Pride and prejudice

Jane Austen, 1775-1817

eAudio - 2016

In this classic 19th century story of love battling pride, we meet Elizabeth Bennet. Elizabeth is a smart, well-rounded woman, and she is one of five unmarried daughters of the country gentleman, Mr. Bennet, a country gentleman. Marriage is at the forefront Mrs. Bennet's mind, especially since her elderly husband's estate will not pass down to any of their daughters. The Bennets' small town is in an uproar when two highborn, eligible gentlemen, Mr. Bingley and Mr. Darcy, come to stay. Mr. Bingley takes and instant liking to the eldest Bennet daughter, Jane. Elizabeth's prideful self does not realize her life is about to change when she meets the intolerable Mr. Darcy, who will make her questions her sensibilities.

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Subjects
Published
[United States] : Dreamscape Media, LLC 2016.
Language
English
Corporate Author
hoopla digital
Main Author
Jane Austen, 1775-1817 (author)
Corporate Author
hoopla digital (-)
Other Authors
Rosalyn Landor (narrator)
Edition
Unabridged
Online Access
Instantly available on hoopla.
Cover image
Physical Description
1 online resource (1 audio file (12hr., 35 min.)) : digital
Format
Mode of access: World Wide Web.
ISBN
9781682628775
Access
AVAILABLE FOR USE ONLY BY IOWA CITY AND RESIDENTS OF THE CONTRACTING GOVERNMENTS OF JOHNSON COUNTY, UNIVERSITY HEIGHTS, HILLS, AND LONE TREE (IA).
Contents unavailable.
Review by Publisher's Weekly Review

Collagist Fabe adds flair to Jane Austen's Pride and Prejudice with 39 original illustrations that accompany the unabridged text. Fabe's collages overlay bright, watercolor-washed scenes with retro cut-paper figures and objects sampled from fashion magazines from the 1930s to the '50s. Accompanying each tableau is a quote from the Pride and Prejudice passage that inspired it. Like Austen's book, Fabe's work explores arcane customs of beauty and courtship, pageantry and social artifice: in one collage, a housewife holds a tray of drinks while a man sits happily with a sandwich in hand in the distance. While tinged with irony and more than a dash of social commentary, the collages nevertheless have a spirit of glee and evidence deep reverence for the novel. As Fabe describes in a preface, Austen "was a little bit mean-the way real people are mean-so there are both heroes and nincompoops. Family is both beloved and annoying. That is Austen's genius, her ability to describe people in all their frailty and humor." This is a sweet and visually appealing homage. (BookLife) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

From Carol Howard's Introduction to Pride and Prejudice It is sometimes said that Austen's gift was to be a shrewd observer of her narrow, genteel social circle, that her experience and knowledge of the world were limited and her life sheltered, and that her novels realistically reflect the peaceful late-eighteenth- and early-nineteenth-century village community and English countryside she inhabited. That Austen was a careful observer of human motivation and social interaction is certainly true. One should not assume, though, that her choice to write novels of manners means that she was unaware of or unaffected by the political and social upheaval of her day. The idea that she centers her novels on the social classes with which she was most familiar is not entirely the case, although she had occasion to observe members of the gentry and aristocracy whose circumstances resembled those of some of the characters who populate her novels. Whether her own life was perfectly serene is questionable: Most lives, no matter how uneventful in retrospect, have their vicissitudes. At the very least, Austen and her family must have had concerns over the tumultuous historical events that unsettled the British nation during their lifetime. She was born in 1775, the year that marked the beginning of the American Revolution. Several decades later, she would read newspaper accounts of another British conflict with the new American nation in the War of 1812, which began as she finished revising Pride and Prejudice . What must have played significantly in Austen's imagination, as in the mind of every Briton, was the ongoing war with Napoleon's forces, which marked the culmination of a century of conflicts between Britain and France, and which ended, with the Battle of Waterloo in June 1815, six months before her fortieth birthday. The British fear of invasion by Napoleon, which endured until 1805, caused concern even in the towns and villages that seemed safest. Austen would have been aware of the billeting of British militia troops in the English countryside, and she certainly followed the career of her brother Henry, who had joined the Oxford militia in 1793, when Britain's latest war with France erupted in the aftermath of the French Revolution. She must also have taken a personal interest in the campaigns of the British navy, which counted her brothers Francis and Charles among its officers. To what extent she cared about daily political events is difficult to discern, for her letters are marked by characteristic irony. Of a newspaper report of an 1811 battle of the Peninsular War, when Napoleon invaded Spain and Portugal in an effort to close ports to British commerce, Austen declared, "How horrible it is to have so many people killed!--And what a blessing that one cares for none of them!" (Le Faye, Jane Austen's Letters ). Excerpted from Pride and Prejudice by Jane Austen All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.