Review by Booklist Review
A young woman enters a convent in upstate New York in 1906. She seems most fit to be a nun, but then, perhaps she is too "fit." Within a year of her acceptance as a postulant, Mariette develops the stigmata--the wounds of Jesus. After much consideration, her superiors decide to turn her out of the convent, sending her back to live with her father. Mariette grows old in her childhood village and, except once when her palms hurt, never again experiences the wounds. Were they a true gift from God? Or the result of her private mortifications of the flesh? Or simply hysteria? It's up to the reader to decide. Hansen is the author of the critically acclaimed Assassination of Jesse James by the Coward Robert Ford. ~--Cynthia Ogorek
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
In this quiet and forceful study of religious passion, Hansen ( The Assassination of Jesse James by the Coward Robert Ford ) places an extraordinary spiritual experience in the center of a deftly evoked natural world, namely, rural upstate New York just after the turn of the century. At summer's end, when she is 17, Mariette Baptiste, educated daughter of the local doctor, enters the cloistered convent of Our Lady of the Afflictions as a postulant. Her religious fervor, understated but determined, makes an impact on the small community of nuns whose days and nights are measured in a round of prayer and farm work changing only with the seasons. Their ordered life is disrupted, however, as Mariette begins to fall into a series of trances from which she awakens with stigmata, which heal as spontaneously as they appear. The feelings of skepticism, jealousy and adoration evoked in the nuns, Mariette's own response and that of the Mother Superior are delicately, indelibly drawn in Hansen's authoritative prose. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review
One of the enduring Christian mysteries is the existence of stigmatics (``people who bear in their bodies the injuries of Christ's crucifixion''). Hansen's third novel (astonishingly different from his Western historicals, Desperadoes, 1979, and The Assassination of Jesse James, 1987) is about a young stigmatic in an upstate New York priory in 1906. Mariette Baptiste is a 17-year-old postulant seeking to join the Sisters of the Crucifixion, a 200-year-old order with its motherhouse in Louvain, Belgium. The narrative covers the six months of Mariette's stay at the priory. She arrives in August, already ``the gossip of the summer'' because of her beauty and background. She is the daughter of the wealthy local doctor and the sister of the prioress, Mother Celine, 20 years her senior. The doctor, miserable at losing a second daughter in this way, feels Mariette is too ``high-strung'' for the convent; but for Father Marriott, the old priest who hears the sisters' confessions and becomes Mariette's most ardent champion, she is not neurotic but chaste. Hansen sets Mariette's preternatural experiences against the rhythms of priory life and the all-encompassing rhythms of the natural world. He is particularly good at dramatizing the central tension of priory life: the nuns' need for mutual affection, ruled impermissible because it distracts from their ``grandest passion,'' Jesus Christ. Mariette first feels Christ's wounds on Christmas Eve, as her sister is dying of cancer. Soon hundreds of lay people are coming to the priory, hoping to glimpse the stigmatic. The new prioress, initially skeptical, becomes convinced that Mariette's wounds are miraculous after the doctor has examined them; nonetheless, alarmed by the disruption of priory life, she sends Mariette home. Since the reader never doubts the authenticity of Mariette's experience, the only suspense element is the priory's response to it. But what Hansen has achieved, through his immaculate narration and (in the Joycean sense) his invisibility, is a notable act of witness.
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