Santa Fe rules

Stuart Woods

Book - 2009

Featuring Ed Eagle.

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Subjects
Published
New York : Harper 2009, c1992.
Language
English
Main Author
Stuart Woods (-)
Item Description
Originally published: 1992.
Physical Description
385 p.
ISBN
9780061711633
Contents unavailable.
Review by Booklist Review

Woods has long hovered on the cusp of bestsellerdom, but Santa Fe Rules might be the book that finally anchors him in the upper echelons. The timing is right. Woods' Palindrome is currently up for an Edgar, and his Grass Roots (Simon & Schuster, 1980), a sequel to Chiefs , recently hit the miniseries trail, with plenty of push from bigtime producer Aaron Spelling and performances by prime-time notables like Corbin Bernsen ("LA Law") and Mel Harris ("Thirtysomething"). Santa Fe Rules isn't his best, although it offers a breakneck pace and a tight plot with several good twists, including a truly magical one close to the end. Wolf Willett, a movie producer, finds his memory jumping a day--and an interesting day at that, one featuring his death, his wife's death, and his partner's death. Of course, he isn't really dead, but three people definitely are, and he's tailor-made for the fall, unless a legendary Indian lawyer can get him off. Willett keeps getting arrested as those near and dear to him keep getting whacked. His wife wasn't as nice as he thought she was, but her sister is a lot nicer; even the lawyer thinks so. (Mind you, they do look quite alike.) Just when the reader smugly nails down the scenario, Woods pulls a fast one from nowhere in the last 10 pages. Santa Fe Rules is an agreeable read and should be just fine if it makes it to the small screen. (Reviewed Mar. 15, 1992) REVWR Peter Robertson With its combination of passion and fact, French's angry, accessible account of the repression of women in the U.S. and across the world will grab teens, whether they agree with her or not. (Reviewed Mar. 15, 1992) REVWR Hazel Rochman The discovery of a teenage hit-and-run driver helps California gumshoe Millhone tie up the loose ends of a murder case in a deliberately plotted yarn suggested for avid fans of this popular series. (Reviewed Mar. 15, 1992) REVWR Sue Ellen Beauregard Good readers accustomed to Norton's intricately drawn worlds will relish this demanding but involving coming-of-age fantasy. (Reviewed Mar. 15, 1992)0060179635Candace Smith

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

You're a rich, successful Hollywood producer who awakens the morning before Thanksgiving in your Santa Fe home with no memory of the previous night. Ignoring your dog's attempts to get you to visit the guest wing of the house, you leave and fly your private plane to Los Angeles. But you never get there: a breakdown forces you to spend the holiday isolated in a small airport town. When you finally see the newspaper the next day, you read that the bodies of your wife, your business partner and a third man--assumed to be you--have been found in the guest room of the Santa Fe residence. Further, you learn that your wife is not who you thought she was and has a most sleazy past. You don't know what's going on--or even whether you committed the murders yourself. That's the premise of Woods's ( Palindrome ) newest thriller. Wolf Willett decides to stay ``dead'' for a while and finish work on his new film, then hires a top defense attorney and turns himself in. Things keep moving thereafter at the same mad pace, with ever more improbable plot twists pushing the reader's suspension of disbelief to the limit--if not beyond. Willett may be the dumbest protagonist any writer will create this year. Woods is a master of this sort of thing, however, and unfolds his tale in an easy style that will keep readers engrossed and probably put his name on the bestseller lists again. 75,000 first printing; $125,000 ad/promo; Doubleday Book Club and Mystery Guild selections; Literary Guild alternate; author tour. (June) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

Woods (New York Dead, 1991, etc.) may hail from Sante Fe, but he doesn't do his hometown much honor with this slack mystery/homage. Even Sante Fe's gorgeous desert setting fades against the blinding silliness of Woods's plotting here. A nifty premise sets up the story: Middle-aged film producer Wolf Willett, stranded at the Grand Canyon, opens a New York Times to read that his gorgeous young wife, Julia, his best pal, and...himself! have been shot dead at his Sante Fe home. But rather than run with that kick-off by having Wolf stay officially dead and investigate the murders incognito, Woods has his hero fly on to L.A.--and finish work on his latest movie. A week or so later, Wolf returns to Sante Fe and, anticipating legal trouble, hires legendary defense lawyer Ed Eagle--a 6'7'' tower of chutzpa who's the only character here who rises above cliché. Under Ed's expensive guidance, Wolf manages temporarily to stave off arrest for triple-murder by the suspicious local cops, who finally figure out that the body misidentified as Wolf is really that of the sleazy ex-husband of Julia's nearly identical sister, Barbara--who shows up and begins a fling with Ed Eagle. Meanwhile, Wolf's psychiatrist is murdered. Finally arrested for the triple-slaying, Wolf is tossed into jail--and learns that Julia stole his $3.5 million savings just before she died. Fortunately, a former IRS agent retrieves Wolf's money, and, while in jail, Wolf is adopted by a biker named Spider, who, impressed that Wolf once shook hands with Madonna, offers help that proves invaluable after someone puts out a contract on Wolf--someone who looks a lot like Barbara/Julia.... All this cockeyed mayhem sorts out in the end, of course, as Woods winds up with this happy sentence starring Wolf's pet pooch: ``Flaps lifted her head and grinned at everybody''--a fitting conclusion to this shaggy-dog story of a novel, a shockingly poor showing from an author who's sometimes (e.g., Chiefs; Under the Lake) terrific.

Copyright (c) Kirkus Reviews, used with permission.

Santa Fe Rules Chapter One Wolf Willett remembered too late that Flaps had always had a cold nose. Now it found the back of his neck, and with a girlish shriek, Wolf sat bolt upright in bed and regarded her with bleary eyes. There was only a faint glow of daylight from outside. "Got me again, didn't you?" he said to her. Flaps grinned. This grin had always been one of her great charms, and it did not fail to do its work now. Wolf melted. "Time to get up, huh?" Flaps laid her head in his lap and grinned again, looking up at him with big brown eyes. "Right now?" he asked, teasing her. Right now, she replied, thumping her tail against the bed for emphasis. "All right, all right." He moaned and swung his legs over the side of the bed. Flaps celebrated her triumph with a little golden retriever dance, throwing in a couple of squeals of happiness. "Okay," Wolf said, standing up, "but me first." He headed for the bathroom, but somehow one leg seemed shorter than the other; he missed the bathroom door and bumped into the wall. "Whoof," he said to Flaps. "What did I have to drink last night?" He shook his head and stretched his eyes wide open, but the dizziness, not an unpleasant sensation, remained. He groped his way into the bathroom, using the walls for support, and peed, holding on to the toilet with one hand. Flaps rewarded him with a little kiss on the ass. "Jesus!" he screamed, jumping away and grabbing the sink for support. "You really know how to wake a guy up, don't you?" Flaps grinned and did her little dance. "Just a minute, all right?" He splashed some water on his face, brushed his teeth too quickly, and tossed down a couple of vitamin C's with a glass of very cold water from the tap. He grabbed a bathrobe from the hook on the door and headed back to the bedroom in search of slippers. He was navigating better now, but as he proceeded out of the bedroom and across the living room he found himself moving slightly sideways, crablike, in order to maintain his course. Light was creeping across the valley below the house, across the suburbs of Santa Fe, but the interior of the house was still dimly lit, and in the kitchen he turned on the lights, squinting against the glare. Flaps waited impatiently for him to get coffee started, then watched, rapt, as he poured her a dish of dry dog food. She ate daintily, as befitted her gender, while he got an English muffin into the toaster and rounded up butter and jam. He drank directly from a plastic container of fresh orange juice and returned it to the refrigerator, sighing as the sweet juice made its way down. "Want to go out now?" he asked her. To his surprise, she trotted across the room and scratched on the door that led to the guest wing of the house. "That's not the back door, dummy," he railed at her, shaking his head. "It's this way, remember? The way you've gone out every day of your life?" She scratched on the guest wing door again. Wolf kept that part of the house closed and unheated until a guest arrived. "I think you must be as hung over as I am this morning." He slapped his thigh and whistled softly. Reluctantly, Flaps followed him to the outside kitchen door and, when he opened it, bounded outside. Wolf left her to roam the hillside, sniffing for coyote markings among the pi¤ons, and returned to his breakfast. He ate slowly and with a nearly blank mind. He did not think of the night before, did not try to remember what he drank, did not think of anything much until he remembered that he had to go to Los Angeles this morning. He looked at the clock on the microwave: just after seven. He calculated the time to the airport, time for the trip, time for the ride to the office. He'd be in L.A. by eleven; time for a sandwich at his desk before his meeting at two. It was Tuesday; he'd get six or seven hours of work in with the editor today and a full day tomorrow, then on Thursday he and Julia would have Thanksgiving dinner with their friends the Carmichaels. Flaps, her ablutions completed and her survey of the property concluded, scratched on the back door. He let her in, and she went straight to her cedar-shavings bed and settled in for her morning nap; she was as much a creature of habit as he. Wolf shaved in the shower, using the mist-free mirror, then toweled himself dry and used the hair blower on his thick, graying hair. He still felt a light buzz, felt oddly free of worry; they were approaching completion of the new film, and he was usually nervous as hell at this point in a production, but today he couldn't think of anything to worry about. He was on automatic pilot as he dressed, doing the things he did every day. He slipped into freshly starched jeans and into the soft elkskin cowboy boots that added an inch and a half to his five-foot-nine-inch frame. He was the same height as Paul Newman, he told himself automatically, as he did every morning of his life, and, he reminded himself, the same age as Robert Redford. He wondered for a moment whether he would rather be the same height as Redford and the same age as Newman. It was a close call. He slipped into a silk shirt and a cashmere sweater and, on his way back to the kitchen, retrieved a sheepskin coat from the hall closet. It would be a chilly morning, but he would shed both the outer garments before arriving in L.A. He took along a light blazer for the city. As he came back into the kitchen, Flaps hopped out of her bed and went again to scratch on the guest wing door. "What could you possibly want in there?" he demanded, and got a grin for an answer. "Listen, you," he said, shaking a finger at her, "I'm leaving Maria a note telling her you've already been fed, so don't try and get another breakfast out of her, you hear?" Flaps looked suitably guilty, but she knew very well she'd be fed again by the housekeeper, who melted at the sight of her. "Be good," he called out to her as he left by the kitchen door, "and don't eat the mailman." If an intruder ever actually got into the house, Wolf knew her plan would be to kiss him to death. He opened the garage door, tossed the blazer onto the passenger seat of the Porsche Cabriolet, then eased into the car. It was like climbing into a deep freeze. He started the engine, and as he let it warm up, he thought of going back into the house and seeing what the dog wanted in the guest wing; it was unusual for her to display an interest in that part of the house when there were no guests on board. Oh, the hell with it, he thought. He backed out and started down the driveway, taking it slowly, since there was still snow there from the last bit of weather they'd had. The four-wheel drive of the car kept it nicely in the ruts of the driveway, and the main road out of Wilderness Gate had been plowed days before. He passed through the gate of the subdivision and headed down into the town. There was little traffic at this hour of the morning, and Santa Fe looked beautiful with the low sunlight on the adobe houses and shops. Everything was adobe in Santa Fe--or, at least, stucco painted to look like adobe--and it reminded him a little of an English village in which all the houses were built of the same stone. The common building material gave the little city a certain visual harmony. Wolf always felt grateful that he had chosen Santa Fe as a second home instead of Aspen or one of the other movie-colony favorites. It was harder to get to from L.A., but that kept out the riffraff, and anyway, he had his own airplane to get him there and back faster than the airlines could. Never mind that Julia didn't like the single-engine airplane and usually insisted on taking the airlines, when she couldn't hop a ride on somebody's jet; he liked flying alone. Today he would think about L.A. Days, the latest Wolf Willett production, written and directed, as usual, by Jack Tinney. The film wasn't right yet, and, since shooting had ended and the sets had been struck, it was going to have to be fixed in the editing, as it nearly always was with Jack's films. As he drove, he used the car's telephone to get a weather forecast from F.A.A. Flight Services and to file an instrument flight plan from Santa Fe to Santa Monica Airport. He always flew on instrument flight plans, even in clear weather; it was like being led by the hand, especially when arriving in L.A. airspace, which was always smoggy and crowded. Santa Fe airport was virtually deserted at this hour of the morning. He drove along the ramp to his T-hangar, opened it, parked the Porsche behind the airplane, and pulled the airplane out of the hangar with a tow bar, then locked up. Normally, during business hours, he would simply call ahead and Capitol Aviation, the F.B.O. (fixed base operator--a name left over from flying's barnstorming days), would bring up the airplane for him, but today he was too early for them. Anyway, he liked the idea of the Porsche being locked in the hangar instead of being left in the airport parking lot for days on end. Santa Fe Rules . Copyright © by Stuart Woods. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from Santa Fe Rules by Stuart Woods All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.