Review by Booklist Review
Who is killing Supreme Court law clerks? Michael Fiske is the first to drop, and police do what they do with every mystery: canvass work colleagues for clues. Clerk Sara Evans has one that she keeps to herself. She knows Fiske read something scandalous in an appeal that he filched before the justices could read it. She knows, too, that the appeal was from a Rufus Harms. The reader knows that Rufus is a lifer in an army stockade whose grievance about his murder conviction starts the action. The plot problem is to get Rufus moving. Baldacci engineers that by writing in an escape and pursuit by army officers who want Rufus and anyone who knows about his case dead. Meanwhile, Sara hooks up with the dead Fiske's brother John, an ex-cop who insinuates himself into the investigation. As Sara and John piece together Michael's interest in Rufus' appeal, it becomes obvious that everyone has to meet, sort things out, and empty a few clips of ammo. Baldacci scripts this necessity into three different scenes before revealing the cover-up that accounts for the high body count. The crime being covered up is stale beer compared to the Supreme Court setting, but as with a scenic drive, the destination of a Baldacci cliff-hanger is less important than the route taken. Baldacci's passengers, repeaters and new ones alike, will be clamoring to ride along. --Gilbert Taylor
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
It's a truism that readers who like Grisham's novels often take to Baldacci's, but never has Baldacci's debt to the more veteran author been so evident as in this strong-boned thriller that features the Grishamesque premise of young lawyers who uncover a conspiracy reaching into the U.S. Supreme Court. Baldacci isn't as smooth a writer as Grisham: he'll hop point of view in mid-scene, and the opening sentence of this novel, at least as presented in the review galley, is a run-on. But for foxy plotting, Baldacci is easily Grisham's peer, and his characters are always captivating. Here, the principals are Rufus Harms, a slow-witted black giant who, after decades in a military prison, realizes that, for reasons revealed only at the novel's end, he is morally innocent of the murder for which he's doing time; John Fiske, a cop-turned-lawyer who's drawn into Harms's quest for justice after his younger brother, a Supreme Court clerk interested in Harms's case, is murdered; and Sara Evans, another Supreme Court clerk who joins forces and beds with Fiske. Plenty of cinema-ready action ensues as Harms, aided by his Vietnam vet brother, escapes from prison and Fiske and Sara try to get to him before the conspirators who put Harms behind bars do. The novel's resolution is predictable, however. This isn't Baldacci's most original book, but it's his most generously textured, distinguished by thoughtful delvings into family psychodramatics (of both the Fiske and Harms clans), a nicely rendered romance between two tentative lovers and, adding a welcome and strong backdrop of authenticity to the outlandish turns of events, vivid detailing of the Supreme Court behind closed doors where the truth, apparently, is anything but simple. 500,000 first printing; BOMC main selection; simultaneous TimeWarner audio. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Will Baldacci's most recent title be another Winner, like his recent New York Times best seller? Here, a man convicted of a murder he's convinced he committed suddenly realizes that he's been framed and launches an appeal that leads to more murder. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
A tiresome potboiler in which an appeal to the US Supreme Court sets off a killing spree that produces enough corpses for each justice to go one-on-one. Rufus Harms was put away for murdering a little girl, and for 25 years that was okay with him because he thought he was guilty. But now, by dint of bureaucratic snafu, he learns the real story. On that horrific night, he was drugged for reasons of a sketchy nature by a group of wicked conspirators; ergo, he had no control over his behavior. Rufus is no mental giant, yet even he can see he may have an out. He contacts his lawyer, the reluctant Samuel Rider, and intimidates him into filing an appeal before the Supreme Court. One fateful morning, then, Michael Fiske, the brightest and best of the Supreme Court clerks, opens the Court's mail, spots the Rider-Harms document, and decides to steal it, hying himself off to the jailhouse to offer Rufus help. This very act tips off the suddenly wary conspirators, and, naturally, they kill Michael. Enter John, Michaels brother, a former cop, currently a somehow idealistic defense attorney, who vows to search out the perp, in turn making himself a suspect. And then, naturally, there's Sara, a superbrilliant, incredibly beautiful lawyer, whose faith in John is immediate and unshakable. Together, they sniff out clues, a process that takes them into the cloistered chambers of the highest court in the land, where, according to Baldacci (The Winner, 1997, etc.), the justices behave like ill-tempered children except for the lone woman on the Court who behaves and talks like a character out of a romance novel: ``Sara respected your brother,'' she tells John, ``but her heart lies elsewhere.'' In the final, bloody act, the villain is revealed and denounced amid a Hamlet like body count. Just another big, silly book about lawyers. (First printing of 500,000)
Copyright (c) Kirkus Reviews, used with permission.
