Review by Publisher's Weekly Review
Modern love in all its unpredictable reality unfolds in this delightfully unorthodox anthology of 38 New Yorker stories from the past three decades. Many of the selections are love stories only in the broadest sense, viewing love as an element inextricably woven into the fabric of characters' lives. For example, William Maxwell's "The Man in the Moon" explores the emotional effect over three generations of a once-prominent Midwestern family's scandals, self-deceptions and failures on the male narrator, now an elderly historian. In Daniel Menaker's "Influenza," a self-described "neurotic school-teaching Jew" at a posh private school in Manhattan spars with his hectoring Cuban Freudian analyst as he carries on a torrid affair with a wealthy, sex-starved, WASPish widow. Angell, a longtime senior editor at the New Yorker, adventurously brings together stories that delve into the diversity of love: a macho New Orleans 16-year-old's sexual confusion over a furtive homerotic kiss (Ben Neihart's "Hey, Joe"); an English adventurer's quasi-clinical investigation of eros as part of a 1920s surrealist circle in Paris (Julian Barnes's "Experiment"); a devoted May-December couple-she 35, he 78-bravely facing her terminal illness (Mary Robison's "Yours"). Some may feel the humorous entries (by Woody Allen, Ian Frazier and others) fall flat, and others may find the entire roundup of wry, fiercely observant stories too cerebral or unromantic. Yet there are strong selections from Ann Beattie, John Cheever, Raymond Carver, Edna O'Brien, V.S. Pritchett, Jean Rhys, John Updike and lesser-known writers. Timed to coincide with Valentine's Day, this quirky omnibus makes a funny Valentine indeed. Illustrated. Local Valentine's Day readings by contributors. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review
The first anthology of short fiction from The New Yorker to be published in 30 years, and the first to be assembled around a theme, though, as editor Angell notes in his introduction, the organizing idea proved to be more expansive and provocative than he had anticipated. He discovered that tales he had recollected as being about love spoke about it only glancingly, but nonetheless said necessary things about its disruptions and despairs. Here, he's assembled an appropriately eclectic mix of voices and generations. There are precise, unblinking tales of love gone wrong by John O' Hara (``How Old, How Young''); John Cheever (``Marito in Città,'' a terse, devastating portrait of an adulterer); Jean Rhys (``Goodbye Marcus, Goodbye Rose''); and Vladimir Nabokov (``The Circle''); fine work by Alice Munro and Mavis Gallant (perhaps the two best living short story writers); typically bleak, idiosyncratic stories by Raymond Carver (``Blackbird Pie'') and Mary Robison (``Yours''), as well as some impressive work by much younger writers, including Mary Gaitskill (``The Nice Restaurant,'' one of her best stories), Mary Grimm (``We''), and Alice Elliot Dark (``In the Gloaming''). A nicely varied assembly of accomplished tales, and a reminder of the perception and skill possessed by several generations of The New Yorker's fiction editors.
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