The Van Gogh sisters

Willem-Jan Verlinden, 1971-

Book - 2021

The lively and revealing correspondence that Vincent van Gogh maintained with his art-dealer brother Theo is famous as a source of insight into the mind of one of the most celebrated artists of all time. But what of Anna, Lies and Willemien van Gogh, with whom Vincent had intimate and sometimes turbulent relationships? It was an argument with his oldest sister, Anna, in the aftermath of their father's death that provoked Vincent to leave the Netherlands and never return. The Van Gogh siblings grew up at a time when long-distance travel by train first became possible. As each went their own way, following work and study to London, Paris, Brussels and beyond, they maintained the close relationships forged in their youth in the Netherland...s's idyllic countryside by sending candid and personal letters. In this thoughtful and unprecedented biographical history, Willem-Jan Verlinden delves into previously unpublished correspondence in the Van Gogh family archives to bring Vincent's three sisters out from their brothers' shadow, poignantly portraying their dreams, disappointments and grief. The oldest sister, Anna, worked as a governess in England as a young woman before marrying a Dutch industrialist. The second sister, Lies, fell into poverty in spite of her literary aspirations and was forced to sell many of her brother's paintings. Willemien, the third sister, was an active participant in the first feminist wave. She visited the studio of Edgar Degas in Paris with Theo and discussed art enthusiastically with her painter brother. She and Vincent also shared their struggles with mental health, which for Willemien resulted in institutionalization for the second half of her life.

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Subjects
Published
London ; New York, New York : Thames & Hudson 2021.
Language
English
Main Author
Willem-Jan Verlinden, 1971- (author)
Item Description
Translation of 'De zussen Van Gogh', ISBN 9789021401447, Amsterdam: Querido (2017).
Physical Description
271 pages, 16 unnumbered pages of plates : illustrations (some color) ; 24 cm
Bibliography
Includes bibliographical references and index.
ISBN
9780500023600
  • Preface
  • 1. It Was Terrible. I Shall Never Forget That Night Nuenen, 1885-1886
  • 2. Undisturbed Married Felicity The Hague, Breda, Zundert, 1851 and earlier
  • 3. Land of Desire Zundert, 1851-1871
  • 4. Young Mistresses Helvoirt, Leeuwarden, Tiel, 1871-1875
  • 5. Cottages Covered in Ivy London, Welwyn, 1873-1877
  • 6. Quiet at Home Etten, Tiel, Dordrecht, Soesterberg, 's-Hertogenboseh, 1875-1881
  • 7. Memories of the Garden Etten, Hengelo (Gelderland), Leiderdorp, 1876-1881
  • 8. Great and Holy in his Final Rest Nuenen, Leiderdorp, Soesterberg, 1882-1886
  • 9. My Greatest Ambition is to Write Something Original Soesterberg, Middelharnis, Amsterdam, Paris, 1885-1888
  • 10. Every Family Has Its Secrets Breda, Saint-Sauveur-le-Vicomte, Soesterberg, 1886-1889
  • 11. I Just Can't Imagine You in Paris Soesterberg, Leiden, Paris, 1889-1890
  • 12. Dear Sister, Dear Vincent Paris, Leiden, 1888-1890
  • 13. Oh, Mother, He Was So Truly My Brother Paris, Leiden, 1888-1893
  • 14. The Poison of Impropriety Nijmegen, The Hague, 1893-1898
  • 15. Such Momentous Times! Leiden, Dieren, Baarn, Ermelo-Veldwijk, 1900-1920
  • 16. Poetry as Clear as a Brook Baarn, Ermelo-Veldwijk, 1920-1936
  • 17. The Last Years Leiden, Baarn, Dieren, Ermelo-Veldwijk, 1925-1941
  • Epilogue
  • Family Album
  • Family Tree
  • Notes
  • Further Reading
  • Acknowledgments
  • Sources of Illustrations
  • Index
Review by Library Journal Review

Art historian Verlinden (How I Love London: Walking Through Vincent van Gogh's London) aims to bring Van Gogh's three younger sisters "out of their brother's shadow" in this satisfying group biography, for which he read 460-plus pieces of correspondence written or received by Anna, Elisabeth (Lies), and Willemien (Wil) van Gogh, including previously unpublished letters. He draws on the letters and other primary sources to illuminate Anna, Lies, and Wil's upper-middle-class lives as the daughters of Rev. Theodorus van Gogh; their personal relationships; and their barriers to pursuing education and paid work (Wil was involved in Dutch first-wave feminism, including an 1898 exhibition to promote Dutch women artists). Vincent stays in the background of the monograph, but its high-quality reproductions of his art help illustrate the Van Goghs' world, and the events of his life are keenly conveyed in family letters (especially the grief following his suicide). Verlinden is passionate about his subjects, and the result is an intimate portrait of a family that swirls around Vincent and his posthumous legacy like so many brushstrokes. This English translation of the monograph (first published in Dutch in 2016) flows smoothly. VERDICT Buy where fine art, feminism, group biographies of women, or biographies like Steven Naifeh and Gregory White Smith's Van Gogh: The Life are popular.--Denise Miller, Cincinnati & Hamilton Cty. P.L., OH

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