Where we are

Alison McGhee, 1960-

Book - 2020

Told in the voices of two high school juniors, Micah is held captive by the cult his parents joined and Sesame, his orphaned girlfriend, rallies their friends to save him.

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YOUNG ADULT FICTION/Mcghee Alison
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Subjects
Published
New York : Atheneum [2020]
Language
English
Main Author
Alison McGhee, 1960- (author)
Edition
First edition
Item Description
"A Caitlyn Dlouhy Book."
Physical Description
256 pages ; 22 cm
Audience
Ages 14 up.
Grades 10-12.
ISBN
9781534446120
9781534446137
Contents unavailable.
Review by Booklist Review

Sesame and Micah love planning their future South Minneapolis café together, and only they know their deepest secrets: Sesame lives under the foster care radar in an abandoned structure following her grandmother's death; Micah is concerned about changes in his parents since becoming disciples to the "Prophet." Late one night before winter break, Micah and his parents are whisked underground by the cult leaders, forced to leave their phones behind. When Sesame realizes that Micah has disappeared, she enlists the help of her best friends and a gay couple for whom Sesame works. While following clues, Sesame begins questioning her grandmother's insistence on absolute self-reliance, consequently learning to ask for help and embrace the knowledge that she's not a solitary being. This is not just a novel about loyalty and friendship but also family and survival. Sesame and Micah tell their stories in alternating chapters, and McGhee effectively captures the teens' isolation, Micah's desperation, and Sesame's determination. Perfect for readers searching for a realistic story about goodness in the face of evil.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

When 17-year-old Micah's family pulls him out of school to decamp for their small Minneapolis religious cult's underground compound, he can't do much but leave a note and hope his girlfriend, Sesame, finds him. And Sesame tries, but Micah's cell phone has been taken, the police won't listen, and she doesn't want to rely on others--since her grandmother died, Sesame has kept to herself, following her grandmother's guarded precepts to the extreme. As the search drags on, though, she has little choice but to ask for help. The high school juniors alternate as narrators, connected by their solitude and efforts to understand their families, including Micah's thoughts about why his parents follow their leader, and Sesame's gradual rethinking of her grandmother's approach to life. McGhee (What I Leave Behind) is especially good at portraying Micah's terror and determination, a success that renders Sesame's well-depicted but quieter chapters less effective. She has so little to go on that finding Micah seems impossible, and though McGhee includes a wealth of details about her life, her sections lack the urgency of Micah's life-and-death struggle. Still, watching two in difficult circumstances teens work through fear and toward bravery is gratifying. Ages 14--up. Agent: Sara Crowe, Pippin Properties. (Sept.)■

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 9 Up--After going their separate ways after elementary school, Micah and Sesame cross paths again in their late teens and quickly form a deep connection. When discussing Micah's parents' involvement in the group called the Living Lights, Micah laughs at the notion that it might be a cult. But Micah stops laughing when he and his parents are rounded up in a van late one night and driven to a compound where they're completely cut off from the rest of the world. Sesame senses something is off when she doesn't hear from Micah, and knows that if she doesn't act to find him, no one will. The story is told in first-person perspective, with each chapter largely consisting of Micah narrating his thoughts to Sesame, or vice versa. Secondary characters are present, but only superficially so; the focus is clearly on Micah and Sesame's relationship. While most of the story is linear, memories are often shown to provide context; some memories are seen twice to show both Micah's and Sesame's perspective. The story moves at a brisk pace due to the urgency McGhee weaves into the narrative. McGhee is never overly graphic in her depiction of life at the compound but doesn't withhold the physical and psychological torture inflicted on Micah. Micah and Sesame are both described as having dark eyes, and Micah's parents are pale. There is some cursing throughout. VERDICT An engrossing abduction tale whose pages will feel like they're turning themselves. Put this in the hands of April Henry fans.--Alea Perez, Elmhurst P.L., IL

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

Micah and his parents have disappeared. Right before winter break they stepped into a white van, and Micah's girlfriend Sesame hasn't seen them since. Her only clues to Micah's whereabouts are a cryptic message on his kitchen whiteboard and what he shared before he was taken: his parents had joined a cult led by a man called The Prophet. In dual first-person voices in alternating chapters, Sesame and Micah harrowingly describe their experiences. While Sesame, living in an abandoned garage since her beloved grandmother's death, frantically searches the snowy streets of Minneapolis, distributing missing-person posters and trying to compel local authorities to take action, Micah suffers solitary confinement and starvation under The Prophet's rule in an underground bunker. The vital necessity of personal connection and questions of power and abuse underpin this compelling plot, with reverberations from the recent Nxivm cult revelations and convictions. Jennifer Hubert Swan January/February 2021 p.109(c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Two teens demonstrate loyalty and resilience in the face of seemingly insurmountable odds. A week before winter break, the Prophet of the Living Lights cult whisks 17-year-old Micah Stone and his parents away to a secret compound. The Minneapolis high school junior has been worried about his parents' involvement with the group and has a plan in place to notify his girlfriend, Sesame, should something like this happen. But, forced to leave cellphones behind, all he can do is scribble a cryptic note for her before being loaded into the van. Sesame, who recently turned 18, has lived alone since her grandmother passed away. Only Micah knows that her home is an abandoned garage in an alley. Sesame and Micah have shared dreams for their future--traveling, fire spinning, and opening a cafe highlighting Micah's cooking. When Sesame realizes that Micah has been taken, she files a missing person report and begins her search. Micah, meanwhile, is trapped belowground with 16 cult members, singled out for punishment for insubordination, and with ample time to reflect. Alternating first-person chapters follow the teens' dueling experiences of intimacy and loss. Sesame's passion for poetry and Micah's will to endure are rendered with depth and precision. Ultimately, this is a celebration of growing up and finding one's voice in the face of hardship and societal expectation. Limited physical descriptions point to a White default for most characters. A thoughtful, realistic story of survival. (Fiction. 14-18) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1: Micah 1 Micah WHEN THE KNOCK came, my parents were upstairs getting ready for bed, so I answered the door. It was weird to see Deeson, the head acolyte, outside of Reflection. Weirder yet to see him in a black hoodie. Not the type, Deeson. In fact, the complete opposite of a black hoodie type is Deeson. I mean, he'd tied the hoodie strings underneath his chin. But still, there he was, white face tilted up beneath the hood, appraising me. "Bless the child, Acolyte Deeson," I said. That was-- is --how members of the Living Lights greet each other. "Gather your parents and your duffels and follow me," he said. "We are called to the South Compound." See how he didn't address me as Acolyte Stone? That's Deeson. He has dead eyes. The Prophet once praised Deeson's eyes in Reflection, saying that they revealed purity of purpose. What purpose, though? That's what I wanted to ask but didn't. Like everyone else, I didn't ask questions during Reflection. One day into our underground life, I think about that. How none of us questioned the Prophet or anything he said. Our duffels were prepacked and waiting at the top of the stairs: the white robes and white underwear we had all been issued months before, a gallon jug of water each, the Reflections book that the Prophet had written and self-published and that the Living Lights used instead of a Bible, and a brush or comb. My parents looked up at me from the bathroom sink, where they were brushing their teeth--they always brushed their teeth at the same time--when I told them that Deeson was there, it was time to go to the South Compound, get the duffels and follow him. They didn't ask any questions. They just nodded. That's something else I think about now. They rinsed and spat and then the three of us packed our toothbrushes into our duffels and went downstairs where Deeson was waiting by the door. "Bless the child, Acolytes Stone," he said to my parents--see, he called them acolytes--and then, "Did you send in the school excuse note last week, as instructed?" My father nodded. "Um, what excuse note?" I said. "You are hereby excused from high school beginning tomorrow through the end of winter break for a family activity," Deeson said. "Fully in compliance with Minneapolis Public Schools attendance policy." I stared at my parents, but they didn't meet my eyes. What the hell? No one had told me about this. This was a Wednesday night and there was still a week of school left before winter break began. In compliance or not, no way could I miss that much school, not junior year. And "family activity"? Deep inside me an alarm went off, an invisible, insistent alarm. Which got louder when Deeson spoke again. "Phones," he said, and pointed at the kitchen counter. Wait, what? Phones? That wasn't part of Sesame's and my plan. The Prophet had been hinting that the time was nigh for the Living Lights to begin Phase Two of the project. He had bought an abandoned building somewhere in South Minneapolis--no one knew where, exactly--with the money he'd collected from the congregation, and the plan was to turn it into some kind of Living Lights Retreat Center. Phase One: buying the building, which he named the South Compound. Phase Two: everyone training together for retreat center life. Phase Three: opening the retreat center. Phase Four: Taking over the world? Making the Prophet the divine ruler of all? Shit, I don't know. I quit listening about five minutes into every one of his lectures. Anyway. Sesame's and my plan if they actually came for us: I would bring my phone and text her once we got to the South Compound and I knew for sure where we were. So the phones moment was the first moment that I felt uneasy. Truly uneasy, I mean, not laugh-about-the-doings-of-the-Living-Lights-with-Sesame uneasy, not this'll-be-a-great-story-someday uneasy. Without my phone, a way to keep it charged, and enough of a signal, I would be alone, no way to contact Ses or anyone. Why hadn't we thought of that? Why hadn't we thought things through? Why hadn't we taken things seriously? Correction: Why hadn't I taken things seriously? Sesame had, from the start. The Hello Kitty notebook that Vong, the second grader she tutors at Greenway Elementary, gave me was in my duffel. So was the matching Hello Kitty pencil, which Vong also gave me. Those things I had hidden at the bottom, wrapped inside one of the white robes. Call me prescient or call me dumb lucky, but the notebook was there. Maybe I could write to Ses, a note on notebook paper, from wherever we were going. But how would she get it? I don't have a stamp and she doesn't have a mailing address, and even though the Jameses would give it to her if I sent it to them, I don't know their address. Hey, Ses. Can you hear me? Can you read me, coming at you from here in the laundry room of the South Compound, where I have been placed in detention? Yeah, that's right. Day one and I'm already in detention. I'm sitting in the corner, avoiding dripping white robes and writing in Hello Kitty. Last night Deeson opened the door of our house, looked both ways, and motioned us out. My dad turned down the thermostat before leaving, which made the silent alarm inside me go off yet again. Deeson took the key from my mother's hand and locked the front door. I thought fast. Fast born of fear. Or dread, is a more accurate word. The sight of our three phones lying together on the counter next to the toaster, little rectangular corpses, panicked me. Out into the frigid December night we went. The Prophet's white passenger van was pulled up to the curb. No one was out. Why would they be? Even dogs don't want to be outside on a night like that. "Acolyte Deeson, hold up," I said. "I have to go to the bathroom." My parents were getting into the van, duffels over their shoulders. A hand came forward and took my mom's duffel from her. It was impossible to see more than shadows in the dark interior, but it was clear that other members of the Living Lights were already in there. "The South Compound is nearby," he said. "You can hold it." "I don't think I can, though," I said, and I shifted my weight from one leg to the other the way little kids do. "It's bad." He frowned but gave me the key and jerked his thumb toward our front door, and I ran back in. Grabbed my phone and shoved it down my underwear and then, just in case, wrote a note in dry-erase on the whiteboard for Sesame, because being Ses, she would come by as soon as she figured out I was gone. Hello Kitty, Please be on the lookout for my GPS. I think it's somewhere in the neighborhood. xo Then I ran back out without peeing. Which actually I did have to, but too late now. Deeson was waiting for me outside the door, that Deeson look in his eyes. He held up his hands like he was surrendering, which was weird, but then he started patting me up and down like I'd set off an alarm at airport security. Shit. He didn't even hesitate when he got to my crotch. Fuck you, Deeson. "Remove the phone," he said, a triumphant sound in his voice. "I need it, though," I said, "for... homework. Writing papers. I can't get behind, it's my junior year." Like somehow "junior year," that important pre-college-application year, would mean anything to him. "Remove the phone or I will remove it for you," Deeson said. He made me bring it back into the house, watched as I put it back on the counter next to my parents' phones, then took the key after I locked up again. My parents were sitting on a bench in the van--it had bench seats, like pews in a church, homemade--and I squeezed in next to them, against the side. They gave me a silent, disapproving look. There were others all around us, but no one in the van said a word. Deeson was up front, driving, and as he pulled away from the curb, a panel slid down from the ceiling and closed us all in. It was dark, Ses, darker than the darkest of dark winter nights in your house. We drove. We drove, and drove, and drove, and it must have been hours, because I fell asleep against the cold steel wall of the van. I fell asleep and then jerked awake, fell asleep and jerked awake. I had to pee so bad. Deeson was lying when he said the South Compound was close by. The Prophet was lying when he said he'd bought an abandoned building in South Minneapolis. We are nowhere near South Minneapolis. My message on the whiteboard doesn't make any sense now. I don't know where we are. I don't know where we are, Sesame. Have you been to the house yet? Did you figure out right away that the time had come and that I was gone? Did you remember where the fake rock is hidden? Was it covered with snow? I can't send you my coordinates, Sesame, because I don't know where I am. I screwed up, Ses. Big-time. I got sucked into something bigger than I ever thought it could be and now I'm stuck. Here in the laundry room. Where I am temporarily "detained." My attempt to bring the phone was an infraction, which is a thing here, and the laundry room is the punishment. There's a wire screen near the ceiling, which is low, and it leads into a dark space. Maybe it's a crawl space. I can't tell. But it must be close to the outside, because last night when I couldn't sleep I heard faint sounds from the outside world. Sirens once in a while, police or ambulance, I can't tell. Every once in a while, the bark of a dog. So I know that the outside world is still there. Excerpted from Where We Are by Alison McGhee All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.