A woman I know Female spies, double identities, and a new story of the Kennedy assassination

Filmmaker Haverstick's head-spinning debut recounts her investigation of Jerrie Cobb (1931--2019), a celebrated aviatrix and one of the 13 women who passed NASA's qualification tests in the early 1960s but were never admitted to the space program. After befriending Cobb while prepping a movie about her life, Haverstick became convinced that Cobb had a secret identity as June Cobb, a CIA asset with a remarkably similar biography--they were from the same Oklahoma town, undertook similar aviation training and travels in Latin America, and even had similar clavicle scars. (Pictures of the two women look nothing alike, but Haverstick chalks the discrepancy up to CIA deception.) Among other exploits, Haverstick credits Jerrie--as June--with spying on Fidel Castro while working undercover as his secretary, orchestrating assassination plots against Castro and Congolese leader Patrice Lumumba, and being the mysterious figure known as "the Babushka" seen in film footage of John F. Kennedy's assassination, where she supposedly fired the fatal head shot with a camera-pistol. (Complicating things further, Haverstick suggests that Jerrie was also Kennedy's mistress.) Haverstick presents exhaustive timelines showing that Jerrie and June were never in two different locations at once, and her narrative is full of captivating intrigue--she suspects Jerrie once served her a bowl of poisoned strawberries--but it creates more puzzles than it solves. The result is a colorful but far-fetched account of the Kennedy assassination. (Nov.)

A cat-and-mouse search for a woman's identity opens onto a shadowy corner of the assassination of John F. Kennedy. Filmmaker Haverstick's title is ironic, for the woman in question--Jerrie Cobb--is essentially unknowable. An unsung participant in NASA's Mercury program, she was trained as an astronaut along with a dozen other women volunteers: "She'd been the first to ace the physical exams and had then gone on to tackle flight simulators, endurance tests, and spatial orientation studies, something the others hadn't done." When NASA scrubbed the women's program, deeming men alone to be potential astronaut material, Cobb faded into the woodwork. Not quite: She logged time in Cuba as a supposed confidant of Fidel Castro, turned up in Mexico at the same time as Lee Harvey Oswald, explored the headwaters of the Amazon and advocated for its Indigenous peoples, spoke Spanish fluently--and was a CIA agent. Or was she? Cobb, a skilled pilot, was also on the tarmac at the Dallas airport as Oswald was making his way there, apparently to be transported elsewhere. Complicating the picture is a chain of false identities, pseudonyms, and the possible existence of another woman of the same skill set and physical appearance named June Cobb. "If Jerrie's life was intertwined with June Cobb's as a CIA cover," writes the author, "then Lee Harvey Oswald was a covert player in intelligence, too." Haverstick takes a few speculative steps into the engineers of the assassination--maybe Castro, maybe the Mafia, maybe renegade intelligence insiders. No definitive answer emerges, of course, but meanwhile, Jerrie Cobb's fascinating life reveals her to be "a spy, an explorer, a gambler, an astronaut, an illusionist, a narcissist, and a con"--and, to say the least, a puzzle. Assassination buffs and students of spycraft will find this intriguing and endlessly enigmatic. Copyright (c) Kirkus Reviews, used with permission.

One Redbird 1.1 The Drive It was a cold clear winter morning, driving up the New Jersey Turnpike, as I rehearsed in my mind the sequence of steps that might get me to Redbird. I'd already been working with Jerrie to tell her story for over two years, and I was now driving to the Newark Airport hotel to see her about problems with the film. Over those two years, starting in 2009, our relationship revolved around the goal of telling her space story, which would have been in the same vein as Hidden Figures , but our work took place eight years before that Oscar-nominated movie portrayed other influential NASA pioneers. Jerrie and I had met many times for the interviews from which our screenplay was developed. I held the exclusive option to her space story rights, which contracted us together for interviews and access to her historical materials. Independent dramas often take years to develop, research, and produce a screenplay, but we were through all that and into the casting phase. Our project had been going swimmingly--until I received a mysterious warning from a new acquaintance, and a pall dropped over the project. I was now on my way to confront Jerrie about all that had transpired. The problem, unusual as it sounds, was that I was briefly befriended by a high-ranking woman from the Department of Defense who, by her own admission, worked in espionage. I'd met her on a weeklong beach-camping excursion, where she arrived after me and parked herself in the campsite adjacent to mine. She was intelligent, fun, and interesting, so my partner and I spent quite a bit of time sightseeing with her, during which she shared riveting details about her spying career, work she had conducted overseas fighting the war on terror. I'd met this extraordinary woman seemingly by happenstance, although in retrospect, I've wondered exactly why we met. For a few weeks after that trip, we stayed in touch, and I even met up with her for lunch in Washington, D.C., while I was scouting locations for the film. But about then I noticed her habit of constantly dropping subtle warnings into the conversation about my film project. These comments took the form of non sequiturs that passed by so quickly, I wasn't even sure I'd heard them. Initially, I wrote them off as odd comments from someone who knew nothing about the film business. That changed when she visited my hometown. Claiming to be passing through Pennsylvania, she stopped by my studio, and I happily gave her a tour. Things were fine until we reached the research station for my film, where she began grilling me about the dates of the historical materials I had on hand and lecturing me about levels of government classification. I explained that I had nothing classified here, that this was fifty-year-old history. She quickly zeroed in on binders of materials I'd gotten from Jerrie herself, and without opening them, she claimed that those in particular were "classified and needed to be in a vault." This was outrageous on so many levels. I hadn't told her much about the project and certainly nothing that would give anyone a concern. Not about to be pushed around in my own studio, I laid down the facts--that these were an older woman's private letters, photos, and clippings, all of which I had legal access to and many of which were already public. It didn't matter. The warning was given. Something about Jerrie's documents was "classified," and my project might have problems. Her negativity about the film created a strain in the friendship, and she soon vanished from my life as quickly as she came. After her bizarre warning, the project did hit a quick series of hurdles. Hurdles are normal in films. Warnings about classified documents are not. I decided it was my duty to look into it, to see if we were on solid footing, or if something about this once-secret program had hit a tripwire even now. So one day, as I was sitting at my workstation pondering this mystery, I googled "Jerrie Cobb" together with "CIA." June Cobb What came up was a woman named June Cobb. I had seen her name before while researching Jerrie on the internet but had never clicked on it. This time I did. The search paragraphs were filled with gibberish, subject lines like "HSCA CIA segregated collection, box 40," that made no sense. I waded deeper. More gibberish. These were government documents--something to do with the CIA--something to do with assassination--something to do with the Kennedy assassination! I read on. Whoever this June Cobb was, her name appeared in thousands of pages of government files that were part of the investigation into Kennedy's death. The documents were dense, incomprehensible at first. I groped for a paragraph that made sense, that actually said something concrete. Slowly a picture of June emerged. Her full name was Viola June Cobb. She was three years older than Jerrie. She was a blond, like Jerrie, but a CIA employee. She was an agent. She knew Fidel Castro! This woman was interesting. She had evidently worked in Castro's office as a translator while she was spying on Fidel Castro! Who was this woman? And then with a few clicks of my mouse, I knew. June Cobb was from the same hometown as Jerrie--Ponca City, Oklahoma. She was the same height as Jerrie, same weight. June had also lived for a time in Jerrie's other hometown, Norman, Oklahoma. She was in the Civil Air Patrol, so they were both in aviation. Both were fluent Spanish speakers. Both had lived extensively in Latin America. Both left home in their twenties for South America. And then the point of no return: when I saw that June Cobb lobbied on behalf of the Indigenous tribes at the Amazon headwaters--the same Andean mountain people to whom Jerrie had devoted her life. Both women had visited the isolated region in the early 1950s, when almost no white people had ever been there. Both advocated for causes related to the coca-leaf-chewing habits of the natives, and both had exited the jungle from their youthful expeditions burdened by a lifelong jungle-borne disease. Consider, for a moment, the chances of any family allowing their college-age daughter to travel to the Amazon to contact Indigenous people in the 1950s, at a time when early expeditions were reporting that the jungle was riddled with cannibalistic headhunters. What was the statistical probability that two girls named Cobb of identical description and similar ages would be involved in aviation from Ponca and Norman, Oklahoma, with both in the Civil Air Patrol, both being Spanish speakers, both traveling to that remote tribal region and then leaving with a jungle-borne disease, while also being involved in top-secret U.S. government programs? I quickly imagined that those odds were about as good as two people sharing the exact same DNA, which I now suspected they did. Excerpted from A Woman I Know: Female Spies, Double Identities, and a New Story of the Kennedy Assassination by Mary Haverstick All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.