Almost an elegy New and later selected poems

Linda Pastan, 1932-

Book - 2022

"A moving and incandescent volume from a poet celebrated for her 'unfailing mastery of her medium' (New York Times Book Review). In poems of graceful lyricism and penetrating observation, award-winning poet Linda Pastan sheds new light on the complexities of ordinary life and the rising tide of mortality. Drawing from Pastan's five most recent volumes-including The Last Uncle (2002), Traveling Light (2011), and Insomnia (2015)-and with over thirty new poems, Almost an Elegy reflects on beauty, old age, and the probability of loss. Whether in a lush evocation of an impressionist painting or a wry and wistful ode to a car key, Pastan finds lucid meaning in the passage of time"--

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Subjects
Genres
Poetry
Published
New York, NY : W.W. Norton & Company [2022]
Language
English
Main Author
Linda Pastan, 1932- (author)
Edition
First edition
Physical Description
xv, 122 pages ; 24 cm
ISBN
9781324021490
  • New Poems
  • Memory of a Bird
  • On the Sill of the World
  • Sting
  • For Miriam, Who Hears Voices
  • A Different Kind of April: For Joan
  • I Hold My Breath
  • Truce
  • Kristallnacht
  • Instruction
  • Almost an Elegy: For Tony Hoagland
  • Class Notes
  • The Tourist
  • Squint,
  • Tulips in a glass vase
  • Plunder: To a Young Friend
  • Ode to My Car Key
  • Cataracts
  • Apartment Life
  • The Clouds
  • The Quarry, Pontoise
  • Interior, Woman at the Window
  • Anonymous
  • Rereading Anna Karenina for the Fifth Time
  • Crimes
  • How Far Would You Trust Your Art?
  • Mirage
  • The Collected Poems
  • Summer Triptych
  • Lightning
  • At the Winery
  • Autumn: For Jane Kenyon
  • Away
  • The Future
  • From The Last Uncle (2002)
  • Women on the Shore
  • Practicing
  • Tears
  • Grace
  • The Cossacks: For F
  • Potsy
  • Bess
  • Armonk
  • The Last Uncle
  • Husbandry
  • Ghiaccio
  • The Death of the Bee
  • From Queen of a Rainy Country (2006)
  • A Tourist at Ellis Island
  • Maiden Name
  • Parting the Waters
  • I Married You
  • 50 Years
  • Firing the Muse
  • Rereading Frost
  • Heaven
  • Geography
  • Leaving the Island
  • Death Is Intended
  • What We Are Capable Of
  • Why are your poems so dark?
  • A Rainy Country
  • From Traveling Light (2011)
  • The Burglary
  • Bread
  • March
  • Lilacs
  • Eve on Her Deathbed
  • Years After the Garden
  • Cows
  • Q and A
  • On Seeing an Old Photograph
  • Ash
  • Silence
  • In the Forest
  • Somewhere in the World
  • On the Steps of the Jefferson Memorial
  • The Ordinary
  • Flight
  • Traveling Light
  • From Insomnia (2015)
  • Insomnia: 3 AM
  • Consider the Space Between Stars
  • Late In October
  • In the Orchard
  • First Snow
  • The Gardener
  • After the Snow
  • Edward Hopper, Untided
  • Adam and Eve
  • Fireflies
  • Imaginary Conversation
  • In the Happo-En Garden, Tokyo
  • River Pig
  • Ship's Clock
  • At Maho Bay: For Jon
  • Ah, friend
  • Last Rites
  • Musings Before Sleep
  • From A Dog Runs Through It (2018)
  • The Great Dog of Night
  • The New Dog
  • Domestic Animals
  • In the Walled Garden
  • I Am Learning to Abandon the World: For M
  • McGuffey's First Eclectic Reader
  • Pluto
  • Argos
  • The Animals
  • Old Joke
  • Envoi
Review by Publisher's Weekly Review

Drawing from Pastan's five most recent collections and including more than 30 new poems, this luminous volume shows a master craftsperson reveling and reflecting on the world's beauties and pains, finding deep meaning at every turn. A new poem, "Truce," revisits the subject of her father, "This is for my surgeon father at last/ whom I've desecrated in poem after poem/ for punishing me with silence, for caring too much/ about the exact degree of love and respect/ my adolescent self let trickle down to him." Another new poem, "Instruction," is one of Pastan's finest across her oeuvre, displaying her superb control of the couplet form as it poignantly addresses the subject of grief: "You must rock your pain in your arms/ until it's asleep, then leave it// in a darkened room and tiptoe out." An earlier poem, "Women on the Shore" (from 2002's The Last Uncle), wisely advises: "If death is everywhere we look,/ at least let's marry it to beauty." Pastan has taken that charge seriously throughout her impressive career, proving herself to be a poet of unusual generosity, humanity, and skill. These are poems worth savoring and revisiting. (Oct.)

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Review by Library Journal Review

Two-time National Book Award finalist Pastan combines 30 new poems with favorites drawn from five of her most recent volumes to limn loss, aging, and the world's ongoing beauty. POETRY

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