Phantom heart

Kelly Creagh

Book - 2021

"Seventeen-year-old Stephanie Armand doesn't believe in ghosts or spirits. Despite her six-year-old sister insisting a masked figure is hiding in her closet, and the rumors at school, Stephanie isn't convinced her father's latest renovation project--a crumbling Victorian mansion--houses the soul of a monster. So when the very charming (and paranormal-obsessed) Lucas Cheney takes an interest in both Stephanie and her notorious home, Moldavia, the supernatural and romantic activity escalates to an all-time high. But then there's Erik-- the dashing British boy, seemingly from another era, who's taken up residence in Stephanie's nightly dreams. A boy who may have something to do with the man in the mask, and t...he strange occurrences taking place at Moldavia"--

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Subjects
Genres
Young adult fiction
Paranormal fiction
Romance fiction
Novels
Published
New York : Viking [2021]
Language
English
Main Author
Kelly Creagh (author)
Other Authors
Gaston Leroux, 1868-1927 (-)
Item Description
Tag line on cover "One would die for her. The other already has".
Series information from Goodreads.
Physical Description
515 pages ; 22 cm
ISBN
9780593116043
Contents unavailable.
Review by Booklist Review

Creagh gives a contemporary twist to standard Gothic fiction tropes in this story of three teens. There's Stephanie, who lives in a crumbling mansion; Zedak, a cursed walking corpse from the turn of the twentieth century, who lives in an alternate, not-so-crumbling mansion; and Lucas, a high-school classmate attracted to Stephanie. The curse afflicting Zedak caused his soul to splinter into different aspects of his personality (Wrath, Valor, Madness, and so on) and he can assume any of those masked forms. Chapters alternate among Stephanie, Zadek, and Lucas' perspectives, and the distinct voices in each narrative gradually meshes with the others to reveal the plot, which centers on the developing relationships. Stephanie is conflicted; she is attracted to Lucas but finds herself drawn to Zedak as she learns more about him. The ultimate resolution might be polarizing for readers, but Creagh makes it work, keeping the pace up throughout all 500 pages of the story. Hand to readers who adore a juicy love triangle with gothic flair.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by School Library Journal Review

Gr 9 Up--Seventeen-year-old skeptic Stephanie Armand refuses to believe the stories that Moldavia, the Victorian estate her father is renovating, is haunted. Even when her younger sister claims to have spoken to the masked man in her closet who has lights for eyes. And even when Lucas Cheney, leader of an amateur team of paranormal investigators, takes an interest in the property, and in Stephanie herself. But then, there are strange occurrences. First, Erik, a charming British boy, steps out of another time period and into Stephanie's dreams--the same Erik who Stephanie connects to a tragedy that happened at Moldavia involving an occult gathering, a curse, and numerous casualties. Then, a seemingly malevolent entity makes its presence known. It seems that there is some truth behind the legend, and behind the mask. Creagh's supernatural gothic romance is a fresh, updated take on Gaston Leroux's classic novel, The Phantom of the Opera. The world of the novel is hauntingly beautiful and evocative of the familiar tale. The plot is intriguing and the prose well-paced; however, the story's central love triangle feels contrived and the explanation of the curse, though inventive, is underdeveloped. The true delight comes with the characters, particularly the eccentric team of teenage ghost hunters, who bring both exuberance and comic relief to an otherwise dark narrative. Overall, the novel is an enjoyable read, filled with secrets, twists, and a surprising amount of heart. Most characters' races aren't stated. VERDICT Fans of steamy supernatural romances should be first in line for this one.--Amanda Harding, Elmwood Elem. Sch., Wauconda, IL

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Review by Kirkus Book Review

Stephanie and her family move into an old mansion rumored to have been put under a curse after a turn-of-the-20th-century rich boy meddled with an Egyptian mummy. After her young sister complains about strange events, high school student Stephanie befriends Lucas, a geeky, good-looking boy, and meets the other members of SPOoKy, the Scientific Paranormal Organization of Kentucky: Charlotte, Wes, and Patrick. Stephanie learns the history of her new home from Lucas, who attracts her romantic attention, but the usually levelheaded girl is soon drawn to Erik, the handsome phantom who first comes to her in dreams. The story is told in chapters narrated by Stephanie, Lucas, and Zedok, whose identity is initially a source of confusion to Stephanie. Zedok appears wearing different masks, "personified slivers" of his soul, representing states of mind such as Wrath, Madness, and Valor. Meanwhile, until gifted singer Stephanie came along and he could write songs for her, Erik's dreams were thwarted; he wanted to be a composer but his family expected him to become a doctor. In the gothic horror tradition, Erik's full background and connection with Zedok are slowly revealed. Romantic dream sequences are lush and swoon-y, but the long, drawn-out battle to end the curse, aided by a celebrity clairvoyant, is tedious, and the constant introduction of Erik's different personae is confusing. Most characters default to White; Patrick is Black. The Phantom of the Opera served as inspiration, but this wouldn't last on Broadway. (Horror. 13-16) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

one Stephanie "He has lights for eyes." Brushing a few errant curls from my face, I glanced up from my homework and leveled my little sister, Charlie, with the full blast of skepticism she deserved. Ignoring her wasn't working. This whole week, she'd been talking about him . The masked man who lived in our new house. Our newest oldest house. "There's nothing in your closet, Chuck," I said for the tenth time in four days. A glower of indignation replaced the saucer--eyed stare of fright she'd been projecting my way ever since the sun had set, taking with it the cozy yellow glow that had surrounded our house---an older--than--Christmas Victorian. " Don't call me Chuck." I pushed off from where I'd been lying belly--down across my metal--framed bed, calculus book open. "All right, Chess," I grunted, opting for the more acceptable nickname Dad had given her. I didn't feel like trading Charlie's six--year--old fear for her six--year--old fury: stomping and top--of--the--lungs screeching. I took Charlie's small hand, and she gave my fingers a squeeze. "He talked to me last night," she whispered, creeping me out. "He asked me questions." "Well." I drew her toward the hallway. "Did you tell him to mind his own beeswax?" Her feet stalled on the creaky, bare--wood floor. "He has bees?" "No." I bent down, bringing us eye level. "It's a way of telling someone to leave you alone." "So . . . you believe me now," she said, like stating that out loud would make it true. "That he's in there. Zedok." She pointed down the long hallway to her doorway at the far end. With the upstairs hall and bathroom lights off, I had to admit the trek to her bedroom did look ominous. "There's no one in your room, Chesser." I hit the switch that sent light bursting from the huge, original--to--the--house crystal chandelier that hung over the grand staircase. "This is a big old house, and old houses make noises sometimes." Realizing I'd just repeated something I'd probably heard responsible adult figures say a billion times, I made an amendment. "Just think of it like house farts." Usually, fart talk got laughs from Charlie. This time, I didn't get so much as a smile. Gently, I tugged her forward. It was like trying to drag an anvil. "Houses shouldn't have other houses inside them," she said. "That's right, they shouldn't," I agreed. "This one does." Again with the whispers. Like she was afraid someone was listening in. I knelt in front of her. "What's really going on, Chess? You never asked to sleep in my room when we were at the last house." "Because there wasn't a man in the closet at the last house." Fair enough. "Look. Do you want me to show you that there isn't anyone in your closet?" Charlie nodded, her eyes unblinking and silver--dollar--sized. Her seriousness, coupled with her apparent confidence in my being a formidable opponent to her imaginary not--friend, made me smile. I stood and meandered into her darkened room, where I flipped the light switch. I pivoted to face the closet in question. The door was open already, the small space inside empty. Having inhabited the house for only a week, none of us had finished unpacking yet. Tired of having to box things up shortly after unboxing them, we'd all become accustomed to living in the land of limbo regarding our stuff. And Dad, perpetually "just about to" finish a place, never encouraged us to use anything as practical as a closet to store our clothes. For us, "home" had never really been a location. At least not since Charlie had come along. "See?" I said, turning my gaze on my little sister, who stood toes--to--the--threshold in the doorway. "There's no one there." To this, she said nothing. Just stared at the cracked plaster wall inside the otherwise vacant closet. "There was a house in there," she said. "Like ours but nicer." My shoulders slumped. This was dumb, and my calculus was getting cold. "How about this," I offered, plucking her stuffed octopus, Checkers, from her bed. "How about we swap rooms tonight? I'll sleep in here, and Chess and Checkers can sleep in my bed." "He can get to your closet, too," Charlie replied without missing a beat. "Great," I said, officially fresh out of patience. "So, either way, you can send him to me, this Zeebo guy---" "Zedok." "Right, okay." I'd probably regret humoring her later. "You can send him to my closet, and I'll tell him to get lost." "He told me to tell you he can see you in your dreams." Her thumb crept toward her lips---a nervous habit that usually meant she was afraid she was about to get in trouble. "And that you wouldn't believe me when I told you about him. So he told me to tell you that he knows you like that boy with the blond hair." "Chris Hemsworth?" I asked, unimpressed. "Kyle," she replied. I scowled at her, though the only one I had to be angry with was myself. Most likely, Dad had asked her to get the scoop on Kyle, a cute guy in my chemistry class, who I might have brought up once or twice, just so Dad wouldn't be so Dad later when and if I actually made a blip on Kyle's radar. As a result, Charlie had just factored Kyle into the sensory overload that came with yet another full--scale change. Probably, the shadowing me through the house and "monster in my closet" talk also meant something more important was at play. Charlie was feeling the move. And maybe the same sense of isolation that had begun to nibble at me in this decrepit once--upon--a--time palace was eating at my little sister, too. This house wasn't like the others my father had flipped. This Addams family mansion meets Poe's House of Usher was, by far, my father's most ambitious. Not to mention his most risky. The other houses, shotguns and suburban bi--levels, had taken three to four months to turn around with the help of a contractor. This one would require more than the projected six months. Which was good news for me, because that meant I might actually get to finish my last year of high school at Langdon. And even though there were only the three of us---me, Charlie, and Dad---I liked the idea of a bigger house that had room to stretch out in. I also liked the idea of a graduation ceremony at which I would not be seated next to total strangers. Maybe I'd have friends who lived close enough to come to the party I'd already planned out in my head. One that would strategically place my tank--top-- and booty--shorts--clad body next to Kyle's muscled and tanned one. Of course, it had also crossed my mind that Dad had picked this project to give Charlie and me a chance to actually get used to the taste of the tap water somewhere. Then again, he could just as easily have bought this thing purely on the grounds that it included an ancient, inoperative piano. Because though Dad happened to be the most functional and pragmatic dad in the history of dad--dom, I happened to be the only one who understood that, deep down, he also sometimes wasn't. "Stephanie," whispered Charlie. "I'm scared in here." Did she mean her room? Or the house. I knew better than to ask. Instead, I smoothed my brow and approached her with a smile. Charlie was right. There was something in this house. The same something we'd dragged with us to every house since leaving Syracuse. A ghost, I guess you could say. The kind that lived in the heart, though. "C'mon, you." I handed over Checkers and hoisted my little sister into my arms. "Slumber party time. Just for tonight, though, okay?" " 'Kay," she said, soft in my ear, though the tenseness in her tiny frame told me that she hadn't been paying attention to my words. That, instead, as her focus remained trained on the doorway to her closet, her little girl's mind fixated on the creature it had cooked up. The imaginary, lights--for--eyes, dream--spying creeper she'ddubbed "Zedok." An entity whose appearance in our lives had, I was sure, little to do with the move and more to do with the fact that Charlie had reached an age where she was starting to notice what was missing. Who was missing. Excerpted from Phantom Heart by Kelly Creagh All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.