How to look at Japanese art

Stephen Addiss, 1935-2022

Book - 1996

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Subjects
Published
New York : Harry N. Abrams [1996]
Language
English
Main Author
Stephen Addiss, 1935-2022 (-)
Other Authors
Audrey Yoshiko Seo (-)
Item Description
"Ceramics, sculpture and traditional Buddhist art, secular and Zen paintings, calligraphy, woodblock prints, gardens."
Physical Description
144 pages : color illustrations
Bibliography
Includes bibliographical references.
ISBN
9780810926400
Contents unavailable.
Review by Publisher's Weekly Review

This small volume, organized around six important categories of Japanese visual arts‘ceramics, sculpture, painting, calligraphy, prints and gardens‘has fashioned itself as an introduction to Japanese aesthetic sensibilities. Its format roughly follows the textbook norm, covering the time line from Jomon ceramics (1500 B.C.E.) to current artists, with examples from each category. Addiss directs the viewer in looking at each work, and poses unthreatening questions both within the text and as a "summary quiz" for each chapter. The text is high-school level or, perhaps, freshman-year humanities requirement for science majors. The descriptions of the works, and the rhetoric Addiss uses to engage "beginning viewers," presuppose a naïveté that flirts with simplemindedness. The historical information is accurate and momentarily illuminating, but there is not much of it. In fact, the main purpose here is apparently to incite further exploration, but it does seem that a reader truly interested in Japanese art would just bypass it for a richer, more complete account. (May) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

This lovely introduction to the aesthetics of Japanese art illustrates such typical characteristics as concern with nature, transformation of foreign influences, asymmetrical use of space, and humor. Chapters on ceramics, sculpture, painting, calligraphy, prints, and gardens discuss a small number of well-chosen examples, including many by women. Each chapter concludes with a page of key questions to ask when looking at a particular type of art. Addiss (art, Univ. of Richmond; The Art of Zen, Abrams, 1989) speaks directly to readers unfamiliar with Japanese art, posing questions designed to promote engagement with the works presented. His encouraging and personal approach makes this book ideal for students and general readers. A good addition to public or academic collections containing monographs on Japanese art or artists.-Kathryn Wekselman, Univ. of Cincinnati, Ohio (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.