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808.3/Brande
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Location Call Number   Status
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Subjects
Published
Los Angeles : J. P. Tarcher 1981.
Language
English
Main Author
Dorothea Brande, 1893-1948 (-)
Item Description
Reprint of the 1934 edition published by Harcourt, Brace, New York.
Physical Description
186 pages
Bibliography
Includes index.
Bibliography: pages 177-179.
ISBN
9780874771640
  • Foreword
  • In Introduction
  • 1.. The Four Difficulties
  • The Difficulty of Writing at All
  • The "One-Book Author"
  • The Occasional Writer
  • The Uneven Writer
  • The Difficulties Not in Technical Equipment
  • 2.. What Writers are Like
  • Cultivating a Writer's Temperament
  • False and Real Artists
  • The Two Sides of a Writer
  • "Dissociation" Not Always Psychopathic
  • Everyday Examples of Dual Personality
  • The Slough of Despond
  • 3.. The Advantages of Duplicity
  • The Process of Story Formation
  • The "Born Writer"
  • Unconscious and Conscious
  • The Two Persons of the Writer
  • The Transparent Barrier
  • Keep Your Own Counsel
  • Your "Best Friend and Severest Critic"
  • The Right Recreation
  • Friends and Books
  • The Arrogant Intellect
  • The Two Selves Not at War
  • The First Exercise
  • 4.. Interlude: On Taking Advice
  • Save Your Energy
  • Imagination Versus Will in Changing Habits
  • Displacing Old Habits
  • A Demonstration
  • The Right Frame of Mind
  • 5.. Harnessing the Unconscious
  • Wordless Daydreams
  • Toward Effortless Writing
  • Double Your "Output"
  • 6.. Writing on Schedule
  • Engaging to Write
  • A Debt of Honor
  • Extending the Exercise
  • Succeed, or Stop Writing
  • 7.. The First Survey
  • Reading Your Work Critically
  • The Pitfalls of Imitation
  • Discovering Your Strength
  • A Footnote for Teachers
  • 8.. The Critic at Work on Himself
  • A Critical Dialogue
  • Be Specific in Suggestions
  • Correction After Criticism
  • The Conditions of Excellence
  • Dictating a Daily Regime
  • 9.. Readings as a Writer
  • Read Twice
  • Summary Judgment and Detailed Analysis
  • The Second Reading
  • Points of Importance
  • 10.. On Imitation
  • Imitating Technical Excellences
  • How to Spend Words
  • Counteracting Monotony
  • Pick Up Fresh Words
  • 11.. Learning to See Again
  • The Blinders of Habit
  • Causes of Repetitiousness
  • Recapturing Innocence of Eye
  • A Stranger in the Streets
  • The Rewards of Virtue
  • 12.. The Source of Originality
  • The Elusive Quality
  • Originality Not Imitation
  • The "Surprise Ending"
  • Honesty, the Source of Originality
  • Trust Yourself
  • "Your Anger and My Anger"
  • One Story, Many Versions
  • Your Inalienable Uniqueness
  • A Questionnaire
  • 13.. The Writer's Recreation
  • Busmen's Holidays
  • Wordless Recreation
  • Find Your Own Stimulus
  • A Variety of Time-Fillers
  • 14.. The Practice Story
  • A Recapitulation
  • The Contagiousness of Style
  • Find Your Own Style
  • The Story in Embryo
  • The Preparatory Period
  • Writing Confidently
  • A Finished Experiment
  • Time for Detachment
  • The Critical Reading
  • 15.. The Great Discovery
  • The Five-Finger Exercises of Writing
  • The Root of Genius
  • Unconscious, Not Subconscious
  • The Higher Imagination
  • Come to Terms with the Unconscious
  • The Artistic Coma and the Writer's Magic
  • 16.. The Third Person, Genius
  • The Writer Not Dual But Triple
  • The Mysterious Faculty
  • Releasing Genius
  • Rhythm, Monotony, Silence
  • A Floor to Scrub
  • 17.. The Writer's Magic
  • X Is to Mind as Mind to Body
  • Hold Your Mind Still
  • Practice in Control
  • The Story Idea as the Object
  • The Magic in Operation
  • Inducing the "Artistic Coma"
  • Valedictory
  • In Conclusion: Some Prosaic Pointers
  • Typewriting
  • Have Two Typewriters
  • Stationery
  • At the Typewriter: WRITE!
  • For Coffee Addicts
  • Coffee Versus Mate
  • Reading
  • Book and Magazine Buying
  • Bibliography
  • Index