Sunflower sisters A novel

Martha Hall Kelly

Book - 2021

"Sunflower Sisters is a work of fiction. All incidents and dialogue, and all characters with the exception of some well-known historical figures, are products of the author's imagination and are not to be construed as real : As we roamed the neat brick streets of Charleston, past filigreed fences and palmetto trees, the atmosphere so gentle and refined, we never dreamed we'd stumble headlong into hell. Mother, my sister Georgy and I had come from New York City to visit friends. We stepped out to make our morning calls, admiring the pretty houses, one fanlight-windowed vestibule handsomer than the next. We left Mother's ecru cards on the silver trays. Mrs. Charles Woolsey 8 Bervoort Place, New York City"--

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Subjects
Genres
Historical fiction
Domestic fiction
Novels
Published
New York : Ballantine Books [2021]
Language
English
Main Author
Martha Hall Kelly (author)
Edition
First edition
Physical Description
516 pages : illustration ; 25 cm
ISBN
9781524796402
9780593356876
Contents unavailable.
Review by Booklist Review

Kelly's third foray into the lives of the affluent Woolsey women is as well-researched and engaging as Lilac Girls (2016) and Lost Roses (2019), this time focusing on the American Civil War. Georgeanna (Georgy) Woolsey leaves her privileged life to serve as a Union nurse; Anne-May Wilson is a plantation and slave owner in Maryland whose self-importance draws her into espionage; and Jemma is an enslaved woman on that plantation who is sold and then conscripted into the Union army. Crossing paths with President Lincoln and present at the battle of Gettysburg, Georgy sees the ravages of war and the effects of slavery on her country. Meanwhile, Jemma flees Maryland for New York City, remembering the Woolsey's address from a chance encounter. The family takes her in, fostering her skill for millinery. But Anne-May follows, fleeing accusations of treason and seeking to regain what she considers her stolen property. Drawing on real events and primary sources, Kelly illuminates parts of history infrequently told. Offer it to fans of Marie Benedict, the Civil War era, and readers who enjoy historical fiction starring real people.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

This vibrant saga explores the historical ancestor of Kelly's Lost Roses heroine Caroline Ferriday, abolitionist Georgeanna "Georgy" Woolsey. In 1861, Georgy, 28, abandons her privileged New York City debutante's life to volunteer in a nursing brigade for the Union Army alongside her sister, Eliza. Running parallel to this narrative is the plight of Jemma, a literate enslaved Maryland woman who, after being sold off by sadistic mistress Anne-May Watson, must choose between her family and a fleeting opportunity for freedom. After Jemma escapes her new plantation dressed up as a boy, she is conscripted into the Union Army. When Anne-May, now a Confederate spy, hears the news, she pursues Jemma for help. The strands eventually converge in the novel's satisfying second half, when Jemma is taken in by Georgy's family, while Anne-May obsessively searches for her. The vivid, impeccably researched saga briskly sweeps across war-torn battlefields, New York City, and Southern plantations, highlighting the struggles endured by her women characters. This page-turning work is sure to please Kelly's fans. Agent: Alexandra Machinist, ICM Partners. (Mar.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

A saga of the Civil War gathers all the usual suspects--enslaved people, slave owners, abolitionists, soldiers, and nurses--but the result is far from clichéd. Kelly's ambitious tale begs to be called "sweeping," but its chief virtue is the way it homes in on the microcosms, some horrific, inhabited by its three narrators. Georgy, from New York, one of seven daughters of the abolitionist Woolsey family, is determined to become a nurse. She studies with Dr. Elizabeth Blackwell, America's first female medical school graduate, and strives to batter down prejudice not just against women doctors, but women nurses. Despite her proven ability, she's often replaced at battlefield hospitals by incompetent, drunken male nurses. Jemma's family is enslaved on the Peeler tobacco plantation in the border state of Maryland, where the White population seems equally divided between Union and Rebel sympathies. Firmly in the second camp is Anne-May, who inherited the Peeler plantation from her elderly Aunt Tandy Rose, flouting her late aunt's testamentary directive to free Peeler's slaves. Anne-May is bad to the bone, whips Jemma regularly, employs a brutal overseer, spends her family's dwindling funds on fripperies, is addicted to snuff, and takes advantage of her husband's absence at the front to flagrantly carry on an affair with a local merchant. The affair turns into a spying mission for the Confederacy, involuntarily abetted by Jemma, who, more literate than Anne-May, is forced to write down Union secrets in Anne-May's little red book. And that's only the beginning of Anne-May's moral bankruptcy. These alternating, intimate vantage points situate readers in the chaotic political, military, and social hellscapes of Civil War America, from Gettysburg to the draft riots. Cliffhangers closing each chapter keep the plot moving at a satisfying clip. Historical verisimilitude worthy of a Ken Burns documentary but oh so much more lurid. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1 Mary Woolsey Charleston, South Carolina 1859 No one suspected the blond boy's cargo as he drove his crude pony cart through the streets of Charleston. Mother, my younger sister Georgy, and I had come to South Carolina by the invitation of Pastor Cox at the African Free Church for a two-day stay. We'd stepped out the previous morning past the mansion houses and palmetto trees, the atmosphere so gentle and refined, to make our daily calls and leave Mother's ecru cards on the silver trays. Mrs. Charles Woolsey, 8 Brevoort Place, New York City. Certainly nothing forced itself unpleasantly on our attention, but every black face in the street or greeting us so kindly at a front door reminded us of the system of slavery so robust there and strengthened our resolve to continue the fight. Upon our walk home from Sunday services, the scent of crape myrtle in the air, a boy driving a pony cart drew up beside us dressed in a clean white shirt and homespun trousers. His rear wheel in disrepair, it bumped with every rotation, keeping his rate of speed not much greater than ours. "We find ourselves a bit lost," Mother called to the boy. "Can you guide us to the Charleston Hotel?" "I'm going that way, ma'am. Will point you there." I warmed to his southern accent, a good-natured boy, milk-skinned, twelve years old or so, yellow hair shining in the sun. That brought to mind my own towheaded daughters, left back at the hotel with our friend Mrs. Wolcott, who no doubt stood near the door waiting for my return. Though we'd been gone less than two hours I missed them terribly as well. "Where do you live?" Mother asked the boy. "Here and there." He set his face toward the sun. "You? Sound like a Virginian." Mother smiled happy when someone recognized her accent from her former home. "Indeed I am. Left there when I was a girl but suppose I still speak with a trace of it. Live in New York City now. We are here as the guests of Pastor Cox at the African church. Do you know him?" "No, ma'am." We walked along, the only sound the thump of the broken wheel. "It was a lovely celebration of the Eucharist," Mother said. "Over three hundred celebrants." He turned and smiled. "Bet you was the only white folks there." "Yes. But we were welcomed quite enthusiastically." "Once, my ma had me in church every Sunday. She's dead now." The boy pulled a piece of bread from a tin lunch bucket at his feet, took one bite, turned and slipped the rest under the tarp. "Do you attend school?" Mother asked. "No, ma'am. No school'd take the likes of me." "I doubt that very much," Georgy said. My attention was drawn to the back bed of the cart and the slightest movement beneath the tarp there. "Where are you headed?" I asked. He pointed to a white building up ahead. "The mart. Go every Sunday. Make my rounds on Saturday, come here the next day, so my stock's fresh." "Rounds where?" "All over, ma'am. Pa's regulars. Hardly ever come empty-handed." The boy rode toward a white building with high black gates at the entrance and we followed. It was a hulking place, the word mart shining in gilt above the entrance, a crimson flag flapping in the breeze. The boy pointed at a roof off in the distance. "Your hotel's up the road a piece and hang a right." "You've been terribly helpful," Mother said. The boy rode to the iron gates and a stout, red-bearded man, bamboo cane in hand, swung open the gate door. "Hey, boy," he said, rapping his cane on the wood of the cart. "You're supposed to come round back with these, not to the front door, for pity's sake." "Pa needs me home." The boy turned in his seat up front and flung back the tarp. There within lay three colored children of varying ages, each dressed only in the crudest cloth diaper. The oldest, perhaps nine months old, held on to the cart edge and pulled herself up to standing. "My God," I said. The child reached her arms up to me in the universal baby language of love and goodness and I lifted her from the cart. I held her close and breathed in her heavenly baby scent, of milk and soap and innocence. Someone had taken loving care of her. Upon the cart floor two infants lay upon the crude boards, one not more than a few days old. The boy handed the gatekeeper a folded paper. "Where are their mothers?" I asked, shaken through. "They've not a blanket among them. When did they last eat?" The gatekeeper read the paper and then stepped to the cart. "All girls? Supposed to be one boy." "Take it up with Pa," the boy said. The gatekeeper bent over the cart and lifted out both infants. "One of 'em's runty." The boy shrugged. "Just pick up what I'm told. That big one cried most the way here." I held the girl closer and she settled her head upon my shoulder in a most tender way. The gatekeeper handed the boy a folded stack of bills, which he tucked in his hip pocket, shook the reins, and started off. The gatekeeper charged at me. "Don't have time to coddle the likes of you. Hand it over." I stepped back. "I will not, sir." "You northern women? What a pain in my ass. You got one hundred dollars to buy her?" I reached for the purse at my wrist. "I can write you an IOU this minute." As I reached aside, the man took his opportunity to wrench the child from my arms. She cried most piteously, reaching back, arms outstretched as the gatekeeper handed her to another filthy accomplice who carried her away at arm's length. We tried to follow, but the gatekeeper clanged the gate shut, and through the bars said, "No ladies allowed at the sale. This is rough trade here, not for delicate sensibilities," and walked away into the crowd. I wrapped one hand around an iron bar as I watched the children spirited back to a room beyond our view, one palm across my mouth to contain the horror of it all. What feeling human could hear those cries and not feel compassion to the quick? Three mothers sat somewhere in fresh agony without their precious girls. I turned to Mother. "We spent all of yesterday calling on Charleston's best. We must appeal to someone." Mother kept her gaze on the gathering crowd. "To whom? This is about money, Mary. These planters will never give up slavery willingly. We can only elect a president who will cut it off at its head." All too familiar with the concept of slavery, we'd attended Dr. Cheever's lectures at the Cooper Institute, read Uncle Tom's Cabin many times over, and seen advertisements announcing slave sales in The Charleston Courier that morning. But nothing could have prepared us for seeing such a horrific spectacle in the flesh. We examined the crowded market area with growing dread as the sale began, a low-ceilinged room, open to a rear yard where a brick building rose up, its barred windows crowded with dark faces. In the long room an auctioneer took his place upon a crude wooden platform, slapping his leather crop against his boot, the tense spirit of moneymaking in the air. He seemed a ruffian, in his check trousers and shabby Panama hat, pulling at his tuft of yellow chin beard. "Gentlemen, are you ready?" His voice echoed off the stone walls. Groups of bidders clustered around the platform, gentlemanly looking men just such as we met every day at the hotel table, wearing their beaver top hats and beards of formal cut. Most held a cigar in one hand, the catalog printed with that day's human stock in the other. The objects of the sale stood, in every shade of complexion, backs against the walls, being roughly examined. Groups of mothers and children stood near us, the women in good calico dresses and clean white pinafores and headscarves, children bareheaded. We craned our necks to see into an anteroom off the main chamber, where men questioned the women, prying open their mouths, lifting their skirts, and exposing their most private parts. "I saw such a sale in Richmond as a girl. Many masters sell their own colored children, and their own children begot of those daughters." "And this is the nineteenth century," Georgy said. "Tonight, not a steamer or row of train cars will leave this cruel city without its own sad burden of these unhappy ones." Georgy linked arms with Mother. "We mustn't get complacent and accept it simply because it's the norm. Mrs. Wolcott knows the mayor. We must speak to him." Mother moved her gaze to the auctioneer. "The mayor most likely buys and sells his slaves from here. It's all perfectly legal. Our urgings for freedom will fall on deaf ears and they will certainly have us carted off." Excerpted from Sunflower Sisters: A Novel by Martha Hall Kelly All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.