Switched on pop How popular music works, and why it matters

Nate Sloan, 1986-

Book - 2020

'Switched on Pop' illuminates the essential musical concepts behind two decades of chart-topping songs. The text moves through close studies of 16 modern pop classics by artists from Beyoncé to Zedd, each chapter bringing out key aspects of a particular song as well as introducing core concepts such as rhythm, melody, harmony, form, and timbre. As the work progresses, more complex concepts such as syncopation, counterpoint, rhyme, and modulation are covered, culminating in an examination of genre, identity, and musical meaning. Accessible prose and engaging illustrations break down pop hits and musical ideas in clear, jargon-free language, and point toward a new way of listening to the modern soundtrack of pop.

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Subjects
Published
New York, NY : Oxford University Press [2020]
Language
English
Main Author
Nate Sloan, 1986- (author)
Other Authors
Charlie Harding, 1986- (author), Iris Gottlieb (illustrator)
Physical Description
viii, 201 pages : illustrations ; 22 cm
Bibliography
Includes bibliographical references and index.
ISBN
9780190056650
  • Introduction : Switched on pop : Meter : Carly Rae Jepson-"Call me maybe"
  • Y'all don't want to hear me, you just want to dance : Meter : Outkast-"Hey ya!"
  • A star's melodic signature : Melody : Taylor Swift-"You belong with me"
  • The harmonic hero's journey : Harmony : Fun ft. Janelle Monáe-"We are young"
  • When the drop broke the pop song : Form : Rihanna ft. Calvin Harris-"We found love"
  • A voice without a face : Timbre : Sia-"Chandelier"
  • Painting a musical masterpiece : Lyric : Justin Timberlake-"What goes around...comes around"
  • What makes pop so catchy : The hook : Ariana Grande ft. Zedd-"Break free"
  • Sometimes the truth don't rhyme : Rhyme : Drake-"God's plan"
  • Drunk on rhythm : Syncopation : Kendrick Lamar-"Swimming pools (drank)"
  • Music takes you higher : Modulation : Beyoncé-"Love on top"
  • The performance of identity : Counterpoint : Britney Spears-"Oops@...I did it again"
  • Is collage a crime? : Sampling : M.I.A.-"Paper planes"
  • Shock, awe, and synthesis : Sound design : Skrillex-"Scary monsters and nice sprites"
  • Finding home in the harmonic diaspora : Tonal ambiguity : Luis Fonsi ft. Daddy Yankee-"Despacito"
  • Does pop have a sound? : Genre : Kelly Clarkson-"Since U been gone"
  • I like everything...except country and hip hop : Musical identity : Jay Z and Kanye West ft. Frank Ocean, Toby Keith-"Made in America"
  • Conclusion : The past, present, and future of silly little love songs : Paul McCartney-"Get enough".
Review by Library Journal Review

In 2014, Sloan (musicology, Univ. of Southern California) and songwriter Harding launched the Switched on Pop podcast to introduce audiophiles to the complex beauty of popular music. Since then, they have recorded more than 128 episodes and deconstructed everyone from Britney Spears to Elton John. Here, the duo turn their podcast into a 16-chapter manifesto on the last 20 years of popular music. From contextualizing Outkast's "Hey Ya" within the rhythmic long tail of ragtime to drawing connections between Justin Timberlake and the 12th-century troubadour Bernart de Ventadorn, the authors underscore both the musical traditions and the musical complexity from which 21st-century popular music has arisen. Along the way, terms such as tonality, syncopation, and chromaticism are defined and deconstructed with humor and a deep knowledge of musical theory. VERDICT In much the same way that Wendy Carlos's 1968 album Switched-on Bach introduced synthesizers to popular music, Sloan and Harding's ode to popular music reintroduces the Billboard Top 100 to the field of musicology and the snobbiest of vinyl collectors. A necessary addition to any music collection.--Joshua Finnell, Colgate Univ., Hamilton, NY

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