The clown said no

K-Gr 3--First appearing in 1961 with illustrations by Gian Casty, this story has been somewhat revised over 60 years and now appears with Kuhlmann's meticulous, joyful scenes of a mutinous bunch of circus performers on the search to become their most essential artistic selves. It's a familiar quest, within this story and beyond it, of course. Here, Petronius, billed as the "funniest clown in the world," simply refuses to perform. Theodore, his donkey, also rebels. The pony, too, who is actually a full-grown horse, chafes at dancing on cue; the giraffe cannot help it that she has a long neck and hates doing tricks. Otto the dog dislikes the bow he wears, and Gustav the lion longs for home. They create their own circus, "For Children and Poets." The language of this translation is lyrically conversational, ideal for reading aloud, and the circus-in-rebellion idea will lead to noisy story hours. VERDICT It's a quest worth taking, this move toward authenticity; children will understand why the clown and his merry followers say no, and love how small changes can lead to big satisfaction.--Kimberly Olson Fakih

Introductory text shares history and context for the fourth publication of this circus story, with a theme of staying true and pursuing what feels right. The title reveals itself promptly as Petronius the clown defiantly declares "No!" when asked to perform by the ringmaster. Five circus animals follow suit, and the group bluntly quits. After discussing their grievances around a campfire, they realize it isn't so much the circus they dislike as their lack of autonomy. Even though this existential realization might stir up deeper questions in adults, it's presented as a straightforward plot point and could help children express their own interests or desires for change in daily life. Each scene methodically moves the six "circus rebels" toward their goal of opening their own circus "for children and poets." Classically inspired illustrations from Kuhlmann depict a rich red drape behind the circus stage. Petronius is a quintessential clown, with a collar, red nose, powder-white face, and pointed hat. Even though this is a fresh set of illustrations for the 1961 story, the cars and fashion stem from the time of initial publication. There is no noticeable skin tone or body type diversity when people are present. Anyone fearful of clowns or critical of the circus at large will pass on this book. Those who turn the pages will find a sweet mix of action and reflection as they cheer on the earnest gaggle of performers. (This book was reviewed digitally.) Part storybook, part pep talk to anyone with a dream in reach. (Picture book. 5-8) Copyright (c) Kirkus Reviews, used with permission.