A history of God The 4000-year quest of Judaism, Christianity, and Islam

Karen Armstrong, 1944-

Book - 1993

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Subjects
Published
New York : A.A. Knopf : Distributed by Random House c1993.
Language
English
Main Author
Karen Armstrong, 1944- (-)
Item Description
"Originally published in Great Britain by William Heinemann Ltd., London"--T.p. verso.
Physical Description
xxiii, 460 p. : maps ; 25 cm
Bibliography
Includes bibliographical references (p. [427]-436) and index.
ISBN
9780345384560
9780679426004
  • Maps
  • Introduction
  • 1.. In the Beginning
  • 2.. One God
  • 3.. A Light to the Gentiles
  • 4.. Trinity: The Christian God
  • 5.. Unity: The God of Islam
  • 6.. The God of the Philosophers
  • 7.. The God of the Mystics
  • 8.. A God for Reformers
  • 9.. Enlightenment
  • 10.. The Death of God?
  • 11.. Does God Have a Future?
  • Glossary
  • Notes
  • Suggestions for Further Reading
  • Index
Review by Choice Review

What Joseph Campbell (The Masks of God, etc.) did for myth and William H. McNeill (The Rise of the West) did for universal history, Armstrong has here done for the idea of God in three historically related religions--Judaism, Christianity, and Islam. Like them also, she tells a story; with great skill she weaves into a single cloth social history, the history of ideas, comparative religion, and sometimes even the clash of empires. At the same time she picks her way carefully through a vast array of scholarly opinion, often without choosing among opposing views; yet she is not afraid to make a choice among possibilities, even to criticize the traditions she is describing. Thus the work has a personal dimension, and one that will sometimes offend conservatives of all three religions. For instance, she considers much of religious orthodoxy to be intellectually idolatrous because it fails to recognize the socially constructed nature of conceptions of the divine. Ideas of God, like all ideas, arise to fulfill human needs which are in turn derived from particular conditions; in accordance with mystical theology everywhere, concepts of God only point to what can never be adequately defined. An important addition to any general library collection. Undergraduate; general. A. L. Miller; Miami University (OH)

Copyright American Library Association, used with permission.
Review by Booklist Review

In this impressive work, Armstrong, a former nun, a British journalist, and the author of several books on religion, takes on a weighty topic indeed: the study of monotheism over 4,000 years. Beginning at the beginning (which is not Genesis but rather the cauldron of religions found in the Middle East around 4000 B.C.), she traces the circuitous road to monotheism, following the plethora of twists and turns along the way. Perhaps most interesting for those of Judeo-Christian heritage are the chapters concerning Islam. Armstrong explains and explores this religion in a way that will enlighten those not familiar with its tenets. Besides discussing the three monotheistic religions, Armstrong also addresses such topics as mysticism, the philosophy of religion, and the death of God. Highly readable and provocative, this is a major contribution to religious studies and belongs on the shelves of most public libraries. ~--Ilene Cooper

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

This searching, profound comparative history of the three major monotheistic faiths fearlessly illuminates the sociopolitical ground in which religious ideas take root, blossom and mutate. Armstrong, a British broadcaster, commentator on religious affairs and former Roman Catholic nun, argues that Judaism, Christianity and Islam each developed the idea of a personal God, which has helped believers to mature as full human beings. Yet Armstrong also acknowledges that the idea of a personal God can be dangerous, encouraging us to judge, condemn and marginalize others. Recognizing this, each of the three monotheisms, in their different ways, developed a mystical tradition grounded in a realization that our human idea of God is merely a symbol of an ineffable reality. To Armstrong, modern, aggressively righteous fundamentalists of all three faiths represent ``a retreat from God.'' She views as inevitable a move away from the idea of a personal God who behaves like a larger version of ourselves, and welcomes the grouping of believers toward a notion of God that ``works for us in the empirical age.'' 25,000 first printing; BOMC alternate. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Armstrong ( Muhammad , LJ 4/15/92; The Crusades and Their Impact on Today's World , LJ 2/15/91) presents a well-written overview of the changing idea of God as understood by the three great religions of the West. Besides providing a great deal of religious history, she discusses the various philosophers, mystics, and reformers associated with these religions. The author suggests that ``God'' is primarily a ``focus of meaning'' created by humanity. If He survives at all, it will be in a much-altered form. Public librarians should be aware that conservative readers may be offended by this book, and even religious scholars may find Armstrong's rather one-sided ``death of God'' optimism about humanity a bit passe. Otherwise, this is an excellent and informative book. Recommended for academic and public libraries.-- C. Robert Nixon, MLS, Lafayette, Ind. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Superb kaleidoscopic history of religion, from an English nun- turned-scholar. Armstrong (Holy War, 1991, etc.) was a nun in the early 1960's but left her convent in 1969 as part of the great wave that defected from religious life at that time. Although her faith grew progressively weaker, her fascination with religion didn't abate, and, even as a nonbeliever, she continues to pursue theological studies. Here, her basic message is that ``religion is highly pragmatic. We shall see that it is far more important for a particular idea of God to work than for it to be logically or scientifically sound.'' In an extraordinary survey, Armstrong traces the development of Judaism, Christianity, and Islam from their inception to the present day, and shows how they were created and shaped by their historical surroundings--which, in turn, they helped form and alter. Although this approach is standard among religious scholars, Armstrong uses it to particular advantage in underscoring the historical correspondences among the three faiths- -for example, examining the messianic fervor that surrounded the career of the Sabbatai Zevi (the 12th-century rabbi who built up an enormous apocalyptic cult among diaspora Jews prior to his imprisonment and conversion to Islam) in light of the early Christian response to the crucifixion of Jesus or of Jeremiah's prophecies about the destruction of Jerusalem. It's particularly in the mystical traditions, according to Armstrong, that the different faiths corroborate each other--in large part, she says, because the mystical apprehension of the divine is more abstract and therefore less dependent upon the traditional symbols by which most religions distinguish themselves. There are major gaps in Armstrong's history--she pays little attention to the Christian churches of the 20th century--but she manages against the odds to provide an account that's thorough, intelligent, and highly readable. Magisterial and brilliant.

Copyright (c) Kirkus Reviews, used with permission.

1 In the Beginning ... IN THE BEGINNING, human beings created a God who was the First Cause of all things and Ruler of heaven and earth. He was not represented by images and had no temple or priests in his service. He was too exalted for an inadequate human cult. Gradually he faded from the consciousness of his people. He had become so remote that they decided that they did not want him anymore. Eventually he was said to have disappeared. That, at least, is one theory, popularized by Father Wilhelm Schmidt in The Origin of the Idea of God, first published in 1912. Schmidt suggested that there had been a primitive monotheism before men and women had started to worship a number of gods. Originally they had acknowledged only one Supreme Deity, who had created the world and governed human affairs from afar. Belief in such a High God (sometimes called the Sky God, since he is associated with the heavens) is still a feature of the religious life in many indigenous African tribes. They yearn toward God in prayer; believe that he is watching over them and will punish wrongdoing. Yet he is strangely absent from their daily lives: he has no special cult and is never depicted in effigy. The tribesmen say that he is inexpressible and cannot be contaminated by the world of men. Some people say that he has "gone away." Anthropologists suggest that this God has become so distant and exalted that he has in effect been replaced by lesser spirits and more accessible gods. So too, Schmidt's theory goes, in ancient times, the High God was replaced by the more attractive gods of the pagan pantheons. In the beginning, therefore, there was One God. If this is so, then monotheism was one of the earliest ideas evolved by human beings to explain the mystery and tragedy of life. It also indicates some of the problems that such a deity might have to face. It is impossible to prove this one way or the other. There have been many theories about the origin of religion. Yet it seems that creating gods is something that human beings have always done. When one religious idea ceases to work for them, it is simply replaced. These ideas disappear quietly, like the Sky God, with no great fanfare. In our own day, many people would say that the God worshipped for centuries by Jews, Christians and Muslims has become as remote as the Sky God. Some have actually claimed that he has died. Certainly he seems to be disappearing from the lives of an increasing number of people, especially in Western Europe. They speak of a "God-shaped hole" in their consciousness where he used to be, because, irrelevant though he may seem in certain quarters, he has played a crucial role in our history and has been one of the greatest human ideas of all time. To understand what we are losing--if, that is, he really is disappearing--we need to see what people were doing when they began to worship this God, what he meant and how he was conceived. To do that we need to go back to the ancient world of the Middle East, where the idea of our God gradually emerged about 14,000 years ago. One of the reasons why religion seems irrelevant today is that many of us no longer have the sense that we are surrounded by the unseen. Our scientific culture educates us to focus our attention on the physical and material world in front of us. This method of looking at the world has achieved great results. One of its consequences, however, is that we have, as it were, edited out the sense of the "spiritual" or the "holy" which pervades the lives of people in more traditional societies at every level and which was once an essential component of our human experience of the world. In the South Sea Islands, they call this mysterious force mana; others experience it as a presence or spirit; sometimes it has been felt as an impersonal power, like a form of radioactivity or electricity. It was believed to reside in the tribal chief, in plants, rocks or animals. The Latins experienced numina (spirits) in sacred groves; Arabs felt that the landscape was populated by the jinn. Naturally people wanted to get in touch with this reality and make it work for them, but they also simply wanted to admire it. When they personalized the unseen forces and made them gods, associated with the wind, sun, sea and stars but possessing human characteristics, they were expressing their sense of affinity with the unseen and with the world around them. Rudolf Otto, the German historian of religion who published his important book The Idea of the Holy in 1917, believed that this sense of the "numinous" was basic to religion. It preceded any desire to explain the origin of the world or find a basis for ethical behavior. The numinous power was sensed by human beings in different ways--sometimes it inspired wild, bacchanalian excitement; sometimes a deep calm; sometimes people felt dread, awe and humility in the presence of the mysterious force inherent in every aspect of life. When people began to devise their myths and worship their gods, they were not seeking a literal explanation for natural phenomena. The symbolic stories, cave paintings and carvings were an attempt to express their wonder and to link this pervasive mystery with their own lives; indeed, poets, artists and musicians are often impelled by a similar desire today. In the Palaeolithic period, for example, when agriculture was developing, the cult of the Mother Goddess expressed a sense that the fertility which was transforming human life was actually sacred. Artists carved those statues depicting her as a naked, pregnant woman which archaeologists have found all over Europe, the Middle East and India. The Great Mother remained imaginatively important for centuries. Like the old Sky God, she was absorbed into later pantheons and took her place alongside the older deities. She was usually one of the most powerful of the gods, certainly more powerful than the Sky God, who remained a rather shadowy figure. She was called Inana in ancient Sumeria, Ishtar in Babylon, Anat in Canaan, Isis in Egypt and Aphrodite in Greece, and remarkably similar stories were devised in all these cultures to express her role in the spiritual lives of the people. These myths were not intended to be taken literally, but were metaphorical attempts to describe a reality that was too complex and elusive to express in any other way. These dramatic and evocative stories of gods and goddesses helped people to articulate their sense of the powerful but unseen forces that surrounded them. Indeed, it seems that in the ancient world people believed that it was only by participating in this divine life that they would become truly human. Earthly life was obviously fragile and overshadowed by mortality, but if men and women imitated the actions of the gods they would share to some degree their greater power and effectiveness. Thus it was said that the gods had shown men how to build their cities and temples, which were mere copies of their own homes in the divine realm. The sacred world of the gods--as recounted in myth--was not just an ideal toward which men and women should aspire, but was the prototype of human existence; it was the original pattern or the archetype on which our life here below had been modeled. Everything on earth was thus believed to be a replica of something in the divine world, a perception that informed the mythology, ritual and social organization of most of the cultures of antiquity and continues to influence more traditional societies in our own day.1 In ancient Iran, for example, every single person or object in the mundane world (getik) was held to have its counterpart in the archetypal world of sacred reality (menok). This is a perspective that is difficult for us to appreciate in the modern world, since we see autonomy and independence as supreme human values. Yet the famous tag post coitum omne animal tristis est still expresses a common experience: after an intense and eagerly anticipated moment, we often feel that we have missed something greater that remains just beyond our grasp. The imitation of a god is still an important religious notion: resting on the Sabbath or washing somebody's feet on Maundy Thursday--actions that are meaningless in themselves--are now significant and sacred because people believe that they were once performed by God. Excerpted from A History of God: The 4,000-Year Quest of Judaism, Christianity and Islam by Karen Armstrong All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.