Review by Booklist Review
Gr. 4^-8. Kim, a Vietnamese girl mourning her dead father, is the one who begins the garden. In a vacant lot near her Cleveland home, she scratches six holes in the dirt and plants six seeds, hoping to attract her father's spirit. She definitely catches the eye of Ana, an elderly white woman who has watched the ethnic makeup of the neighborhood change. Ana assumes Kim is burying treasure, but when she realizes her mistake, she makes it her mission to ensure that the girl's plants are watered. The perspective changes with each chapter--Kim narrates first, then Ana, then Wendell, who is sent by Ana to water "the Chinese girl's" plants and decides to do some planting of his own. Others follow: Gonzalo's grandfather sees the garden as an opportunity to be productive without being humiliated because of his inability to learn English; black body builder Curtis uses his tomatoes to help him rebuild his romance with Lateesha. Neighbor by neighbor, the garden grows, with the once-vacant lot eventually becoming a varied and vibrant community of its own. Each voice is distinct. Each character springs to life, complete with attitudes, prejudices, and opinions, and as the viewpoints shift, Fleischman shows how the different members of a multi-ethnic urban neighborhood overcome the barriers of language and background to enrich one another and forge new connections. The characters' vitality and the sharply delineated details of the neighborhood make this not merely an exercise in craftsmanship or morality but an engaging, entertaining novel as well. --Susan Dove Lempke
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Arraying different voices like threads on a loom, Fleischman (Bull Run) weaves a seamless tale of the advent of a garden in urban Cleveland and how it unites a community. Here Fleischman slips with equal ease into the voices of a nine-year-old Vietnamese girl grieving for the father she never knew; a retired peace activist; a shopkeeper from Delhi; a dedicated British nurse; a 39-year-old Korean widow and crime victim hesitantly rejoining the world; a pregnant Mexican teenager; and seven other equally diverse characters. Fleischman carefully adds texture upon texture, crafting his story with wry humor and lustrous imagery: dead leaves reappear as the winter snows melt away "like a bookmark showing where you'd left off"; beans inadvertently uprooted are laid back in the ground "as gently as sleeping babies." The story's quiet beauty unfurls effortlesslyand lingers after the final page has been turned. Ages 10-up. (May) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 4 UpA vacant lot in Cleveland, OH, is transformed into a garden when residents of the community plant seeds to fulfill personal needs. From the Korean girl who plants lima beans in memory of the father she never knew, to the elderly Guatemalan uncle who can't speak English, to the Haitian cab driver who plants baby lettuce to sell to fancy restaurants, the 13 voices telling their stories are like a packet of variegated seeds that when sown produce a beautiful, multicolored harvest. The device is similar to that of Fleischman's Bull Run (HarperCollins, 1993); one character's words sum up the cumulative effect: "Gardening...has suspense, tragedy, startling developmentsa soap opera growing out of the ground." Indeed it does. The vacant lot could be in any city as the message of diversity, people, and sensibility is universal, and beautifully cultivated by an author who has a green thumb with words.Julie Cummins, New York Public Library (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
I1="BLANK" I2="BLANKFleischman's innovative short novel is the story of an urban garden started by a child and nurtured by people of all ages and ethnic backgrounds. Each of the thirteen chapters is narrated by a different character, allowing the reader to watch as a community develops out of disconnected lives and previous suspicions. Although the total effect of the brief chapters is slightly superficial, some of the individual narratives are moving. The opening chapter about nine-year-old Kim, a Vietnamese immigrant, is a vivid portrait of a child who longs for the approval of her deceased father. The novel is didactic in purpose-folks of all ages, economic backgrounds, and ethnicities put aside their differences to create a beautiful, rich harvest-but effective in execution. From HORN BOOK, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Using the multiple voices that made Bull Run (1995) so absorbing, Fleischman takes readers to a modern inner-city neighborhood and a different sort of battle, as bit by bit the handful of lima beans an immigrant child plants in an empty lot blossoms into a community garden, tended by a notably diverse group of local residents. It's not an easy victory: Toughened by the experience of putting her children through public school, Leona spends several days relentlessly bulling her way into government offices to get the lot's trash hauled away; others address the lack of readily available water, as well as problems with vandals and midnight dumpers; and though decades of waging peace on a small scale have made Sam an expert diplomat, he's unable to prevent racial and ethnic borders from forming. Still, the garden becomes a place where wounds heal, friendships form, and seeds of change are sown. Readers won't gain any great appreciation for the art and science of gardening from this, but they may come away understanding that people can work side by side despite vastly different motives, attitudes, skills, and cultural backgrounds. It's a worthy idea, accompanied by Pedersen's chapter-heading black-and-white portraits, providing advance information about the participants' races and, here and there, ages. (Fiction. 9-11)
Copyright (c) Kirkus Reviews, used with permission.
