The legend of the Indian paintbrush

Tomie DePaola, 1934-

Book - 1988

Little Gopher follows his destiny, as revealed in a Dream-Vision, of becoming an artist for his people and eventually is able to bring the colors of the sunset down to the earth.

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Subjects
Genres
Picture books
Published
New York : Putnam c1988.
Language
English
Main Author
Tomie DePaola, 1934- (-)
Physical Description
unpaged : ill
ISBN
9780399215346
Contents unavailable.
Review by Booklist Review

Ages 4-8. Different from other children in his tribe, Little Gopher captures the colors of the sunset with his magic brush, eventually producing Indian paintbrush flowers.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In this companion to The Legend of the Bluebonnet, Little Gopher is smaller than the rest of the children in his tribe and can't keep up with those who ride, run, wrestle or shoot with bows and arrows. But, he has a talent of his ownhe is an artist. When he grows older, a Dream-Vision comes to him: a young Indian maiden and her grandfather tell him that he will paint pictures of the great warriors with colors as pure as the evening sky. Little Gopher's paintings never satisfy him because the colors are dull and dark, but he keeps trying. In the night, a voice tells him how to find paint-filled brushes; Little Gopher locates them, and they become brilliantly colored flowers known as Indian Paintbrush. This tale is related with deceptive simplicity by dePaola; he enhances the plainness of the story with his primitive illustrations, and, like Little Gopher, he finds inspiration in the colors of the sunset. Ages 2-7. (May) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

K-Gr 4 Little Gopher was smaller than the other young Indian boys of his Plains tribe, and although he tried hard, he could not do what the others did. The tribe's wise shaman assures him, however, that he has a different gift. As he grows up it is revealed to him in a vision that he will paint pictures of the glories of his tribe, that his own greatest work will someday be ``a picture that is as pure as the colors in the evening sky.'' As he grows older he does indeed paint the great deeds, the hunts, the visions of his tribe. But making paints to match the colors of the evening sky eludes him. One night, a voice directs him to a special vantage point where he finds brushes filled with wonderful colors. He creates at last his masterwork, and the next day the brushes have rooted and become the brilliant flowers we now call Indian Paintbrush. This book will inevitably be compared with The Legend of the Bluebonnet (Putnam, 1983), but the pivotal elements are very different. The humanity expressed in this story illustrates the value of perseverance, and of endurance of effort that will bring its reward. DePaola's softly rounded shapes and his hero's diminutive stature, downcast eyes, and sober mien breathe attitudes of acceptance, of quiet waiting, of diligent persistence. The picture of the boy gazing mutely, patiently, into the western sky is ineffably moving. And dePaola must have had a wonderful time painting the gloriously uplifting skies depicted here. Ruth Semrau, Lovejoy School, McKinney, Tex. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Little Gopher can't keep up with the other Indian boys; he prefers making and decorating small figures. When it's his turn to go out into the hills ""to think about being a man,"" a vision tells him to become a painter, using colors ""as pure as. . .the evening sky."" But though he works hard, Little Gopher is dissatisfied with his dull, dark paintings. Patiently, he gazes at the sunset each evening till at last he is rewarded: brushes with sunset colors spring up for his use, returning next day--and each spring thereafter--as flowers. In a full-page note, dePaola traces this story to Texas Wildflowers, Stories and Legends, a collection of newspaper articles by Ruth D. Isely--which doesn't really give much clue to its Native American source. The retelling is pleasantly cadenced, even though it tells us more about the artist's need for serf-expression within any society than about Plains Indians. And dePaola's somber tones burst forth into satisfyingly brilliant sunsets. This should do well at picture-book tour. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.