Elegy for Mary Turner An illustrated account of a lynching

Rachel Marie-Crane Williams, 1972-

Book - 2021

Powerful and haunting, this depiction, detailed with full-color artwork, names those who were lynched and tortured in late May 1918 in Valdosta, Georgia, including one black woman, Mary Turner, who was eight months pregnant at the time.

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364.134/Williams
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Subjects
Genres
True crime stories
Published
London : Verso 2021.
Language
English
Main Author
Rachel Marie-Crane Williams, 1972- (author)
Other Authors
Mariame Kaba (writer of introduction), Julie Buckner Armstrong (writer of afterword)
Physical Description
xi, 57 pages : illustrations ; 24 cm
Bibliography
Includes bibliographical references (page vi).
ISBN
9781788739047
  • Introduction: Say Her Name-1918, 1949, 2021-Mary Turner and the "Wife of the victim" / Mariame Kaba - Elegy for Mary Turner: An illustrated account of a lynching - Afterword: Hidden Memories / Julie Buckner Armstrong - Postscript: A place to lay their heads / C. Tyrone Forehand (great-grandnephew of Hayes and Mary Turner).
Review by Publisher's Weekly Review

Marie-Crane Williams (Run Home If You Don't Want to Get Killed) documents the 1918 murder of Mary Turner in this harrowing graphic work that incorporates explicit block prints, historical newspaper clippings, and yellowed telegrams to create the feel of a haunted scrapbook. In May of 1918, white mobs in southern Georgia went on a rampage, lynching 11 Black people in 10 days. Mary Turner, who was eight months pregnant, spoke up to denounce the lynching of her husband. In response, the mob brutalized and murdered her, as well. Marie-Crane Williams builds her wrenching elegy around a series of evocative prints interspersed with tactile, infuriating primary source documents. Horrifying depictions of Turner's murder are juxtaposed with clips from contemporaneous news articles stating Turner made "unwise remarks" that "the people in their indignant mood took exceptions to... as well as her attitude." The introduction by Mariame Kaba connects the event to current activism: "As organizers today insist that we must #SayHerName in reference to Black women (cis and trans) whose lives are cut short by state-sanctioned violence, Mary Turner calls out to us from the grave." This succinct work confronts readers with atrocity, in a necessary tribute. (Mar.)

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