Except the dying

Maureen Jennings

Book - 2012

Crime and Detective. In the cold Toronto winter of 1895, the unclad body of a servant girl is found frozen in a deserted laneway. The young victim was pregnant when she died. Was her death an attempt to cover up a scandal in one of the city's influential families? Detective William Murdoch quickly finds out that more than one person connected with the girl's simple life has something to hide.

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MYSTERY/Jennings, Maureen
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Subjects
Genres
Detective and mystery fiction
Fiction
Published
Toronto, Ontario : McClelland & Stewart 2012.
Language
English
Main Author
Maureen Jennings (author)
Item Description
"First published St. Martin's Press 1997. First McClelland and Stewart mass market paperback edition 2004"--Title page verso.
Physical Description
345 pages ; 21 cm
ISBN
9780771043024
Contents unavailable.
Review by Publisher's Weekly Review

In this exhilarating first novel, Jennings creates more than a period mystery: she brings alive 1895 Toronto, struggling economically, teeming with immigrants and thick with paupers. William Murdoch is the police department's sole detective, a new rank. Investigating the murder of Therese Laporte, a young servant, leads the intelligent, observant Murdoch through a stratified society, from the gloomy rooms of prostitutes Alice Black and Ettie Weston to the elegant home of the Rhodes family, Therese's employers, and the exclusive Yeoman Club. He also digs into the morality of his suspects, confirming that venery and secrets are universal, which leads to the surprising solution. There are wonderful touches: Murdoch, lonely since his financée died two years earlier, enrolls in a dance class and practices solitary waltzing in his rented room; an unhappy woman treasures a colored vial containing her tears; a house's gable leans "slightly towards its neighbour as if for comfort"; a pock-marked man is "cribbage-faced." In a bravura piece of writing, Jennings describes the annual newsboys' meeting of scruffy, destitute youngsters, cynical and amoral beyond their years. Although occasionally succumbing to melodrama and heavy-handed hints, Jennings is a talented writer. Here's a first novel that whets the appetite for more. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

First novelist Jennings, herself a British transplant to Canada, provides a provocative look at a wealthy, turn-of-the-century British family living in Toronto. Acting detective William Murdoch handles a case that exposes not only the dysfunctional nature of the Rhodes family, whose young French-Canadian maid has been discovered dead, drugged, and pregnant in the snow, but also the peculiarities of a class-conscious society. Murdoch investigates and then spars with bigoted higher-ups until he uncovers the murderer. A finely flavored plot, credible characters, and detailed atmosphere make this a winner. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

How ungrateful of Therese Laporte to leave her maid's post with Dr. Rhodes in Toronto to sneak out of the house and return to her family back in Chatham without any notice or explanation but a hastily scrawled paper. And how inconsiderate of her to turn up dead in a disreputable neighborhood, naked, drugged, and dead of asphyxia and exposure. Now Acting Detective William Murdoch, who suspects it'll be years before he's promoted, is examining the doctor's household under a microscope. How long will it be before he finds out that Cyril Rhodes's servants are bursting with accusations against each other and their master? Or that the chilly relations between Dr. Rhodes and his English wife Donalda are based on a long-standing (and highly material) grudge? Or that their son Owen has asked his all-but-fianc‚e, Harriet Shepcote, to tell a fib about what time he left her father Alderman Godfrey Shepcote's house the night of Therese's death? Or that the unsullied Rhodes family has closer ties to Alice Black and Ettie Weston, a pair of working girls who cherish some dangerous knowledge about that last night, than they'd like to acknowledge? Jennings handles every aspect of the fin-de-siŠcle milieu- -the domestic rituals, the social divisions, the suspects' secrets, the bachelor investigator's loneliness--with such assurance that the villain's identity is a major disappointment. Surely this talented newcomer will conclude her next novel more compellingly.

Copyright (c) Kirkus Reviews, used with permission.

Chapter One   Saturday, February 9, 1895 The wind cut to the bone and Alice Black pulled her shawl tight about her head and throat. The hot gin was a fire in her stomach but no defence against the cold of the winter night. She grumbled to herself, trying to expose as little of her face as she could. She'd expected to do some business at the John O'Neil but none of the piss-makers wanted to pay for a bit of dock tonight. She wiped the back of her hand across her dripping nose. She hoped Ettie had fared better, else it was potato-peel soup for the next few days.   It was getting late. Although the hotel officially closed at the legal Saturday time of seven o'clock, there was a backroom where the regulars could go to top off, and for a cut of the dash, the proprietor, James McCay, usually allowed her and Ettie to stay on.   Alice edged closer to the houses. She was afeard to go past the churchyard where the bodies of the Irish immigrants were laid out in their eternity boxes. Even though the epidemic had happened almost fifty years earlier, for sure ghosts lingered in the area. Not so the cholera. She always held her nose as she scurried by. On this stretch of Queen Street the shops were interspersed with vacant buildings and the boarded-up windows were blinded eyes. The gas lights were few and far between and what with that and huddling into her shawl, she didn't see the young woman walking in front of her until they almost collided.   "Mind where you're goin'," snapped Alice. She heard a muttered "Pardon" as the other one moved out of the way. She had a thick muff ler wrapped around her face, but Alice had an impression of youth, and she wondered where the girl was going by herself at this time of night. A country piece, by the look of that hat and valise.   Alice glanced over her shoulder. The girl was hovering on the sidewalk. She looked lost, and for a moment Alice considered stopping to offer help. But sod it, it was too cold. A gust of wind blew her skirts up about her knees and she struggled to hold them down. At that moment she heard the jingle of harness as a carriage came around the corner heading east onto Queen Street, going a good clip considering the state of the road. The iron-hard ruts had a light covering of snow and they were slippery and dangerous to the horses.   "Get out of the way, you bloody bint," yelled the driver. Alice jumped back onto the sidewalk just in time. She lost her balance on the snowbank and fell backwards, landing on her tailbone. For a moment she remained sprawled on the hard ground, groaning, then angrily snatched up a handful of snow and threw it in the direction of the carriage. The wind tossed it back in her face. Sodding toady. She shook her fist and suddenly the driver pulled his horse up sharp, wheeled around and headed back in her direction. She shrank back, prepared for recriminations, but the carriage went right past her and halted beside the girl. The door opened and a gloved hand reached out. After a moment's hesitation, the young woman accepted the help and climbed in. In the f lick ering yellow light of the gas lamp, Alice saw that the carriage was a smart burgundy colour with brass fittings, the high-stepping horse light-coloured, but the blinds at the windows were pulled down tight and she couldn't see the occupant.   The driver cracked his whip, wheeled the horse around, and they set off again at a brisk canter back along Queen Street.   Alice got to her feet, rubbing at her rump. She brushed the snow off her skirt, rewrapped her shawl and started to walk. Her stomach was cramping badly and she needed to get home soon. She should've known better than to trust those snaggy sausages of McCay's. If there was a morsel of real pork in there at all she'd be surprised. More like rotten horsemeat, by what it was doing to her stomach.   She was going by the Dominion Brewery now, the pleasurable part of her route. In spite of the increasing urgency of her indigestion, she paused in front of the entrance. The smell of hops hung heavy and sweet on the night air. She sniffed hungrily but the cold made her cough. Sod it. She headed up Sumach Street. Her toes had gone numb. Even though she'd stuffed newspaper into her boots, they were so split they were useless.   "Lucky for that little tit, whoever she is. Gettin' a ride to some warm place. Why'd it never happen to Alice?"     Constable Second-Class Oliver Wicken was looking forward to the end of his shift, when he could warm his feet at the station woodstove. His thick serge uniform and cape kept his body warm enough but his feet were frozen and a chilblain itched painfully on his right heel. He stopped for a moment and stamped to restore his circulation. Since the early hours of the morning a steady snow, soft and pure, had been covering the grey detritus of the week. Now with dawn approaching the wind had got up again, burning his face, and tiny icicles had formed along the edge of his fine blond moustache.   At this hour the streets were empty. He hadn't encountered another living soul during his entire beat except for a bread man in his dray rumbling down River Street. Privately, young Wicken always hoped for a little excitement he could relate to his sweetheart. She was a romantic girl and was always after him to tell her his adventures. Like he'd told her, the graveyard shift in the winter wasn't going to be lively. The citizens were sealed up tight in their snug houses. Summer was different. Larceny, pickpockets on the increase, violations of Sunday bylaws. And, of course,the f lood of drunk and disorderly. Over three thousand cases of D-and-D charged in 1894. Made you want to take the Pledge. Almost.   This month his main task was to check the vacant houses to make sure no vagrants had broken in to get shelter for the night. Toronto was just climbing out of bad times and there were over a thousand properties standing empty throughout the city. The police were placed in charge of protecting them.   He turned north on Sumach Street. He badly needed to relieve himself and he wasn't sure he could hold it until he got to the station. Just up a ways was a dark laneway, and he walked in for a few feet, intending to use one of the outside privies that served the row of houses along St. Luke Street. However, the pressure in his bladder became too urgent and he stopped by the tumbledown fence.   In a hurry to unbutton his trousers, he didn't notice the body immediately, as the whiteness of it was blended into the snow. But two large rats were sniffing at the girl's head, and at Wicken's approach they scurried away like shadows and attracted his attention. He had placed his lantern beside him on the ground and it was only when he raised it aloft that he fully comprehended what he was seeing.   He went close enough to confirm the girl was dead and then spun around and ran as fast as he could to the telephone signal box that stood on the corner of Wilton and Sumach. Panting, he tugged free his key, opened the box and grabbed the receiver off the hook. He turned the crank and waited for what seemed endless moments until the police operator at central headquarters answered. Wicken could hardly hear him above the usual static and hiss of the telephone. He yelled, "Connect me with number-four station. It's an emergency." Excerpted from Except the Dying by Maureen Jennings All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.