Review by Booklist Review
Ages 2-4. Here's the familiar tale of the three bears and their blond gal pal drawn for the very youngest. Byron uses large simple shapes, bright colors, and a spare text to tell his story. So childlike are the drawings that kids will feel as though they might have drawn the pictures themselves. The size of the art makes this a good choice for mother-toddler story hours. (Reviewed Jan. 15, 1992)0060204230Ilene Cooper
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
With his pared-down text and one-dimensional, vibrantly colored images, Barton ( Bones, Bones, Dinosaur Bones ; I Want to Be an Astronaut ) offers a neatly distilled version of this classic tale. Preschoolers can memorize the simple verse in no time and will delight in chiming in as Papa, Mama and Baby Bear complain in turn about the apparent presence of an unwanted guest. Barton adds a few minor variations: the first two chairs in which Goldilocks sits rock ``too fast'' and ``too slow''; finally, Baby Bear's chair ``rocked just right.'' Among the winsome artistic touches are a telltale trail of flowers that the primitively rendered girl leaves throughout the bears' house and true-to-life crease marks in pillows and blankets. This unassuming rendition is best suited to those at the younger end of the intended age span. Ages 3-6. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
PreS-- The Three Bears go basic, and they've seldom looked better. Recognizing that the tale's youngest fans focus on its core and skip over the embellishments, Barton distills it to a bare outline and the rhythmic refrains that preschoolers love to hear. This is a celebration of their literary needs and a huge success in meeting them. The illustrations are comfortably reminiscent of children's drawing styles, both in simplicity and vision, including a woods of lollipop trees. The paintings are bold and brightly colored; most include just the fundamental items (three chairs, three beds, etc.) with no extra clutter. Observant listeners will notice a few nice details: the single flowers left behind by Goldilocks at the sites of her explorations; the use of one color to identify each bear's belongings (Papa Bear's pants, bed, bowl, and chair are blue). This volume hits the target so squarely that its success is virtually guaranteed as a story-time crowd-pleaser. It's an uncomplicated, relaxing bedtime story and a confidence-builder for very young children who want books to flip through solo. In libraries that already enjoy the handsomeness of Jan Brett's version (Putnam, 1987), the atmosphere of the Eisen/Ferris variation (Knopf, 1987), and the humor of James Marshall's rendition (Dial, 1988), Barton's retelling will be a wonderful complement. --Liza Bliss, formerly at Leominster Pub . Lib . , MA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
A very simple retelling of the classic story has bold, primitive paintings. Especially suited to the youngest child. From HORN BOOK 1991, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
An illustrator noted for innovative use of bright color and bold forms turns in a predictable performance. His retelling, a primer-style oversimplification, may have its uses but robs the story of much of its interest; and while the art has visual impact--the color juxtapositions are subtle and arresting, the pared-down forms easily ``read''--the characters are not particularly expressive. Attractive but not Barton's best. (Folklore/Picture book. 2-7)
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