Ill wind

Anna Pigeon, a park ranger at Colorado's Mesa Verde National Park, is a woman on the mend. She's a widow, she's battling alcohol dependence, and she's recently changed jobs. Despite her pain, she reaches tentatively toward Stacey Meyer, a ranger trainee who has also endured his share of middle-aged pain. Shortly after he mishandles a crisis that results in a child's death, Stacey himself is found dead. Suicide? Anna thinks it unlikely. Murder? Possibly, but who and why? When the husband of another park employee is killed in a suspicious car wreck, the case takes on broader implications. Through it all, Anna struggles with her middle-aged angst, her alcoholism, and her loneliness, drawing support from long-distance calls to her sister, who serves the functions of both a Dr. Watson and a voice on the other end of a crisis hot-line. This third entry in the acclaimed series is as much a personal journey of self-discovery as it is a mystery. Anna is a flawed but admirable woman struggling daily to determine her values and her value in a harsh world. An outstanding novel. --Wes Lukowsky

Barr lands another successful entry in the solid series featuring Anna Pigeon, the down-to-earth National Park Service ranger last seen in A Superior Death (1994). The daily problems at Mesa Verde National Park are mostly straightforward, although Ted Greeley, the contractor installing a water line, tends to irritate folks (especially the park archeologist, incensed about Greeley's indifference to buried Anasazi artifacts), and Patsy Silva, a park secretary, is getting ``weird'' messages from her ex-husband, who has joined Greeley's crew. The summer takes on darker hues when ranger Stacy Meyers panics so badly during the evacuation of an asthmatic child that he is useless. Soon afterward, Stacy vanishes; his corpse is found tucked away in the park in a scene of death that is ``pathologically neat.'' Anna is assigned to assist Frederick Stanton, the deceptively ``vague and bumbling'' FBI agent sent in on the case; as they match wits with an unknown adversary, their working relationship takes on warmer tones than at their last meeting. Despite being troubled by memories of her late husband and her increasing fondness for alcohol, Anna (usually) displays that common sense and appreciation for nature that makes her such good company. Literary Guild and Mystery Guild selections. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved

As historians and contractors slug it out over replacing the ancient waterlines in Mesa Verde National Park, noncombatant park ranger Anna Pigeon battles a demon of her own: her growing attraction to Stacy Meyers, a law-enforcement temp unhappily married (what did he and Rose Meyers ever see in each other, anyway?) and burdened with a special-needs stepchild. Soon enough, though, there are more immediate problems: contractor Ted Greeley's hiring of Tom Silva, estranged husband of park superintendent's secretary Patsy Silva, who immediately feels she's being harassed by her obsessive ex; a midnight sabotage attempt on Greeley's excavation equipment; a nip-and-tuck airlift of an asthmatic girl who collapses in the Cliff Palace; Stacy's strangely dissociated behavior during the rescue; and finally the eerie discovery of Stacy's corpse, neatly laid out on the fire- pit floor of the Cliff Palace without a mark to indicate how he died. Whodunit, and why, and how? Not as intense or as ingenious as A Superior Death (1994), and this time Anna's struggles with alcoholism and the continuing grief of widowhood eclipse the more routine intrigues of the plot. But the supporting characters have stubborn lives of their own--you never get the sense that they've spent their whole lives waiting to be suspects in a murder case--and Barr's sense of place is as wondrous as ever. (Literary Guild selection; Mystery Guild selection)