Up island A novel

Anne Rivers Siddons

Book - 1997

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FICTION/Siddons, Anne Rivers
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Subjects
Published
New York : HarperCollins c1997.
Language
English
Main Author
Anne Rivers Siddons (-)
Edition
1st ed
Physical Description
342 p. ; 25 cm
ISBN
9780061715716
9780060176150
Contents unavailable.
Review by Booklist Review

Following her resoundingly successful Fault Lines (1995), Siddons now introduces Molly Bell Redwine, the statuesque wife of an Atlanta blue blood. This story is a quest for family; her whole life, Molly, now a happy wife and mother in the wealthy Atlanta suburbs, has defined her universe by what she perceives to be her role in the family. Molly's world begins its descent upon learning that her husband not only has a mistress but also has plans to marry the younger woman. Her mother's sudden death only makes her ground shakier. Thus, without realizing it, Molly begins a journey to find a new family. She decides to stay on at Martha's Vineyard after visiting her friend there, and she proceeds to play familiar roles with new people. Siddons has always had a certain knack for weaving lyrical phrases and conveying a mood through her prose; her portrayal of the woman scorned is particularly poignant and insightful, as is her depiction of complex family dynamics. But the story gets frustrating because the reader wants everything to be right for Molly, and that certainly doesn't always happen. Sure there is some sort of resolution at the end, but it is a disjointed and odd conclusion. However, given the 250,000-copy first printing and aggressive marketing, this novel is sure to find its fans. --Mary Frances Wilkens

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Heroines who are beset by crises while trying to do their best by family and friends are Siddons's stock-in-trade. The appealing protagonist of her 12th novel (after Heartbreak Hotel) is Molly Redwine of Atlanta, who for two decades has devoted herself to her Coca Cola-exec husband, Tee, her two children‘and the mythic concept of family togetherness. Now with 10 extra pounds bulking her statuesque figure and a nearly empty nest, Molly is devastated when Tee announces he's leaving her for a young attorney in Coke's legal department. When her manipulative, fault-finding mother suddenly dies shortly after they have had a rancorous conversation, an emotionally destroyed Molly takes temporary refuge with a friend on Martha's Vineyard‘a terrain and atmosphere that Siddons evokes with insightful accuracy. Then, locked out of her own house by Tee's incredibly uncouth and presumptuous mistress, Molly impulsively decides to stay on the Vineyard through the winter as caretaker to two sick elderly women, the cancer-stricken adult son of one of them, two hostile swans and, eventually, her own father, a widower sunk in a deep depression. Naturally, this is the catalyst for a typical Siddons situation in which a woman whose life is in shambles finds love, security and meaning just where she least expected it. Siddons's main fault is laying on drama and complications with a trowel, as she again does here, especially in allowing Molly's mother to maraud in Molly's dreams. Yet her novels, including this one, are redeemed by her ability to deal with larger issues‘here, loss of many kinds‘while her engaging characters find their destinies in a suspenseful story. 250,000 first printing; $200,000 ad/promo; simultaneous audio; author tour; first serial and dramatic rights: Virginia Barber. (June) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

A woman whose family has fallen apart finds refuge on Martha's Vineyard, caring for others as a means of finding herself. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by School Library Journal Review

YA‘For Molly Redwine, maintaining her family is the essence of her existence. When her husband announces he is leaving her for another woman, her world collapses. The "other woman" quickly takes over Molly's social position, her house, and even the affection of her son. With the sudden death of her domineering mother, Molly is truly set adrift. Escaping with friends to Martha's Vineyard, she starts the search for her own identity. When her friends depart, she stays on in a small cottage. As a renter, she must also assume the duties of caretaker of two cantankerous old women who share a haunting secret, a gravely ill and estranged son of one of those women, and two territorial swans. Through the winter, Molly struggles to nurture them as she searches for a future for herself. As with most of Siddons's heroines, Molly is an engaging woman who battles successfully with adversity and remains unsinkable. The author's fans will be delighted with her latest novel and its setting.‘Katherine Fitch, Lake Braddock Middle School, Burke, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Siddons has her formula down to a science (Fault Lines, 1995, etc.), as this latest once again demonstrates. Molly Bell Redwine is a woman who's never had a chance to discover herself. As a child, she lived under the shadow of her glamorous mother. As a young adult, she met and married Tee, a Coca-Cola executive who fathered her two children, Teddy and Caroline, and kept her comfortable in the manner to which she'd become accustomed. When Tee announces out of the blue that he's met a younger woman, a Coke attorney, and wants a divorce, and Molly's mother up and dies without any notice, Molly's stable if painfully dull Atlanta existence is thrown into disarray. On the advice of her transplanted northern friend Liv, she heads to Liv's house in Martha's Vineyard for the rest of the summer, and to everyone's surprise decides to stay once Liv heads back south at the end of the season. On the island, Molly finds herself in an unusual position as house-sitter, nurse, and friend to two elderly, ill women, and as part-time caretaker to one of the women's sons, who's suffering from cancer and has recently had his leg amputated. On top of it all, Molly's depressed, mourning father joins her, hoping to find solace in this place where he and his daughter are anonymous. But as is often the case--at least in a good Siddons novel--alone doesn't last for long, and love comes when it's least expected. What has seemed at first an unbearable burden transforms Molly in ways she couldn't have imagined. Far-fetched but oddly compelling, this beaten-down housewife's journey to self-reliance and happiness has surprising quirks, lively characters, and actual feeling. (First printing of 250,000; Literary Guild selection; $200,000 ad/promo; author tour)

Copyright (c) Kirkus Reviews, used with permission.

Up Island Chapter One You know how people are always saying "I knew it by the back of my neck" when they mean those occasional scalding slashes of intuition that later prove to be true? My mother is always saying it, though she is not always right. Nevertheless, in my half-Celt family, the back of one's neck is a hallowed harbinger of things to come. I first knew my husband was being unfaithful to me, not by the back of my neck, but by the skin of my buttocks, which, given the ultimate sorry progress of things, was probably prophetic. I always thought it was grossly unfair that Tee got all the fun and I got dermatitis of the posterior, but there you are. According again to my mother, it was a pattern we had laid down in stone in the early days of our marriage. I had been having fierce itching and red welts off and on since Christmas, but at first I put it down to the five pound box of candied ginger Tee's boss sent us and a savage new panty girdle that enabled me to get into my white beaded silk pantsuit. Later, when the itching and welting did not go away, I switched bath soap and body lotion, and still later had the furnace and air conditioning unit cleaned and found some plain unbleached cotton sheets for our bed. Still I felt as if I had been sitting in poison ivy, and often caught myself absently scratching in public as well as private. Teddy, my eighteen-year-old son, was mortified, and my best friend, Carrie Davies, asked me more than once, her elegant eyebrow raised, what was wrong. Tee would have teased me unmercifully, but he was not around much that winter and spring. Coca Cola was bringing out two new youth-oriented soft drinks, and Tee and his team were involved in the test marketing, which meant near-constant travel to the designated markets across the country. I could have scratched my behind and picked my nose at the same time on the steps of St. Philips and poor Tee, jet-lagged and teen-surfeited, would not have noticed. When I woke myself in the middle of a hot May night clawing my skin so that the blood ran, I made an appointment with Charlie Davies, and was distressed enough so that he worked me in at lunchtime the next day. "Well, Moonbeam, drop your britches and lay down here and let's see what we got," he roared, and I did, not really caring that the paper gown Charlie's nurse had provided me gapped significantly when I tied it around my waist. Charlie and Tee had been roommates at the University of Georgia, and I had known Tee only two weeks longer than I had Charlie. Charlie had married Carrie Carmichael, my Tri Delta sister, a week after Tee and I had married . . . we had all been in each other's weddings . . . and we had kept the friendship going all through med school and internship and then practice for Charlie and the early and middle years at the Coca Cola Company for Tee. Charlie had probably seen my bare bottom more than once, given the houseparties and vacations we four spent together. He had called me Moonbeam after Al Capp's dark, statuesque and gloriously messy backwoods siren, Moonbeam McSwine, since the first time we met. I allow no one else to do so, not even Tee. I rolled over onto my stomach and Charlie pulled back the paper gown and gave a long, low whistle. "Shit, Molly, has Big Tee been floggin' you, or what? You look like you been diddlin' in the briar patch." Despite his redneck patter, Charlie is a very good doctor, or he would not have any patients. Atlanta is full of crisp, no-nonsense out-of-towners who would draw the line, I thought, at being told to get nekkid and lay on down, unless the one saying it was supremely good at what he did. Charlie was. In time, the good-ole-boy gambit became a trademark, a trick, something people laughed indulgently about at parties. If it secretly annoyed me more than it amused, I never thought to verbalize it. "How bad does it look?" I said. "Honey, how bad can your sweet ass look? The day Tee married you the entire Chi Phi house went into mournin' for that booty. Though now that you mention it, there seems to be a good bit more of it these days, huh?" And he slapped me gently on the buttock. I felt it quiver like jellied consomme under his thick fingers. There was indeed more of me now than when I had married. Where once people had looked at me and seen a tall, sinewy sun-bronzed Amazon with a shock of wild blue-black hair and electric blue eyes, now they saw a big woman--a really big woman--with wild, gray-black hair, all teeth and leathery-tanned skin and swimming, myopic eyes behind outsize tortoise shell glasses. Then, they had stared at the slap-dash, coltish grace and vividness that had been mine. Now they simply stared at big. "Christ, it's a goddamned Valkyrie," I had overheard someone say at last year's performance of The Ring when it came to Atlanta. Tee and I had both laughed. I seldom thought about the added pounds, since they did not for a moment inhibit my life, and Tee never seemed to notice. "I mean the rash, or whatever it is, you horny hound," I said now to Charlie. "Well, I've seen worse," he said. "Saw jungle rot once, when I was a resident at Grady." "Come on, Charlie, what is it? What do I do about it? I never had anything like this before." "I don't know yet," he said, poking and prodding. "I'd say some kind of contact dermatitis, only you don't have a history of allergies, that I remember. I'm going to give you a little cortisone by injection and some pills and ointment, and if it's not healed by the time you've finished them I'm going to send you to Bud Allison. We need to clear this up. I don't imagine Tee is aesthetically thrilled by the state of your behind, is he?" "I don't think he's even noticed," I said. "He's been out of town so much with these new Coke things that all we've had time to do is wave in passing. It's supposed to slack off in a couple of weeks though, and I wish we could get rid of this by then. He'll think I have been rolling around in the alien corn patch." "Gon' sting a little bit," Charlie said, and I felt the cool prick of a needle. Then Charlie said, "I thought he was back by now. I saw him the other day over at that new condominium thing in midtown, the one that looks like a cow's tit caught in a wringer, you know. I guess he was helping Caroline move in there; he was toting a palm tree so big only his beady eyes were peekin' out of it, and she was bent double laughing. She's a honey, isn't she? The image of you at that age, thank God. Y'all must be real proud of her. She working around midtown?" He pricked me again. "That must have been somebody else's beady eyes peeking out of that palm tree, Charlie," I said. "Ow. That does sting. Caroline is married and living in Memphis, with a brand new baby. Honestly. You knew that; y'all sent the baby a silver cup from Tiffany. Must have killed you to pay for it." Charlie took his hand off my buttocks. He was silent for a space of time, then he said, "You get dressed and come on in the office, and I'll write you out those prescriptions." I heard his heavy steps leaving the examining room. I heaved myself up off the table. It hit me as I swung my bare legs over the side. The skin of my face felt as if a silent explosion had gone off in the little room. I actually felt the wind and the percussion of it. The room brightened as if flood lamps had been switched on, and when I took a breath there was only stale hollowness in my lungs. A new hot, red welt sizzled across my left buttock. "Tee has somebody else," I thought. "He has had, since Christmas, at least. That was Tee Charlie saw. He knows it was. And that was her Tee was moving into that condo." I sat for a moment with my hands in my paper lap, one cupped on top of the other, a gesture like you make in communion, waiting to receive the Host. I could not seem to focus my eyes. My ears rang. Through it all the skin of my behind raged and shrieked. I stood up and dropped my paper gown and put on my clothes and went out of the little room and down the hall and out through the reception area to the elevator. I never got the prescriptions Charlie wrote for me. When the elevator came, I got on with a handful of lunch-bound people, some in white coats, and stared vacantly at the quilted bronze doors, and thought, "the family. What is this going to mean for the family?" By the time I stepped out onto the hot sidewalk running along Peachtree Street, I felt as if I were on fire from the back of my waist to my knees. I had the absurd and terrible notion that the weeping redness was sliding down to my ankles and puddling in my shoes, the visible stigmata of betrayal and foolishness. Up Island . Copyright © by Anne Rivers Siddons. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from Up island: a novel by Anne Rivers Siddons All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.