The lightning rod

Brad Meltzer

Book - 2022

Mortician "Zig" Zigarowski, while working on the body of a successful military man, discovers something he was never meant to see, and, to get the answers he needs, sets out to find military artist Nola Brown--a search that reveals one of the U.S. go\\vernment's most intensely guarded secrets.

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Subjects
Genres
Detective and mystery fiction
Thrillers (Fiction)
Novels
Published
New York, NY : William Morrow, an imprint of HarperCollinsPublishers [2022]
Language
English
Main Author
Brad Meltzer (author)
Edition
First edition
Item Description
Sequel to: The escape artist.
Physical Description
x, 419 pages ; 24 cm
ISBN
9780062892409
Contents unavailable.
Review by Booklist Review

In this exciting followup to 2018's The Escape Artist, former military mortician Jim "Zig" Zigarowski does a favor for a friend and agrees to work on the body of a recently deceased lieutenant colonel. The man died a hero, defending his family from a home invasion, but, after Zig stumbles onto something no one was supposed to see, he unearths the dark, hidden side of the dead man's life. Stranger still, it seems the dead man had a connection to Nola Brown, the enigmatic artist whose near death was the launching point for The Escape Artist. Zig needs to talk to Nola if he's going to get to the bottom of the mysteries surrounding the dead lieutenant colonel, but how to find her? That's a challenge all by itself because Nola Brown is a lightning rod for trouble. Meltzer likes his conspiracy stories, and he puts a lot of work into them, but he seems to love his characters just as much. Zig and Nola are two of his strongest characters, and it feels like there are plenty more stories to be told about them.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

At the start of bestseller Meltzer's exciting sequel to 2018's The Escape Artist, a masked gunman fatally shoots Lt. Col. Archie Mint along with the thief who by chance was trying to rob Mint's house in Elmswood, Pa. Mortician Jim "Zig" Zigarowski, who's still grieving for his 12-year-old daughter who died in an accident a year earlier, has left the Air Force to work privately in Pennsylvania. A former colleague from Dover Air Force Base persuades him to prepare Mint's body for an open casket. Zig is surprised on meeting the widow before the funeral that she was unaware her husband worked at Dover. Zig later learns Mint was involved in a top-secret military unit. Zig's search for answers reunites him with Nola Brown, who was once the Army's artist-in-residence and whose resourcefulness and kick-ass style help the pair decipher the links between the murders and dark government secrets. While the action overshadows characterizations, Meltzer makes his leads emotionally plausible. One hopes Zig and Nola will be back soon. Agent: Jennifer Rudolph Walsh, WME. (Mar.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Remember Meltzer's No. 1 New York Times best-selling The Escape Artist, which saw U.S. Air Force mortician Jim "Zig" Zigarowski desperately seeking mercurial U.S. Army artist-in-residence Nola Brown? He's seeking her again in this follow-up. As he prepares the body of star military man Archie Mint, killed while trying to prevent a robbery at his home, Zig realizes that Archie had a connection both to Nola and to a top-secret military group that could compromise the nation. Finding Nola requires linking up with her equally difficult brother. With a 250,000-copy first printing.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Zig and Nola are back in this fast-moving thriller laced with blood and wit. In "the last fourteen minutes of his life," Wojo the valet steals Archie Mint's BMW and drives it to the Mint family home, led there by the car's GPS. It's a robbery scheme that's worked before, but this time both the valet and Mint--who followed him--end up dead, shot by someone waiting in the house. Jim "Zig" Zigarowski works at Calta's Funeral Home and is an artist in making the dead look their very best. One woman "hasn't looked this good since Reagan was President," he's told. Before Calta's, he'd been a mortician at Dover Air Force Base, which houses "America's most secretive funeral home," for two decades. Zig's gift is to be able to repair any body, no matter how badly damaged. Now he's called back to Dover to take care of murdered veteran Lt. Col. Archie Mint. He has no idea what the government is up to, and he just wants to show the greatest respect for the dead. As he works, he always talks to the deceased as though to comfort them--he's odd but obviously decent. He's also a beekeeper who converses with the hive. Then, at the funeral home in Dover, he sees the Army's Artist-in-Residence, Sgt. Nola Brown, the lightning rod who attracts so much trouble. She'd not only saved Zig's daughter's life when they were Girl Scouts, but two years ago she'd shot her own foster father in the head to save Zig's life. "Nola didn't walk; she lurked," and her "sheer intensity…radiated off her, like plutonium." Zig and Nola discover something "fishy" about Mint's death. He'd been about to take secrets of criminal activity to his grave, and Zig and Nola might get killed trying to uncover them. The plot carries the story to a government facility called Grandma's Pantry, apparently a real place where the feds once stored supplies for the aftermath of nuclear war. The characters are mostly delightful, including Nola's cop brother, Roddy, who is trying not to be the monster he'd apparently been as a kid. "We each have a little monster inside us," as he was told. Not so delightful are the Reds, two redheaded killers who aren't above sawing tracheas. There's plenty of clever dialogue and details like the woman with the rhinestoned oxygen tank. A smart crime package, both funny and serious. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.