Howl's moving castle

Diana Wynne Jones

Book - 1986

Eldest of three sisters in a land where it is considered to be a misfortune, Sophie is resigned to her fate as a hat shop apprentice until a witch turns her into an old woman and she finds herself in the castle of the greatly feared wizard Howl.

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Subjects
Published
New York : Greenwillow Books [1986]
Language
English
Main Author
Diana Wynne Jones (-)
Item Description
Sequel: House of many ways.
Physical Description
212 pages ; 24 cm
Audience
800L
ISBN
9780061478789
9781442008434
9780064410342
9780060298814
9780688062330
Contents unavailable.
Review by Booklist Review

*Starred Review* In a witty, rollicking fantasy, Sophie, the eldest of three daughters, knows that, according to fairy-tale convention, she's expected to fail first and worst when she sets out to seek her fortune, so she doesn't even try. She becomes increasingly fearful and withdrawn until a witch's curse turns her physically into the old woman she has psychologically become. In that disguise she does find the energy and courage to hobble out into the unknown. Feisty, curious, and determined, she moves into Wizard Howl's moving castle, a complex world that open onto four different dimensions, many quests and enchantments, and a wonderful host of interrelated characters human, animal, and inanimate. Splendidly handsome and powerful, Howl is reputed to suck the souls from young girls; but he doesn't intimidate the aged Sophie, who (even as she falls in love) sees that he's messy, fickle, hysterical, vain (two hours in the bathroom), and vulnerable. Slitherer-outer! she castigates him for evading responsibility. Bossy . . . nosy . . . snoop! he glares back. The fantasy is elaborate and clever, combining wild magic with cozy domesticity. The language ranges from the poetry of John Donne (Go and catch a falling star) to the most casual speech (the headless figure . . . was getting on her nerves). Jones' exuberant comedy and joy in her characters celebrate all the mixed, multiple, and echoing identities; and though the spells are eventually lifted and Howl and Sophie may live happily ever after, it will not be according to any predictable stereotype.--Rochman, Hazel Copyright 2017 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by School Library Journal Review

Gr 6-9-Jenny Sterlin is the perfect interpreter for this challenging, multifaceted fantasy. Sophie Hatter, turned into an old woman by the Witch of the Waste, takes refuge in the castle of the wizard Howl where, as they battle to free themselves from their respective curses, the pair falls in love. The later novels in the series, Castle in the Air and House of Many Ways, are also narrated by Sterlin. © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

After young Sophie Hatter is turned into an aged crone by a peevish witch, she tries to aid the charming, wildly theatrical wizard Howl in vanquishing the witch, so that both of them can break the spells they're under. Another welcome reissue from Diana Wynne Jones. From HORN BOOK Spring 2002, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Sophie is caught between a powerful witch and wizard who are terrorizing the magical land of Ingary. Living a humdrum life as a hatter till the malicious Witch of the Waste casts a spell turning her into an old woman, Sophie seeks refuge as cleaning woman to Wizard Howl (although he's rumored to eat the hearts of young girls) in his castle, which moves at will about the countryside. Actually, Howl is a brash young man whose only vice is womanizing. He is a gifted wizard but the despair of his inept apprentice and of Calcifer, a humorously petulant fire demon, because of such human faults as messiness and spending too long in the bath. As in her memorable Archer's Goon, Jones has a plethora of characters who are seldom what they seem and an intricate plot which may dazzle with its complexity or delight by the hilarious common-sense consequences of its preposterous premises. Sophie is a dauntless heroine; when she regains her youth and wins Howl, the odds are this is only the beginning of a tempestuous romance. Great fun. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

howl's mo Chapter One In which Sophie talks to hats In the land of Ingary, where such things as seven-league boots and cloaks of invisibility really exist, it is quite a misfortune to be born the eldest of three. Everyone knows you are the one who will fail first, and worst, if the three of you set out to seek your fortunes. Sophie Hatter was the eldest of three sisters. She was not even the child of a poor woodcutter, which might have given her some chance of success. Her parents were well to do and kept a ladies' hat shop in the prosperous town of Market Chipping. True, her own mother died when Sophie was two years old and her sister Lettie was one year old, and their father married his youngest shop assistant, a pretty blonde girl called Fanny. Fanny shortly gave birth to the third sister, Martha. This ought to have made Sophie and Lettle into Ugly Sisters, but in fact all three girls grew up very pretty indeed, though Lettie was the one everyone said was most beautiful. Fanny treated all three girls with the same kindness and did not favor Martha in the least. Mr. Hatter was proud of his three daughters and sent them all to the best school in town. Sophie was the most studious. She read a great deal, and very soon realized how little chance she had of an interesting future. It was a disappointment to her, but she was still happy enough, looking after her sisters and grooming Martha to seek her fortune when the time came. Since Fanny was always busy in the shop, Sophie was the one who looked after the younger two. There was a certain amount of screaming and hairpulling between those younger two. Lettie was by no means resigned to being the one who, next to Sophie, was bound to be the least successful. "It's not fair!" Lettie would shout. "Why should Martha have the best of it just because she was born the youngest? I shall marry a prince, so there!" To which Martha always retorted that she would end up disgustingly rich without having to marry anybody. Then Sophie would have to drag them apart and mend their clothes. She was very deft with her needle. As time went on, she made clothes for her sisters too. There was one deep rose outfit she made for Lettie, the May Day before this story really starts, which Fanny said looked as if it had come from the most expensive shop in Kingsbury. About this time everyone began talking of the Witch of the Waste again. It was said the Witch had threatened the life of the King's daughter and that the King had commanded his personal magician, Wizard Suliman, to go into the Waste and deal with the Witch. And it seemed that Wizard Stillman had not only failed to deal with the Witch: he had got himself killed by her. So when, a few months after that, a tall black castle suddenly appeared on the hills above Market Chipping, blowing clouds of black smoke from its four tall, thin turrets, everybody was fairly sure that the Witch had moved out of the Waste again and was about to terrorize the country the way she used to fifty years ago. People got very scared indeed. Nobody went out alone, particularly at night. What made it all the scarier was that the castle did not stay in the same place. Sometimes it was a tall black smudge on the moors to the northwest, sometimes it reared above the rocks to the east, and sometimes it came right downhill to sit in the heather only just beyond the last farm to the north. You could see it actually moving sometimes, with smoke pouring out from the turrets in dirty gray gusts. For a while everyone was certain that the castle would come right down into the valley before long, and the Mayor talked of sending to the King for help. But the castle stayed roving about the hills, and it was learned that it did not belong to the Witch but toWizard Howl. Wizard Howl was bad enough. Though he did not seem to want to leave the hills, he was known to amuse himself by collecting young girls and sucking the souls from them. Or some people said he ate their hearts. He was an utterly cold-blooded and heartless wizard and no young girl was safe from him if he caught her on her own. Sophie, Lettie, and Martha, along with all the other girls in Market Chipping, were warned never to go out alone, which was a great annoyance to them. They wondered what use Wizard Howl found for all the souls he collected. They had other things on their minds before long, however, for Mr. Hatter died suddenly just as Sophie was old enough to leave school for good. It then appeared that Mr. Hatter had been altogether too proud of his daughters. The school fees he had been paying had left the shop with quite heavy debts. When the funeral was over, Fanny sat down in the parlor in the house next door to the shop and explained the situation. "You'll all have to leave that school, I'm afraid," she said. "I've been doing sums back and front and sideways, and the only way I can see to keep the business going and take care of the three of you is to see you all settled in a promising apprenticeship somewhere. It isn't practical to have you all in the shop. I can't afford it. So this is what I've decided. Lettie first -- " howl's mo . Copyright © by Diana Jones. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from Howl's Moving Castle Film Comics by Diana Wynne Jones All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.