The great and secret show The first book of the art

Clive Barker, 1952-

Book - 1989

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FICTION/Barker, Clive
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Subjects
Published
New York : Harper & Row c1989.
Language
English
Main Author
Clive Barker, 1952- (-)
Item Description
"First published in Great Britain in 1989 by William Collins Sons & Co. Ltd."--T.p. verso.
Physical Description
550 p.
ISBN
9780060933166
9780061099014
9780060162764
Contents unavailable.
Review by Publisher's Weekly Review

Early in his new epic novel, Barker describes the thoughts of one of his characters as ``barbaric and baroque''--and the words fairly sum up the book. Down-and-outer Randolph Jaffe works in the dead-letter office in Omaha. Reading through the mass of mail, he finds clues to an alternative reality, the laws of which are called ``the Art.'' Mastering these principles, he becomes powerful but evil, and presses into service a man named Fletcher, who synthesizes a transforming drug, the Nuncio. Later understanding the corrupting nature of his creation, Fletcher rebels against Jaffe, and the two, now demigods, engage in a cosmic struggle. To enlist allies, each sires offspring (using the seed of mortal men), and their spiritual children help to carry on the bizarre battle. Though diverting, the novel is something of a potboiler, and despite its pervasive horrific imagery, it fails even to frighten us--or invite us to suspend disbelief. This is the first book of a projected trilogy. 100,000 first printing; $125,000 ad/promo; Preferred Choice Book plan main selection; author tour. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Englishman Barker's latest novel, the first part of a trilogy, is an ambitious fantasy/horror fusion of dazzling scope which stands alone as a complete story. Nebraska postal clerk Randolph Jaffe works in the Dead Letter Room, opening and inspecting loads of undeliverable U.S. mail. Soon, through a series of cryptic dead letters, he taps into an ethereal network of mysterious revelations which provides access to enormous power channels. The customary battle of light forces versus dark forces commences, with greedy Jaffe heading the latter, and mad yet philanthropic scientist Richard Fletcher representing the former. Despite occasional and convenient lapses into nonsensical elements of fantasy which characterize too much of the genre, this original, intelligent treatment of a complex idea by the author of The Damnation Game ( LJ 5/15/87) and Weaveworld ( LJ 10/15/87) is amazingly believable and compulsively readable. Previewed in Prepub Alert, LJ 10/15/89.-- Mark Annichiarico, ``Library Journal'' (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Barker's most ambitious work yet, topping even Weaveworld: a massive (560 pp.) and brilliant Platonic dark fantasy that details an eruption of wonders and terrors--as the veil between the world of the senses and the world of the imagination is rent in a small California town. The torrent of invention here is astounding In the First 44 pages alone, antihero Randolph Jaffe, a clerk at the Dead Letters Office in Omaha, discovers among the letters hints of a gloat esoteric knowledge called the ""Art""; goes mad with lust for the Art, savagely kills his boss, and flees; wanders into a time loop beyond our universe to match wits with Kissoon, erstwhile guardian of the Art; in order to prove worthy of the Art, teams up with a top scientist, Richard Fletcher, to isolate the substance--the Nuncio--responsible for evolution; ingests the Nuncio, thus becoming transformed into a near-immortal, the Jaff; and goes to war with Fletcher, who's also partaken of the Nuncio. And all that is just prelude to the main conflict: the war that's fought a decade later between the evil Jaff and good Fletcher--a war that's witnessed by their children (spawn of their rape of four teen girls) and by a sympathetic reporter and his semi-girlfriend (the novel's hero), and that, played out against an all-American mall-bound town, threatens the order of our universe. For if the Jaff wins, and thus can practice--imperfectly--the Art, Kissoon will lead an invasion into our world of the lad, monstrous lords of a parallel universe separated from ours by the great sea of dreams, Quiddity. With monsters made of animated feces and of foul emotions at his command, the Jaff finally does win--plunging many folk into Quiddity, from which a heroic, transformed few will return to do final battle even as the terrible Iad draw ever closer to our world. Over the top and at times out of control; but the total impact is staggering as Barker creates (with borrowings, e.g., from Lovecraft)--in addition to a prime sex/gore fright entertainment--one of the most powerful overtly metaphysical novels of recent years (""mind was in matter, always. That was the revelation of Quiddity. . . Before life, the dream of life""). A major horror novel. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Thr Great and Secret Show The First Book of the Art Chapter One Part One The Messenger Homer opened the door. "Come on in, Randolph." Jaffe hated the way he said Randolph, with the faintest trace of contempt in the word, as though he knew every damn crime Jaffe had ever committed, right from the first, the littlest. "What are you waiting for?" Homer said, seeing Jaffe linger. "You've got work to do. The sooner it's started, the sooner I can find you more." Randolph stepped into the room. It was large, painted the same bilious yellow and battleship gray as every other office and corridor in the Omaha Central Post Office. Not that much of the walls was visible. Piled higher than head-height on every side was mail. Sacks, satchels, boxes and carts of it, spilling out onto the cold concrete floor. "Dead letters," Homer said. "Stuff even the good ol' U.S. Post Office can't deliver. Quite a sight, huh?" Jaffe was agog, but he made sure not to show it. He made sure to show nothing, especially to wise guys like Homer. "This is all yours, Randolph," his superior said. "Your little corner of heaven." "What am I supposed to do with it?" Jaffe said. "Sort it. Open it, look for any important stuff so we don't end up putting good money in the furnace." "There's money in them?" "Some of 'em," Homer said with a smirk. "Maybe. But most of it's just junk-mail. Stuff people don't want and just put back in the system. Some of it's had the wrong address put on and it's been flying backwards and forwards till it ends up in Nebraska. Don't ask me why, but whenever they don't know what to do with this shit they send it to Omaha." "It's the middle of the country," Jaffe observed. "Gateway to the West. Or East. Depending on which way you're facing." "Ain't the dead center," Homer countered. "But we still end up with all the crap. And it's all got to get sorted. By hand. By you." "All of it?" Jaffe said. What was in front of him was two weeks', three weeks', four weeks' work. "All of it," said Homer, and didn't make any attempt to conceal his satisfaction. "All yours. You'll soon get the hang of it. If the envelope's got some kind of government marking, put it in the burn pile. Don't even bother to open it. Fuck 'em, right? But the rest, open. You never know what we're going to find." He grinned conspiratorially. "And what we find, we share," he said. Jaffe had been working for the U.S. Post Office only nine days, but that was long enough, easily long enough, to know that a lot of mail was intercepted by its hired deliverers. Packets were razored open and their contents filched, checks were cashed, love-letters were laughed over. "I'm going to be coming back in here on a regular basis," Homer warned. "So don't you try hiding anything from me. I got a nose for stuff. I know when there's bills in an envelope, and I know when there's a thief on the team. Hear me? I got a sixth sense. So don't you try anything clever, bud, 'cause me and the boys don't take kindly to that. And you want to be one of the team, don't you?" He put a wide, heavy hand on Jaffe's shoulder. "Share and share alike, right?" "I hear," Jaffe said. "Good," Homer replied. "So--" He opened his arms to the spectacle of piled sacks. "It's all yours." He sniffed, grinned and took his leave. One of the team, Jaffe thought as the door clicked closed, was what he'd never be. Not that he was about to tell Homer that. He'd let the man patronize him; play the willing slave. But in his heart? In his heart, he had other plans, other ambitions. Problem was, he wasn't any closer to realizing those ambitions than he'd been at twenty. Now he was thirty-seven, going on thirty-eight. Not the kind of man women looked at more than once. Not the kind of character folks found exactly charismatic. Losing his hair the way his father had. Bald at forty, most likely. Bald, and wifeless, and not more than beer-change in his pocket because he'd never been able to hold down a job for more than a year, eighteen months at the outside, so he'd never risen higher than private in the ranks. He tried not to think about it too hard, because when he did he began to get really itchy to do some harm, and a lot of the time it was harm done to himself. It would be so easy. A gun in the mouth, tickling the back of his throat. Over and done with. No note. No explanation. What would he write anyway? I'm killing myself because I didn't get to be King of the World? Ridiculous. But . . . that was what he wanted to be. He'd never known how, he'd never even had a sniff of the way, but that was the ambition that had nagged him from the first. Other men rose from nothing, didn't they? Messiahs, presidents, movie stars. They pulled themselves up out of the mud the way the fishes had when they'd decided to go for a walk. Grown legs, breathed air, become more than what they'd been. If fucking fishes could do it, why couldn't he? But it had to be soon. Before he was forty. Before he was bald. Before he was dead, and gone, and no one to even remember him, except maybe as a nameless asshole who'd spent three weeks in the winter of 1969 in a room full of dead letters, opening orphaned mail looking for dollar bills. Some epitaph. He sat down and looked at the task heaped before him. "Fuck you," he said. Meaning Homer. Meaning the sheer volume of crap in front of him. But most of all, meaning himself. Thr Great and Secret Show The First Book of the Art . Copyright © by Clive Barker. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from The Great and Secret Show by Clive Barker All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.