The name of the rose

Umberto Eco

eBook - 1994

Now a series starring John Turturro as William of Baskerville airing on SundanceTV Umberto Eco's first novel, an international sensation and winner of the Premio Strega and the Prix Médicis Étranger awards The year is 1327. Benedictines in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective. His tools are the logic of Aristotle, the theology of Aquinas, the empirical insights of Roger Bacon-all sharpened to a glistening edge by wry humor and a ferocious curiosity. He collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of... the abbey, where "the most interesting things happen at night." "Like the labyrinthine library at its heart, this brilliant novel has many cunning passages and secret chambers . . . Fascinating . . . ingenious . . . dazzling." - Newsweek

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Subjects
Genres
Mystery fiction
Historical fiction
Didactic fiction
Published
[United States] : HarperCollins 1994.
Language
English
Corporate Author
hoopla digital
Main Author
Umberto Eco (-)
Corporate Author
hoopla digital (-)
Online Access
Instantly available on hoopla.
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Physical Description
1 online resource
Format
Mode of access: World Wide Web.
ISBN
9780547575148
Access
AVAILABLE FOR USE ONLY BY IOWA CITY AND RESIDENTS OF THE CONTRACTING GOVERNMENTS OF JOHNSON COUNTY, UNIVERSITY HEIGHTS, HILLS, AND LONE TREE (IA).
Contents unavailable.
Review by Publisher's Weekly Review

This edition includes Eco's illuminating commentary, Postscript to the Name of the Rose. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Eco, an Italian philosopher and best-selling novelist, is a great polymathic fabulist in the tradition of Swift, Voltaire, Joyce, and Borges. The Name of the Rose, which sold 50 million copies worldwide, is an experimental medieval whodunit set in a monastic library. In 1327, Brother William of Baskerville arrives to investigate heresy among the monks in an Italian abbey; a series of bizarre murders overshadows the mission. Within the mystery is a tale of books, librarians, patrons, censorship, and the search for truth in a period of tension between the Papacy and the Holy Roman Empire. The book became a hit despite some obscure passages and allusions. This deftly abridged version, ably performed by Theodore Bikel, retains the genius of the original but is far more accessible. Foucault's Pendulum, Eco's second novel, is a bit irritating. The plot consists of three Milan editors who concoct a series on the occult for an unscrupulous publishing house that Eco ridicules mercilessly. The work details medieval phenomena including the Knights Templar, an ancient order with a scheme to dominate the world. Unfortunately, few listeners will make sense of this failed thriller. The Island of the Day Before is an ingenious tale that begins with a shipwreck in 1643. Roberta della Griva survives and boards another ship only to find himself trapped. Flashbacks give us Renaissance battles, the French court, spies, intriguing love affairs, and the attempt to solve the problem of longitude. It's a world of metaphors and paradoxes created by an entertaining scholar. Tim Curry, who also narrates Foucault's Pendulum, provides a spirited narration. Ultimately, libraries should avoid Foucault's Pendulum, but educated patrons will form an eager audience for both The Name of the Rose and The Island of the Day Before.-James Dudley, Copiague, N.Y. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Fueled by bookish ingenuity instead of flesh-and-blood vitality, this brilliant Borgesian-Nabokovian historical--part pageant, part whodunit--shines with a distinctly dry light: Eco is a professor of semiotics (at Bologna University) with a versatile style (admirably handled by translator Weaver) and an awesome knowledge of the Middle Ages The story concerns a series of murders at a mythical Benedictine abbey somewhere near the Ligurian coast in 1327. The master detective is a wise and tolerant Franciscan scholar, Brother William of Baskerville, while a young Benedictine monk, Adso of Melk, plays the part both of narrator and inevitable sidekick/apprentice-sleuth. The dense and finely spun mystery eventually revolves around the last remaining copy of Aristotle's second book of the Poetics (now lost), his writings on comedy. And this precious manuscript is not just a deadly weapon--its pages have been dusted with poison by a fanatical blind monk--but its imagined contents come to symbolize humanity's ultimate defense against the bigotry and political horror swirling around in the world outside the monastery: lethal feuds between Emperor Louis IV and Pope John XXII; the Inquisition; witchhunts; pogroms; the Albigensian crusade; Fra Dolcino's bloody uprising and its far more savage suppression. Finally, then, when the manuscript is deliberately burned, the apocalyptic conflagration suggests the triumph of a very 20th-century terrorism that aims to mangle mind and body: the insidious obscurantist, Jorge of Burgos, may have been exposed, but a once-peaceful monastic microcosm now lies in ruins. . . and Brother William is doomed to die in the plague of 1348 (which may be meant as a parallel to nuclear holocaust). Eco has the learning to paint an ornate medieval panorama, the inventiveness to fill it with elegant conundrums (labyrinthine architecture, recondite Latin allusions, etc.). But his characters are stiff and two-dimensional; they talk too much, if eloquently; and Eco may ultimately be less a novelist than a preacher. Still: a rich, fascinating failure--with clever, tapestry-like appeal for a limited, historically-minded audience. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

PROLOGUE In the beginning was the Word and the Word was with God, and the Word was God. This was beginning with God and the duty of every faithful monk would be to repeat every day with chanting humility the one never-changing event whose incontrovertible truth can be asserted. But we see now through a glass darkly, and the truth, before it is revealed to all, face to face, we see in fragments (alas, how illegible) in the error of the world, so we must spell out its faithful signals even when they seem obscure to us and as if amalgamated with a will wholly bent on evil. Having reached the end of my poor sinner's life, my hair now white, I grow old as the world does, waiting to be lost in the bottomless pit of silent and deserted divinity, sharing in the light of angelic intelligences; confined now with my heavy, ailing body in this cell in the dear monastery of Melk, I prepare to leave on this parchment my testimony as to the wondrous and terrible events that I happened to observe in my youth, now repeating all that I saw and heard, without venturing to seek a design, as if to leave to those who will come after (if the Antichrist has not come first) signs of signs, so that the prayer of deciphering may be exercised on them. May the Lord grant me the grace to be the transparent witness of the occurrences that took place in the abbey whose name it is only right and pious now to omit, toward the end of the year of our Lord 1327, when the Emperor Louis came down into Italy to restore the dignity of the Holy Roman Empire, in keeping with the designs of the Almighty and to the confusion of the wicked usurper, simoniac, and heresiarch who in Avignon brought shame on the holy name of the apostle (I refer to the sinful soul of Jacques of Cahors, whom the impious revered as John XXII). Perhaps, to make more comprehensible the events in which I found myself involved, I should recall what was happening in those last years of the century, as I understood it then, living through it, and as I remember it now, complemented by other stories I heard afterward -- if my memory still proves capable of connecting the threads of happenings so many and confused. In the early years of that century Pope Clement V had moved the apostolic seat to Avignon, leaving Rome prey to the ambitions of the local overlords: and gradually the holy city of Christianity had been transformed into a circus, or into a brothel, riven by the struggles among its leaders; though called a republic, it was not one, and it was assailed by armed bands, subjected to violence and looting. Ecclesiastics, eluding secular jurisdiction, commanded groups of malefactors and robbed, sword in hand, transgressing and organizing evil commerce. How was it possible to prevent the Caput Mundi from becoming again, and rightly, the goal of the man who wanted to assume the crown of the Holy Roman Empire and restore the dignity of that temporal dominion that had belonged to the Caesars? Thus in 1314 five German princes in Frankfurt elected Louis the Bavarian supreme ruler of the empire. But that same day, on the opposite shore of the Main, the Count Palatine of the Rhine, and the Archbishop of Cologne elected Frederick of Austria to the same high rank. Two emperors for a single throne and a single pope for two: a situation that, truly, fomented great disorder. . . Two years later, in Avignon, the new Pope was elected, Jacques of Cahors, an old man of seventy-two who took, as I have said, the name of John XXII , and heaven grant that no pontiff take again a name now so distasteful to the righteous. A Frenchman, devoted to the King of France (the men of that corrupt land are always inclined to foster the interests of their own people, and are unable to look upon the whole world as their spiritual home), he had supported Philip the Fair against the Knights Templars, whom the King accused (I believe unjustly) of the most shameful crimes so that he could seize their possessions with the complicity of that renegade ecclesiastic. In 1322 Louis the Bavarian defeated his rival Frederick. Fearing a single emperor even more than he had feared two, John excommunicated the victor, who in return denounced the Pope as a heretic. I must also recall how, that very year, the chapter of the Franciscans was convened in Perugia, and the minister general, Michael of Cesena, accepting the entreaties of the Spirituals (of whom I will have occasion to speak), proclaimed as a matter of faith and doctrine the poverty of Christ, who, if he owned something with his apostles, possessed it only as usus facti. A worthy resolution, meant to safeguard the virtue and purity of the order, it highly displeased the Pope, who perhaps discerned in it a principle that would jeopardize the very claims that he, as head of the church, had made, denying the empire the right to elect bishops, and asserting on the contrary that the papal throne had the right to invest the emperor. Moved by these or other reasons, John condemned the Franciscan propositions in 1323 with the decretal Cum inter nonnullos. It was at this point, I imagine, that Louis saw the Franciscans, now the Pope's enemies, as his potential allies. By affirming the poverty of Christ, they were somehow strengthening the ideas of the imperial theologians, namely Marsilius of Padua and John of Jandun. And finally, not many months before the events I am narrating, Louis came to an agreement with the defeated Frederick, descended into Italy, and was crowned in Milan. This was the situation when I -- a young Benedictine novice in the monastery of Melk -- was removed from the peace of the cloister by my father, fighting in Louis's train, not least among his barons. He thought it wise to take me with him so that I might know the wonders of Italy and be present when the Emperor was crowned in Rome. But the siege of Pisa then absorbed him in military concerns. Left to myself, I roamed among the cities of Tuscany, partly out of idleness and partly out of a desire to learn. But this undisciplined freedom, my parents thought, was not suitable for an adolescent devoted to a contemplative life. And on the advice of Marsilius, who had taken a liking to me, they decided to place me under the direction of a learned Franciscan, Brother William of Baskerville, about to undertake a mission that would lead him to famous cities and ancientabbeys. Thus I became William's scribe and disciple at the same time, nor did I ever regret it, because with him I was witness to events worthy of being handed down, as I am now doing, to those who will come after us. I did not then know what Brother William was seeking, and to tell the truth, I still do not know today, and I presume he himself did not know, moved as he was solely by the desire for truth, and by the suspicion -- which I could see he always harbored -- that the truth was not what was appearing to him at that moment. And perhaps during those years he had been distracted from his beloved studies by secular duties. The mission with which William had been charged remained unknown to me while we were on our journey, or, rather, he never spoke to me about it. It was only by overhearing bits of his conversations with the abbots of the monasteries where we stopped along the way that I formed some idea of the nature of this assignment. But I did not understand it fully until we reached our destination. Our destination was to the north, but our journey did not follow a straight line, and we rested at various abbeys. Thus it happened that we turned westward (though we ought to have been going east), almost following the line of mountains that from Pisa leads in the direction of the pilgrim's way to Santiago, pausing in a place which, due to what occurred there, it is better that I do not name, but whose lords were liege to the empire, and where the abbots of our order, all in agreement, opposed the heretical, corrupt Pope. Our journey lasted two weeks, amid various vicissitudes, and during that time I had the opportunity to know (never enough, I remain convinced) my new master. Excerpted from The Name of the Rose by Umberto Eco All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.