Apocalypse, darling

Barrie Jean Borich, 1959-

Book - 2018

"Set in the steel mill regions of Chicago and in Northwest Indiana, the story centers on Borich?s return to a decimated landscape for a misbegotten wedding in which her spouse?s father marries his high school sweetheart. The book is a lilting journey into an ill-fated moment, where families attempt to find communion in tense gathering spaces and across their most formative disappointments. Borich tells the story of the industrial heartland that produced the steel that made American cities, but also one of the most toxic environmental sites in the world."--Page 2 of cover.

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BIOGRAPHY/Borich, Barrie Jean
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Location Call Number   Status
2nd Floor BIOGRAPHY/Borich, Barrie Jean Checked In
Subjects
Published
Columbus : Mad Creek Books, an imprint of The Ohio State University Press [2018]
Language
English
Main Author
Barrie Jean Borich, 1959- (author)
Physical Description
ix, 94 pages ; 22 cm
Bibliography
Includes bibliographical references (pages 87-90).
ISBN
9780814254622
  • Part I. Mixing Memory with Desire
  • Wasteland Oasis, Indiana 2008
  • Byway, Skyway, Illinois/Indiana 2008
  • His Not Daughter, Minneapolis 1987
  • Trouble, Chicago 1985
  • Best Man, Indiana 2008
  • Pink Lady, Minneapolis 2008
  • Swede in Our Shower, Minneapolis 1995
  • What's Present in Time Future I, Chicago 2015
  • Annihilation Pending, Minneapolis 1988
  • Visible Grace, Calumet, Illinois/Indiana 1950-present
  • Enter the Chapel, Indiana 2008
  • Part II. In Which Sad Light
  • The Cruelest Month, Post-Industrial North 2008
  • Dune-ality, Indiana 1977
  • The Apocalypse, Darling, Interior Landscapes 1959-
  • The Bee-U-Tee-Full Old Country, Indiana 2008
  • Women's Work, North Suburban Chicago 1988
  • Swedish Italian, New Jersey/Michigan/Illinois 1960s
  • Don't Ask Don't Tell, Interstate 1980-2008
  • The Children's Crimes, According to the Father, as Imagined by the Daughter-in-Law He Does Not Acknowledge, Minneapolis 2008
  • What's Present in Time Future II, Chicago 2015
  • The Violet Hour, Indiana 2008
  • Part III. Nothing with Nothing
  • The We Who, Indiana 2008
  • Unreal City, Minneapolis 1987-Yesterday
  • Lilacs Out of a Dead Land, Indiana 2008
  • Laquearia, Indiana 2008
  • O City, City, Minneapolis 2007
  • BurningBurning, Illinois or Indiana Mill Country, 20th or 21st Century
  • The Tattoo Merchant, Inside an Inaccurate Indiana Fantasy 2008
  • The Golf Course Nuptials, as Imprecisely Recalled with Undisguised Bias, and without Approval from Her Spouse, by the Daughter-in-Law the Groom Has Not Yet Acknowledged, Indiana 2008
  • Part IV. What the Water Said
  • Shantih, Indiana 2009
  • Part V. Fragments Against Ruins
  • Post-Nuptial, Indiana Golf Course 2008
  • Post-Apocalypse, The Rain, Indiana 2008
  • Post-Mortem, Re-Migrations 2008
  • Post-Traumatic, These Fragments We Shore 2008
  • What's Present in Time Future III, Chicago 2015
  • Post-Photographic, The Photographer's Reformation 2008
  • Post-Industrial Dunes, Memory and Desire 1976 and Now
  • Notes on the Text
  • Acknowledgments
  • About the Author

Wasteland Oasis Indiana 2008 If we were to arrive at this wedding by helicopter here's what we would see. An expanding patch of unnatural green. Neon green. Denial-of-impending-annihilation green. An over-bright amoeba, surrounded by the stacks of Northwest Indiana. Windowless steel mills, smoke spume, ground that appears as if the skin has been scraped away, a rusty, gouged tableau, wasteland gray interrupted by the peacock blue painted exterior of U.S. Steel Gary Works--as if someone in charge had consulted with a home decorating guru. Shall we try blue, Darling? Costume-party, feather-boa blue? Blue to accent these badlands that would stretch all the way to forever, except for the khaki bumper of Lake Michigan. This decimated plain, punctured by the green of the golf course, is where my father-in-law, age seventy-five, is about to wed his long-lost, newly found, pinkly smiling, high school sweetheart, in the presence of middle-aged children who would not exist if this father, and this mother, had married each other the first time they were in love.   Byway, Skyway Illinois/Indiana 2008 Of course we don't arrive by helicopter. Linnea and I fly from Minneapolis to Chicago, then drive the rest of the way to her father's wedding. The quickest way to get to the communities lining the Indiana Dunes from downtown Chicago is via the byway of the sky. The western entry to the Indiana Toll Road is an elevated highway built on a scaffolding that laces into the far Southeast Side, a steel filigree supporting the highway up and over the old steel workers' city. Even knowing what's ahead, the highway inclining under the wheels of the car as it passes through the toll gate, the signage making clear that this is the exit onto the SKYWAY, it's still not immediately apparent that this is not just a road but a bridge breaking into open air, so then a shock, the way first the old East Side port and then downtown Gary open beneath us, a pictorial centerfold. Gary is a splay of old-century granite stitched together by the steel docks and bridge girders, contained by the jade release of Lake Michigan, cleaner now than when I was a girl, capped by the granulated blue of a mill-punctured sky. Linnea is driving. I slap her on the shoulder as the Skyway rises over the centerfold. I hadn't expected we'd motor into such familiar and unfamiliar cleaving. We are driving toward a gathering of her side of the family, but driving through the Old Country of mine. When I was teenager I often ended up on the Skyway by accident, veering onto the wrong exit south from the Loop, usually late at night, my car full of friends, likely drunk or high, when the yellow streetlights cast a dingy pall over the toll bridge gates, suggesting the gateway into Hell or at least Purgatory. Once you enter the Skyway in south Chicago there are no exits until Hammond, Indiana, so those lit-up CHICAGO SKYWAY letters over the toll plaza caused my stomach to tighten. Where am I? Do my friends think I'm a bad driver?                                                 How do I get off, out, home? By comparison, on this June afternoon, the sky could not be a crisper blue. I could stay in this hanging moment forever, Linnea's steady, square hands clutching the steering wheel, the windows rolled up so as not to muss my shoulder-length hair I'd so carefully flat-ironed in her sister's bathroom, back on the shinier side of the city where we'd spent the night, my chest, overexposed in my low-cut sundress, goose-pimpling in the breeze of the air conditioning, the Skyway incline out and over, the spread of old avenues opening, hail forgotten city, full of grace. I almost forget we have someplace to be. Excerpted from Apocalypse, Darling by Barrie Jean Borich All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.