I'd see her pretty much every day, always smiling at me as if she expected me to forget all the pain she'd inflicted. I swear this woman smiled all the time. Once, as she was leaving the store, her sack of groceries ripped. Cans of peaches and fruit cocktail dropped out onto the floor, cutting open her toes. My boss and I saw this happen. She pushed up a real big grin as the tears fell off her cheeks. I resacked her cans, but she couldn't stop smiling and crying, and her toes couldn't stop bleeding. I'm told that when they found her on the porch, her hands were up around her throat, and there were red scratch marks on her neck, in her mouth, and pieces of flesh under her fingernails. I wonder if she was smiling then. Anyway, they took her body to McBurney's Funeral Home in Motley. They'll be planting her tomorrow. "Gilbert?" "What?" "Uhm." "What?" "Uhm. The horses, the rides, the horses are coming, right? Right?" "Yes, Arnie." Endora is where we are, and you need to know that describing this place is like dancing to no music. It's a town. Farmers. Town square. Old movie theater closed down so we have to drive sixteen miles to Motley to see movies. Probably half the town is over sixty-five, so you can imagine the raring place Endora is on weekend nights. There were twenty-three in my graduating class, and only four are left in town. Most went to Ames or Des Moines and the really ambitious made it over to Omaha. One of those left from my class is my buddy, Tucker. The other two are the Byers brothers, Tim and Tommy. They stayed in town because of a near fatal, crippling car accident, and they just kind of ride around the square racing in their electric wheelchairs. They are like the town mascots, and the best part is they are identical twins. Before the accident no one could tell them apart. But Tim's face was burned, and he's been given this piglike skin. They both were paralyzed but only Tommy lost his feet. The other day in our weekly paper, the Endora Express, pigskin Tim pointed out the bright side in all of this. Now it is easy to tell which is which. After many years Tim and Tommy have finally found their own identities. That's a big thing in Endora these days. Identities. And the bright side. We got people here who've lost their farms to the bank, kids to wars, relatives to disease, and they will look you square in the eye and, with a half grin, they'll tell you the bright side. The bright side for me is difficult on mornings like these. There's no escaping that I'm twenty-four years old, that I've been out of Iowa a whopping one whole time, that you could say about all I've done in my life to this point is baby-sit my retard brother, buy cigarettes for my mother, and sack groceries for the esteemed citizens of Endora. "Gilbert?" says Arnie. He has frosting all around his mouth and a glob of jelly above his good eye. "What, Arnie?" "You sure they're coming? We've been standing such a long time." "They'll be along any second." I take a napkin from the basket and spit in it. "No!" "Come here, Arnie." "No!" "Come here." "Everybody's always wiping me!" "Why do you think that is?" "Because." For Arnie, that is an answer. I give up on spring cleaning his face and look down the road. The highway is empty. Last year the big rides came pretty early. The trailers and the campers came later. Arnie is really only interested in the horses from the merry-go-round. I say, "Hey, Arnie, there's still sleep in my eyes," but he isn't interested. He nibbles on his bottom lip; he's working on a thought. My little brother is a somewhat round-looking kid with hair that old ladies always want to comb. He is a head shorter than me, with teeth that look confused. There's no hiding that he's retarded. You meet him and you figure it out right away. "Gilbert! They're not coming!" I tell him to stop shouting. "They're not coming at all, Gilbert. The rides got in a big crash and all the workers hung themselves...." "They will be here," I say. "They hung themselves!" "No, they didn't." "You don't know! You don't know!" "Not everybody hangs himself, Arnie." He doesn't hear this because he reaches into the basket, stuffs the other green apple inside his shirt, and starts running back to town. I shout for him to stop. He doesn't, so I chase after him and grab his waist. I lift him in the air and the apple drops out onto the brown grass. "Let me go. Let me go." I carry him back to the picnic basket. He clings to me, his legs squeeze around my stomach, his fingers dig into my neck. "You're getting bigger. Did you know that?" He shakes his head, convinced I'm wrong. He's not any taller than last year, but he's rounder, puffier. If this keeps up, he'll soon be too big for me to pick up. "You're still growing. You're getting harder and harder for me to carry. And you're getting so strong, too." "Nope. It's you, Gilbert." "It's not me. Believe me, Arnie Grape is getting bigger and stronger. I'm sure of it." I set him down when I get to the picnic basket. I'm out of breath; beads of sweat have formed on my face. Arnie says, "You're just getting little." "You think?" "I know. You're getting littler and littler. You're shrinking." Stupid people often say the smartest things. Even Arnie knows that I'm in a rut. Since I don't believe in wearing a watch, I can't tell the exact time -- but this moment, the one when my goofy brother rips the bandage off my heart, is followed by a yelp. Arnie's yelp. He points east, and with the binoculars I locate a tiny dot moving our way. Several dots follow. "Is it them? Is it them?" "Yes," I say. Arnie's jaw drops; he starts dancing. "Here come the horsies. Here come the horsies!" He begins howling and jumping up and down in circles; slobber sprays from his mouth. Arnie is entering heaven now. I stand there watching him watch as the rides grow. I just stand there hoping he won't sprout wings and fly away. Copyright © 1991 by Peter Hedges Excerpted from What's Eating Gilbert Grape? by Peter Hedges All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.