Widowland A novel

C. J. Carey

Book - 2022

"To control the past, they edited history. To control the future, they edited literature. The year is 1953. Edward VIII and Wallis are preparing for their coronation, and the country is tense with expectation. In honor of the event, Adolf Hitler will be making his first visit to the UK since its surrender to the Germans in 1940. One oppressive change conforming with Nazi ideology is the strict classification of women into hierarchical groups, ranging from the beautiful and privileged Gelis (named after Hitler's adored niece) down to the barren Widows, who are treated as inferior domestic help and considered worthless. Rose Ransom, a Geli, remembers life before but knows better than to let it show. She works for the Ministry of Cul...ture, editing classic books to fit in better with the new regime. When graffiti that quotes subversive lines by famous women starts popping up all over the country, Rose finds herself embroiled in the investigation to discover the criminals behind it. Nobody knows the power of words better than she does, and the truth behind them is almost impossible to ignore. Caught up in an assassination plot in which the Widows are the key suspects, she is forced to choose between the language of the law and that of her heart"--

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Subjects
Genres
Alternative histories (Fiction)
Novels
Published
Naperville, Illinois : Sourcebooks Landmark [2022]
Language
English
Main Author
C. J. Carey (author)
Physical Description
420 pages ; 21 cm
ISBN
9781728248448
Contents unavailable.
Review by Booklist Review

In this alternate history, Germany and Great Britain are 13 years into an alliance that began with the 1940 murder of George VI and his family in favor of the rule of Edward VIII, remorseless pawn of the Leader. Women are classified into six categories based on their usefulness to men and, by extension, the empire. Rose Ransom is a Geli, the most elite class of women, and has a job with the culture ministry editing literature of the past to match the current values of the regime. When inflammatory quotes from forbidden texts begin to appear as graffiti, she is asked to infiltrate a widowland community, where childless women over 50 are relegated and the insurgent messages appear to originate. The subversion must be stopped before the Leader arrives for the coronation of King Edward and Queen Wallis, and Rose is expected to act in the best interests of the protectorate. Carey builds a chillingly believable setting and society that feel relevant now. For fans of historical fiction, women's stories, and alternate history and for readers looking for The Handmaid's Tale by way of Fatherland.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review

Admittedly this is the first book of Ackerman's that I struggled with. It's not that it wasn't a good book it's more that it just took it's time getting there if that makes sense. It started out really strong, the first couple of chapters were well written and set readers up for an engrossing tale. But then somewhere around the 20% mark it started to lose steam for me. I had a hard time believing that Isabel wanted to go to Hawaii to basically retrace the footsteps of her deceased brother. On the surface it made sense but as we got into the story where she meets Mateo and retracing her brother's favorite spots as a catalyst for their romance just felt weird and off to me. For me it just didn't work and felt a little off. The first half of the book mostly covered Mateo and Isabel going to her brother's favorite spots and Mateo documenting those spots and the whole time I was thinking "Why???? What's the point of this???". And Mateo's devotion to all those spots and memories felt a little weird too. Can't explain it but it just didn't feel fitting some how. I struggled with Lu's parts of the book too. There seemed to be zero connection between Lu and Mateo later on in the book and I just really struggled to get into that part of the story. For some reason this whole book felt very mismatched and strung together but not in a good way. After the 50% mark things eventually picked up and got better (no spoilers!) but by that point I was already feeling disconnected and bored with some of the story. It took too long getting there and getting to the interesting parts for my taste. This was unexpected for me because Ackerman's books have generally been really good. This book started out with her trademark love of Hawaii and it's war time history. I loved that part and I loved the descriptions of the island and it's rugged beauty. But the characters felt lacking for me. While this book didn't excite me as some of Ackerman's other novels, I think it's still worth a read. It's not bad but for me, I felt like her other novels were stronger and I think this one could have been better than it was. Ackerman is still an author that I recommend a lot to readers looking for 'off the beaten path' WWII novels. She is a marvelous writer and I love how she writes and the stories she tells, but in this one I think it could have been better. Admittedly this is the first book of Ackerman's that I struggled with. It's not that it wasn't a good book it's more that it just took it's time getting there if that makes sense. It started out really strong, the first couple of chapters were well written and set readers up for an engrossing tale. But then somewhere around the 20% mark it started to lose steam for me. I had a hard time believing that Isabel wanted to go to Hawaii to basically retrace the footsteps of her deceased brother. On the surface it made sense but as we got into the story where she meets Mateo and retracing her brother's favorite spots as a catalyst for their romance just felt weird and off to me. For me it just didn't work and felt a little off. The first half of the book mostly covered Mateo and Isabel going to her brother's favorite spots and Mateo documenting those spots and the whole time I was thinking "Why???? What's the point of this???". And Mateo's devotion to all those spots and memories felt a little weird too. Can't explain it but it just didn't feel fitting some how. I struggled with Lu's parts of the book too. There seemed to be zero connection between Lu and Mateo later on in the book and I just really struggled to get into that part of the story. For some reason this whole book felt very mismatched and strung together but not in a good way. After the 50% mark things eventually picked up and got better (no spoilers!) but by that point I was already feeling disconnected and bored with some of the story. It took too long getting there and getting to the interesting parts for my taste. This was unexpected for me because Ackerman's books have generally been really good. This book started out with her trademark love of Hawaii and it's war time history. I loved that part and I loved the descriptions of the island and it's rugged beauty. But the characters felt lacking for me. While this book didn't excite me as some of Ackerman's other novels, I think it's still worth a read. It's not bad but for me, I felt like her other novels were stronger and I think this one could have been better than it was. Ackerman is still an author that I recommend a lot to readers looking for 'off the beaten path' WWII novels. She is a marvelous writer and I love how she writes and the stories she tells, but in this one I think it could have been better.

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