Review by Booklist Review
Hillerman apologizes in his introduction for "wandering away" from his usual southwestern setting and from the extraordinarily popular Chee/Leaphorn duo, but the departure has resulted in what is undoubtedly one of Hillerman's most affecting, strongest, best-told tales yet. Set in 1975 at the end of the Vietnam War, the story follows Colorado newspaper editor Malcolm "Moon" Mathias, who labors under the misapprehension that he's "third-rate" --unsuccessful in his career, unlucky in love, and unwise about life. As the story begins, Moon gets a call from an L.A. hospital reporting that his mother has collapsed at the airport after suffering a serious heart attack. She was headed for the Philippines, so Moon figures her trip must have had something to do with his younger brother, Ricky, a former air force pilot who had set up his own transport business in Vietnam, then died in a plane crash. When Moon reaches L.A., he finds papers in his mother's purse that reveal Ricky was the father of a Vietnamese daughter--whom Moon's mother was obviously on her way to rescue. Of course, responsibility for finding the baby falls on Moon's capable shoulders. And it's on his heartrending, dangerous, surprising journey into his brother's past on the Mekong Delta that Moon eventually finds not only the child, but his own destiny. A tragic tale of war, a suspenseful adventure story, a gripping journey into man's deepest fears, and an engrossing love story. (Reviewed Sept. 15, 1995)0060177721Emily Melton
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Location figures powerfully in Hillerman's newest novel, but it isn't the Southwest of his Navajo mysteries (Sacred Clowns, etc.), nor is this a Joe Leaphorn story. In April 1975, Moon Mathias, managing editor of a small-town Colorado newspaper, begins a redemptive journey that takes him first to Manila and then across the South China Sea to Cambodia, just as Pol Pot and the Khmer Rouge begin their reign of terror. Moon's brother Ricky, owner of a helicopter transportation service based in Cambodia, has recently died in a jungle crash. Their mother receives word that Ricky's baby daughter is being smuggled out of Vietnam to the Philippines. After his mother has a heart attack in the Manila airport, Moon takes over her mission, but the child does not arrive. Finding and contacting Ricky's acquaintances, Moon fights time, political exigencies and his ignorance of his brother's life as he tries doggedly to locate his niece. The effort involves an appealing cast, including a wealthy Chinese man seeking his ancestors' bones, a Dutch woman searching for her missionary brother and Vietnamese refugees, who join Moon on a suspenseful, albeit not quite credible, journey to a series of villages along the Mekong River. In the end, as the title suggests, Moon finds more than he'd known was lost. Hillerman's mastery of setting and his compassionate, patient characterization are fully present in this tale, which is otherwise somewhat formulaic. 350,000 first printing; $300,000 ad/promo; HarperAudio. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Beginning with The Blessing Way (LJ 5/15/70), Hillerman has contrasted the contemporary cultures of Southwestern Native Americans with the dominant U.S. culture, creating best-selling mysteries in the process. Finding Moon is a dramatic departure, but it contains similar cultural contrasts. Set mostly in Vietnam during the fall of Saigon in 1975, it is the tale of Moon Mathias, self-described third-rate editor of a third-rate Colorado newspaper who, when his younger brother dies in Southeast Asia, discovers that there is a baby daughter missing somewhere in Vietnam. Reluctantly drawn into a search for the child, Moon is thereby drawn into a search for his own values. He leads a motley group of culturally varied misfits in his quest. With its vivid characters and a strong sense of place, trademarks of Hillerman mysteries, this tale will likely receive a strong reception in libraries everywhere. [Previewed in Prepub Alert, LJ 6/15/95.]-Roland Person, Southern Illinois Univ. Lib., Carbondale (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
In the darkest hour of the American withdrawal from Vietnam, a slow-horse newspaperman fights to rescue the niece whose existence he's just discoveredin this swift-moving tale from Navajo chronicler Hillerman (Sacred Clowns, 1993, etc.). The scene is familiar: the abrupt American departure in April 1975, followed within days by the fall of the Republic of Vietnam, the brutal ethnic cleansing in Cambodia by Pol Pot's Khmer Rouge, and the chaos that turns inoffensive villagers into refugees, fleeing the countryside with the Americans and the ARVN. But the hero swimming against this tide is new to the scene, and so is his author, whose bestselling novels about Lt. Joe Leaphorn and Det. Jim Chee hardly prepare for his most unheroic hero yet: portly, balding Malcolm ``Moon'' Mathias, whose life as managing editor of a third-rate Colorado daily is suddenly put on hold when his mother collapses en route to Manila and a search through her papers reveals that Moon's kid brother, Ricky, a hotshot civilian flier, left an infant daughter when he and his Vietnamese wife were killed in a helicopter crash. As Moon and the motley companions who cluster around himLum Lee, the elderly friend and ``business associate'' of Ricky's in search of a missing consignment from the helicopter; Osa van Winjgaarden, who's trying to rescue her brother from the martyrdom he's been thirsting for; George Rice, the pilot who didn't fly Ricky's daughter, Lila Vinh, out as planned; and Nguyen Nung, the ARVN deserter with ``Kill Cong'' tattooed on his chestdescend into the heart of the Mekong darkness, Hillerman exults in the swift geographical trajectory open to him outside the Navaho reservation. At the same time, it's clear why the novel isn't called Finding Lila Vinh: Moon's journey is also very much one into the past, and into the nonentity he's chosen all these years to be. A familiar tale, movingly told by a surprising voice.
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