Rootless

Krystle Zara Appiah

Book - 2023

"A provocative debut novel about a British Ghanaian marriage in crisis that asks the question: Can you ever be rooted in a home that's on the brink of collapse? It seemed everyone knew Efe and Sam were meant to be-everyone except for Efe and Sam. Efe, newly arrived in the UK from Ghana and sinking under the weight of her parents' expectations, finds comfort in the focused and idealistic Sam, also Ghanaian, but for whom the UK feels like home. He's stable, he's working towards a law career, and he has a vision for his future. Efe, on the other hand dropped out of university, works at a bookstore, and dreams about life as an art curator-a dream her mother condemns. After spending years as best friends, Efe and Sam beg...in a fling that ends with the two of them married and starting a family. Their love story couldn't seem more perfect. But you know what they say: Looks can be deceiving. Motherhood for Efe might as well be a crime scene. She's just getting used to having a toddler when a second unplanned pregnancy throws her for a loop, forcing Sam and Efe to confront just how radically different they want their lives to be. Already swallowed by the demands of motherhood and feeling the dreams she had slipping away once again, Efe flees to Ghana, leaving Sam and their daughter behind. As Sam's illusion of their perfect marriage crumbles before him, Efe is determined to figure out which life she should pursue: the stability of her marriage, or the reawakened freedom she's finally found as an artist herself. A heartrending love story about motherhood and sacrifice, Rootless provides an intimate look at what happens after a marriage collapses, leading two people to rediscover what they ultimately want-and if it's still each other"--

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Subjects
Genres
Novels
Published
New York : Ballantine Books 2023.
Language
English
Main Author
Krystle Zara Appiah (author)
Edition
First edition
Physical Description
pages cm
ISBN
9780593500453
Contents unavailable.
Review by Booklist Review

As this heart-wrenching novel opens, Sam is devastated by the sudden disappearance of his wife, Efe. Rewinding time from that first chapter, readers learn the origins of Sam and Efe's tumultuous relationship. Both of Ghanaian heritage, they've had a connection since their first meeting in high school. After other lovers and near misses, the two finally become a couple, marry, and have a daughter, Olivia. But Efe's sorrow is deep and constant, spanning all the way back to her childhood and the abuse she endured from classmates. Her very religious family, friends, and even Sam have never put her first. Chapters alternate between Sam and Efe's points of view; Sam's own past as an abandoned child explains why he centers himself in their relationship. Despite their great love, Sam refuses to acknowledge Efe's struggles with motherhood, society's expectations of her as a mother, and her own mental illness. While Appiah's debut is harrowing and terribly sad, readers will empathize with Efe as she searches for hope in spite of her burdens.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Appiah debuts with an expansive and rich saga of a British Ghanaian woman balancing familial expectations with her own desires. In 2016 London, Sam Mensah is frantically searching for Efe Owusu-Mensah, his disappeared wife. With a parallel narrative, Appiah unspools Efe's story, beginning 19 years earlier when her parents sent her and her younger sister, Serwaa, from Accra, Ghana, to live with their aunt in London to finish secondary school. Culture shock overwhelms Efe, but Serwaa easily assimilates. Soon, though, Efe finds her footing with some help from her popular cousin, who introduces her to Sam. After pursuing a degree in economics, Efe fails out of college, much to her parents' chagrin. Depressed and isolated, she eventually decides to study art history before marrying Sam and reluctantly starting a family. Postpartum depression follows the birth of their daughter, but with time and therapy Efe's spirits improve. Still, she feels drawn to Ghana, where it turns out she's traveled to without telling Sam. Though the narrative runs a little longer than necessary, Appiah is adept at showing the ways Efe copes with the pain of abandonment and depression. This cosmopolitan work will speak to readers. Agent: Jenny Bent, Bent Agency. (Mar.)Correction: An earlier version of this review incorrectly stated the Efe character had an older sister, and that she moved to London to finish primary school.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

DEBUT Giving voice to the misgivings around motherhood and the pressures that those closest to us can bring to bear on pivotal decisions, this debut cracks the personal and familial wide open. Efe met Sam when she first arrived in the UK from Ghana in 1997. Sam was an earlier arrival from Ghana, already familiar with school in England. Nineteen years later, Sam races up the steps to their London apartment, breathlessly looking for Efe and the £1,300 missing from their bank account, while their young daughter Liv asks after her mother. The years from meet-cute to missing mother take readers on an intimate and painful journey with Efe as she grapples with cultural and familial forces that shape her life and decisions. Does she want a child? Sam does, and he makes no secret of it, pressuring Efe. Efe feels torn between her family community in Ghana and the less familiar, fast-paced material life in London. How could she grow to understand herself, much less raise a family she's not sure she even wants, in this uncertain environment? VERDICT Appiah's storytelling is heartrending, with a sharp insight that few have dared attempt.--Julie Kane

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

May 2016 Five Months Before Sam knows he is too late even as he sprints back from the station. He runs the whole way, phone clenched in his fist, the early afternoon sun at his back. His lungs are seizing in his chest by the time he crashes into the stairwell. He takes the stairs two at a time and, panting loudly, calls Efe's name as he staggers into the flat. Nothing is out of place. Maybe he's overreacting. She has to be here somewhere, he thinks as he moves from room to room, peers around corners, behind the bathroom door. He throws open the utility closet and stares at the hoover and dust-­covered pots of paint. The last room he checks is their bedroom. The door sits open and ominous at the end of the hall. Here he finds gaps everywhere: bare hangers, three pairs of shoes gone, a drawer cracked open as if she'd left in a hurry, her favorite necklace glinting on the dresser. Sam doubles over. Suddenly the air is warm and sludgy. The room swims. He feels like a small child waking up groggy and alone in a ghost-­filled house. He checks his phone again, scans through the stream of messages he's fired out, but there's still no reply from Efe. All his calls go to voicemail. The £1,300 payment to British Airways is still pending. Then he thinks of Olivia and panic floods his system anew. He fumbles with his mobile, calls the babysitter, and mutters "Pick up, pick up, pick up" until she does. "Hello." "Is Olivia there?" Sam says. "Of course. Is everything o--­?" "Let me speak to her," he interrupts. There's a brief scuffling sound as the phone changes hands; then Sam hears Liv on the line. His legs soften as he listens to the toddler sway to her words, the soft p sounds and the wobbly t's. He sinks to the floor. Unaware, Liv chats happily about Bear-­Bear, seamlessly picking up their conversation from hours earlier. Sam lets his eyes close and smiles. "See you soon. I love you. Be a good girl," he says, then adds, "I'm coming to pick you up, okay? Put Miss Bea back on the phone." After the call, Sam lowers his face into his hands. He waits for the ringing in his ears to stop and the flecks of dancing light to scatter; then he summons up all the energy he has, to face the aftermath. Later, when Sam returns to the flat with Liv, he holds his breath as she pauses in the hallway, looks both ways, first into the living room, then into the kitchen. Even in her absence, Efe is everywhere. Olivia gives him a curious look. "Where's Mummy?" she asks. "Out. She'll be back soon," Sam says. He too believes these words. No need to worry Liv. No matter what happens between him and Efe, they always find their way back to each other. He just needs to give her time. All he has to do is wait. Sam settles Liv in the living room, glances at the clock and sees it's early, not quite three. "Want some juice?" he asks and returns with juice and buttered crackers. In the quiet of the kitchen he listens to the voicemail again. It was hard to make out at first because of the cars hurtling past in the background. Sam had listened to it three times, struggling to make sense of the words, before he'd finally understood that she'd gone. She'd told no one, only called her sister minutes before she'd boarded the plane, and her sister had called him. After the beep there's a three-­second pause before Serwaa realizes it's recording and speaks. "Hey, Sam, it's me," she says. "Can you let Efe know I got her message? Her phone's going to voicemail, so if you're with her, just tell her it's fine. I'll be there when she lands. I hope things are good." All afternoon Sam makes phone calls. Most are to Efe, even though he knows she's somewhere high above Europe or the Sahara, more miles threading between them with each passing second. He calls Serwaa too. His movements are mechanical. He hangs up, waits a few minutes, and redials. He doesn't let himself think or stop. "Daddy?" Sam turns to find Olivia standing in the doorway. She looks at him warily, his brave and curious four-­year-­old, and Sam's sure she can tell something is off. He takes a deep breath and fills his voice with false cheer. "Need something?" "I'm hungry," Liv says, a half second before her stomach rumbles. "Oh." Sam's eyes move to the clock. Hours have passed. Outside the sky is a dim gray. "Let's get you some dinner," Sam says and digs around in the fridge. He finds rice but no stew, pulls out a bag of fish sticks and frozen peas iced to the back of the freezer but can't find fries. In the end, he feeds Liv cheese on toast and nudges her back in the direction of the TV. Just before ten the shrill sound of the buzzer pierces the flat. Sam lowers Liv into her bed, still dressed, teeth unbrushed, and races back into the hallway. "Efe?" he says into the intercom. "Phoebe." Sam doesn't remember calling his sister but is relieved to hear her voice over the static-­filled line. He buzzes her in. A minute later she's standing on the welcome mat, pulling him into a hug. The tan blazer and the faint scent of rum on her skin tell him she's come straight from a work event. "I got your message," she says. "Have you heard anything?" "Nothing." Sam steps to the side as she strides into the living room, dumps her blazer on the nearest armchair. "But her plane landed, right?" "Two hours ago, according to Google. I'm pretty sure her phone was on around nine, but now it's going straight to voicemail." Sam pushes past the clamminess in his throat, tries to play it down. "But that could be anything. Maybe the battery died or she lost it or something." Phoebe gives him a look. "Do you actually believe that?" Sam doesn't answer. He flicks his phone screen on. Still nothing. Another part of his mind is combing through memories of the last few months. He thinks back to how happy they were on New Year's Eve: somehow separated at a party at 11:59 but making a mad dash to find each other just before the clock struck midnight; how nothing was amiss at last month's family dinner, everyone gathered around the table at Sam's dad's place, trading stories over takeout as usual. Maybe she had been quieter than usual during their day trip to Brighton, staring out the window as they crawled back to the city in holiday traffic. Sam hadn't thought much of it at the time. They'd all been tired. Liv had slept for most of the drive. He needs to think harder and see something he missed. Something they all missed. Across the room, Phoebe sighs loudly and begins pacing. "I can't believe you're not more freaked out." "I know where she is. I don't know why she won't talk to me, but at least I know she's . . . safe." "How could she leave the country and not say anything? Are you sure she wasn't mad about something?" "No," Sam says softly, despite the thought that bubbles to the surface. "We're good. Really good." Phoebe shakes her head. "Who does that? Who books a flight and leaves?" Sam groans, and puddles into the sofa and puts a hand to his throbbing temples. He sits there for a few moments, his face cupped in his hands, before he hears Phoebe's footsteps nearing, feels her hand squeeze his shoulder. His voice comes out quiet, shaky. "I just want to talk to her--­figure out what's going on. I don't know what she's thinking." Above him, Phoebe replies, "Then you have to do something. Go after her or something." "This isn't a movie, Pheebs. I thought you were here to help." "I am helping," she says. "Do you really think sitting here like this is working?" Sam comes to with his face buried in the musty sofa, head hidden beneath a cushion, his first thought of Efe. Five days have passed since he last saw his wife. He thinks back to the last time he saw her: straight-­backed at the dining table, one knee pulled up under her chin, her gaze fixed on the middle distance. He'd watched long ribbons of steam curl up from her mug and peter out into nothing. Her face was dewy with heat, her twists pulled back by a satin headscarf. Sam had paused, palming a warm cup of coffee and just stood there, looking at her. A long, drawn-­out moment passed before she lifted the mug to her lips and drank. Excerpted from Rootless: A Novel by Krystle Zara Appiah All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.