The alarming palsy of James Orr

Tom Lee, 1974-

Book - 2019

"James Orr--husband, father, reliable employee and all-around model citizen--awakes one morning to find half his face paralyzed. Waiting for the affliction to pass, he stops going to work and wanders his idyllic estate, with its woodland, uniform streets and perfectly manicured lawns. But there are cracks in the veneer. And as his orderly existence begins to unravel, it appears that James himself may not be the man he thought he was. A deeply unsettling story of creeping horror that consistently confounds expectations"

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Subjects
Genres
Psychological fiction
Published
New York, NY : Soho Press, Inc 2019.
Language
English
Main Author
Tom Lee, 1974- (author)
Item Description
"First published in Great Britain by Granta Books, 2017" -- title page verso.
Physical Description
195 pages ; 20 cm
ISBN
9781641290043
Contents unavailable.
Review by New York Times Review

"THE ALARMING PALSY OF JAMES ORR" starts with a nod to one of the most recognizable plot openers of all time: An ordinary man wakes up one morning to find that he's been transformed overnight by a grotesque affliction. By beginning his first novel on such a blatantly Kafkaesque note, it's as if the British writer Tom Lee is announcing on Page 1 that he's forgoing all subtlety when it comes to his central metaphor - physical disfigurement as a product of bourgeois dread, a sum of the daily spiritual paper cuts that aspirational living can inflict. James Orr's particular metamorphosis, at least on the surface, is far more pedestrian than Gregor Samsa's famous turn as a giant insect. A doctor immediately diagnoses James with Bell's palsy, a relatively common condition that paralyzes the nerves on one side of the face. She assures James and his wife, Sarah, a touch too casually, that "only a small percentage do not return to more or less normal." Nevertheless, the protagonist's lopsided mug is a shocking sight. "The left-hand side of James's face had collapsed, a balloon with the air gone out of it, a melted waxwork," giving the unsettling "impression of two different faces, two different people, welded savagely together." But more than the physical symptoms, the comorbid psychological trauma is what tips James into a hellish downward spiral, which Lee draws us into with unrelenting dread and deadpan wit. At first James treats his recovery like a much-deserved vacation for a hardworking father of two. He's free to wander his neighborhood, an idyllic development carved out of the dense woods of a former Victorian estate. Yet as his palsy fails to improve, the hallmarks of upper-middleclass ease, which used to provide him almost smug levels of satisfaction, begin to rankle. Everything from the size of a neighbor's dog ("there was something a little conceited in having an animal this big"), to the gratuitous shirtlessness of the unmarried serial D.I.Y.-er a few doors down ("it was still only March, after all"), to his wife's "pragmatism and lack of drama" swirls together, amassing into a more serious crisis. James suffers a series of humiliations carrying the taint of failed manhood: He bursts into tears while presiding over a residents' committee meeting, a friendly neighborhood soccer game turns into an outlet for his mounting aggression, an attempt to seduce his wife after weeks of sleeping apart goes disturbingly awry. Not surprisingly, Lee works the symbol of James's flaccid face on several levels. Along with impotence, sudden illness is a recurring concern in Lee's work (including a 2009 story collection, "Greenfly," not available in the United States). It's an experience Lee knows intimately, as he addressed in a pair of extraordinary autobiographical essays for The Dublin Review a few years ago. One recounts the time, just before "Greenfly" was published, when he was flattened by an anxiety disorder that left him feeling as if he'd "forgotten how to be"; and the other the medically induced coma he underwent for a case of pneumonia so serious his doctor dubbed him "the sickest man in London" (and his ensuing intensive care unit psychosis, which is just as horrifying as it sounds). In both essays, Lee reckons with the decline of one's health as a microapocalypse - life is separated into a "before" and an "after" - and the almost dystopian alienation that emerges between sufferers and the well. In "James Orr," he explores these same themes with greater artfulness and delicious doses of body horror and contemporary British social satire. While James doesn't become an oversize bug, the juxtaposition of his common affliction and Lee's use of familiar genre conventions adds up to something fresh, highlighting the terrifying plausibility - perhaps even inevitability - of the real-life transformations Kafka predicted to be lurking in our DNA, waiting to wreak havoc on an otherwise ordinary morning. STEPHAN lee is an associate director at Bustle and a former editor at Entertainment Weekly. He is at work on a debut novel.

Copyright (c) The New York Times Company [August 14, 2019]
Review by Publisher's Weekly Review

In his astonishing and riveting debut novel, Lee (author of the collection Greenfly) delivers a taut story about a man's loosening grip on reality. One morning, James Orr notices "some indefinable shift in the normal order of things" upon waking, then looks in the mirror to see that one side of his face has collapsed. Assured by the doctor that the nerve condition is temporary, James takes time off from his consultant job, spending his days in his suburban London neighborhood and wandering the surrounding woods, "an oasis and an anomaly amid the encroaching city." The contrast between the orderly housing estate, with its "general air of parochialism and paranoia," and the woods, with its Victorian ruins, wild parakeets, and rumored hermits, is as stark as the split in James's face. His palsy lingering, James grows disturbed by his superfluity-to his company, neighbors, even to his wife and children-as well as by a sense of vague moral deficiency. Increasingly isolated, he sees his surroundings as a "brittle veneer on reality, one that might fracture or shatter entirely at any time." Lee uses James's crackup to explore the disorienting effects of changes large and small, sudden and gradual, and the result is a perfectly calibrated absurdist novel that amuses and unnerves in equal measure. Agent: Anna Stein, ICM Partners. (Jan.) © Copyright PWxyz, LLC. All rights reserved.


Chapter 1 When James Orr woke up, a little later than usual, he had the sense that there was something not quite right, some indefinable shift in the normal order of things, but it was not until he bumped into his wife on the landing--James had been sleeping in the spare room for several weeks--that he had a clue as to what it might be.      "Oh!" said Sarah Orr, and put her hand to her mouth in genuine alarm.       James continued to the bathroom and there, in the mirror, he saw the cause of her dismay--and such dismay did not seem unreasonable.       The left-hand side of James's face had collapsed, a balloon with the air gone out of it, a melted waxwork. The cheek was hollow and the skin hung in a bulge over the side of his jaw, a grotesque one-sided jowl. The side of his mouth had fallen, too, the pale line of his lips angling sharply downwards. Where the bottom of the eyelid had pulled down, the full white of the eye was exposed, as well as its veiny roots. The skin itself was different. Yellowed, bloodless, and a little shiny.       James tried to smile. Only the right-hand side responded. The right eye narrowed, the skin creased into folds, the corner of the mouth hoisted itself upward and pulled his lips back over his teeth. The left side remained slumped, unmoved. The effect, a forced and crooked grin, the teeth bared on one side, was appalling.       Sarah stood next to him, staring at his reflection in the mirror.       "My god, James, what is it? Have you had a stroke?" She laughed, nervously. "I'm sorry--you just look so . . . awful."       James turned on the tap, splashed his face with water and then looked again. He put his hand to his face and it was like touching someone else. He pushed the left side up so that it was level with the right but it was not convincing, and when he let go, it dropped slackly back down.       "It won't move," said James. The words came out thickly, caught in his half-closed mouth. "It's paralysed."       And yet it was not simply this, the sight of the paralysed features themselves, that was so unsettling, it was the discord between right and left. If both sides hung like this, then perhaps, at least when his face was at rest, he would only resemble a much older man--himself thirty or forty years from now. As it was, it gave the impression of two different faces, two different people, welded savagely together.       "Don't come downstairs," said Sarah. She had recovered herself. James recognised the tone--practical, coping, in charge--most often employed when there was some kind of drama involving the children, a sound that he usually found reassuring. "I'm going to sort out the kids."       "Okay," murmured James, out of the side of his mouth.       He turned back to the mirror. The only thing on the left-hand side of his face that moved was his eye. But when he blinked, only the right eye closed. The left stared unrelentingly back at him. Its gaze seemed agitated, intense, almost accusatory, as if all the expressiveness of that immobilised side of his face was now concentrated there. From downstairs, he heard the everyday noises of his wife and children having breakfast, getting ready to go out, sounds that suddenly seemed full of pathos, or at least a kind of anticipated pathos. The eye had a yellow, filmy look to it, almost as if it were sheathed in something else. The edges of the cornea were reddening. It felt dry and was already a little sore.       Chapter 2 The previous evening James had been to a neighbour's house for a meeting of the New Glades Estate Residents' Committee, of which, for the last eight months, he had been the chair.       They had run rapidly through the agenda: the long-awaited resurfacing of the estate road, problems with fly-tippers, problems with the gardening contractors for the shared land, arrangements for the summer party. There was some discussion about a resident who was having work done and who had left an overflowing skip in the street for weeks without it being picked up. James agreed that he would have a discreet word. William, a pedantic retiree whose two pairs of glasses hung in tangles around his neck, and who acted as the committee's neighbourhood watch officer, reported that there had been two further incidents of "The Anti-Social Behaviour."       The Anti-Social Behaviour was a euphemism for the sporadic discovery of teenage couples, assumed to be from the sprawling local authority estate half a mile away, in cars parked up at the far dead end of the estate road, by the entrance to the woods. Discussion of the problem was a favourite of the committee--in need of a vicarious thrill, Sarah had suggested to James--and several of them were very worked up about it. James had never witnessed it himself, although he had seen the beer cans, cigarette butts and fast-food wrappers that were sometimes left behind. Even if all the reports were accurate, which he doubted, he did not see that a huge amount of harm was being done.       "I have fed back to the police," said William, looking up from his notes and replacing one pair of glasses with another, "and they have assured me they will increase the number of patrols in the area as a deterrent. If anyone has any other suggestions, please say so."       "There is a real danger," said Vanessa, committee treasurer, "that the estate will get a reputation." Her voice, pained, nasal and complaining, never failed to set James's teeth on edge. As usual she was wearing too much of the gaudy, vaguely hippyish jewellery that he had heard she made in a studio at her house. "Then we will be overrun. It's probably too late already."       James had not even wanted to be on the committee. With work and the kids he had enough on his plate already, but under pressure from his next-door neighbour, the incumbent chair, and with a view of himself as a good neighbour and a good citizen, he had agreed, assuming--not totally inaccurately as it turned out--that it would be a dispiriting assembly of time-wasters, busybodies, curtain-twitchers and NIMBYs. After each of the monthly meetings, James made Sarah laugh with impersonations of the other committee members who, in a discussion on whether to install a bike rack at the entrance to the adjacent woods, insisted earnestly and at great length on "maintaining the architectural integrity of the estate," and who called for "heightened vigilance" following the sighting of an unidentified hooded man walking along the road after dark.       After only a few months, the next-door neighbour had moved away and there seemed to be a tacit assumption that James would take over as chair. As he told Sarah at the time, he should have seen it coming. Since then, however, he felt he had run a pretty tight ship. The first thing he did was to establish a written constitution that clarified the committee's role and responsibilities. From then on the meetings were short and efficient. He kept a lid on the other committee members' tendency to digress and also tried to act as a corrective to the general air of parochialism and paranoia. At times this meant being rather abrupt, and initially this seemed to shock a couple of them, used to a more indulgent regime, but James was not doing this for fun, and soon enough he felt that most, if not all, of them came to appreciate his style. He ran meetings every day at work--he was a project manager at a medium-sized consultancy firm in town--and he sensed some deference to this professional background, as well as to his relative youth and energy.       Already James felt he had earned some credit, and passed a little test in his own mind, when, over the summer, a group of Travellers had held a series of loud parties in the woods. In recent years this had become an annual event, viewed apocalyptically by many of the residents, and along with the noise, the battered cars parked everywhere and rubbish strewn all over the place, there had been bad feeling that had threatened to spill over into something worse. James had urged a light touch, and had spoken with the apparent leader of the group, a spectacularly tattooed and frankly terrifying-looking matriarch, and when they moved on after only a few days, the woods were spotless.       James turned to Vanessa.       "Well, we must to try to keep things . . ." he began, but he was interrupted.       "I could rig up a few explosive devices? Booby traps?"       This was Kit, a new resident. He had moved in just before Christmas, a few doors down from the Orrs, and joined the committee soon afterwards. He was about James's age, lived alone, and was constantly at work renovating his house. Over the past few months, as James came and went from work, and even when it was very cold, he had watched Kit sand down and repaint the external woodwork, re-lay the steps up to the front door and dig out the garden. On the days when he was not outside, the sounds of hammering, sanding and drilling came from within the house. James wondered what Kit did which allowed him to rarely--if ever, as far as James could tell--go out to work, and yet afford the house and the expensive-looking Audi that was parked outside. He meant the explosives as a joke, no doubt, but perhaps he did know how to do something like that, James thought.       "I wouldn't mind," said Vanessa, coyly, and the rest of the committee laughed. "But I would settle for some CCTV cameras."       "As I was about to say," said James, before Vanessa could go any further, "we have to keep things in perspective. For now, I suggest we continue to monitor the situation. If there's nothing else, then let's wrap this up."       As usual, the meeting dissolved into general talk and drinks. James often stayed just for one, out of politeness to whoever had been hosting that evening, but on this occasion he was tired and decided to go straight home. Sarah was already in bed when he got in, presumably asleep, so he watched the news for a few minutes and then went up to the spare room. Excerpted from The Alarming Palsy of James Orr by Tom Lee All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.