Shadow

Lucy Christopher

Book - 2019

A young girl befriends Shadow, a shadow under her bed that only she and not her mother can see, and enjoys his companionship until venturing with Shadow into the woods leaves her longing even more for her mother.

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Location Call Number   Status
Children's Room jE/Christop Checked In
Subjects
Genres
Picture books
Published
UK : Lantana Publishing Ltd 2019
Language
English
Main Author
Lucy Christopher (author)
Other Authors
Anastasia Suvorova (illustrator)
Edition
American edition
Physical Description
1 volume (unpaged) : chiefly color illustrations ; 25 cm
ISBN
9781911373834
Contents unavailable.
Review by Booklist Review

In her old house, there was no darkness, but in this new house, a young girl finds Shadow under her bed among the cobwebs. At first, Ma thinks her daughter is making Shadow up. But as they begin to play together, Shadow grows increasingly bigger. When one day they go into the forest together, the girl gets lost, alone in a darkness too dark for even shadows, until finally Ma rescues her. Together they go home and explore the dark spaces in the house until there is nothing more to fear. This soft-spoken story can be anything from a simple, lovely, modern fairy tale to a stunning allegory about overcoming fear and how a parent's depression can affect a child. Suvorova expertly incorporates stark, contrasting whites and blacks with sunset reds and oranges for her illustrations. With both words and supporting artwork, there's a darkness that steadily creeps into the story as Shadow grows from a boy into a monster, but the creative team skillfully lifts the story back into a place of safety and light by the end.--Becca Worthington Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

A girl moves into a dusty old house where she encounters Shadow--a dark, shape-shifting figure. As the two play, the girl notices that her mother cannot see Shadow: "Sometimes Ma couldn't see for days." After following the being into the woods and becoming lost, the girl finds "the smallest crack of light," which leads her to her mother, who is searching for her. The two stand together with their silhouettes cast across the snowy ground--their dual shadows present for the first time--then make their way home, which no longer seems looming and unfamiliar. Suvorova's moody, gray-washed color palette turns from gloomy to full of warmth, and Christopher writes about the trials of liminal states with a light touch and an adept use of familiar metaphors. A well-executed work about the transformative nature of togetherness. Ages 5--8. (Oct.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Horn Book Review

A little girl and her mother move into a new house, where, under her bed, along with cobwebs and "dust piles as big as rats," the girl finds Shadow. The child-shaped shadow becomes a playmate, but Ma can't see him. Ma can only type at her laptop, look at her phone, and stare off into the distance, sometimes for days at a time. Suvorova's digital art, in mostly shades of gray to start (with Shadow a darker charcoal), is punctuated with pops of orange-red, in the hair of the little girl and her mother and the rosy cheeks of Shadow and the girl. When the two go into the forest together, Shadow runs off with the other shadows, leaving the girl alone. A very dark page shows her looking small and desolate: "I cried that night in the forest, but no one came." Eventually she begins to glimpse light and hears her name being called, and she follows the sound to reach her mother. Back home, her mother is now able to play with the girl, and the pages become much lighter, accented with yellows, greens, and lots of reddish-orange. Children will interpret the story differently depending on their own life experiences, but the trajectory of moving from a sad and lonely state to one of connection is universal. Because Shadow comes across as a companion rather than a threat, and the girl's happiness is connected to the mother's attention, the equating of darkness with sadness and lightness with happiness is lessened. Susan Dove Lempke November/December 2019 p.64(c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A child finds a new playmate, but troubles hang like a cloud over the house.After a move, the narrator discovers Shadow, a spectral boy, under the bed. They spend days together, although the narrator's perpetually distracted mother does not perceive Shadow even as his shape changes. Eventually, the two leave and wander into the woods, where Shadow goes off, leaving the child alone in a visually arresting spread that isolates the muffler-clad child on a nearly all-black page. After "a while, a very long while," the child reunites with Ma when they recognize each other's shadows. The white-presenting pair play and invite diverse new friends over for tea, including a cat that could be Shadow, who is not unwelcome. The digital artwork strategically uses grayscale with red and navy accents. The tale is definitely uncanny, featuring a doppelgnger ("In the dark, Shadow and me were the same"), and the characters' washed-out eyes have an eerie look. Rest assured, there is a happy ending, with the mother present for multiple pages after the woods. Dappled edges and scratched textures embellish the dreamlike atmosphere. Whether seen as a metaphor for fear, grief, depression, or something else, this story professes that denial is not the way to deal with one's troubles; it is better to communicate and be together.Sensitively shines a metaphorical light onto scary but nonetheless real emotions. (Picture book. 3-8) Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.