The American agent A Maisie Dobbs novel

Jacqueline Winspear, 1955-

Large print - 2019

Beloved heroine Maisie Dobbs, "one of the great fictional heroines" (Parade), investigates the mysterious murder of an American war correspondent in London during the Blitz in a page-turning tale of love and war, terror and survival. When Catherine Saxon, an American correspondent reporting on the war in Europe, is found murdered in her London digs, news of her death is concealed by British authorities. Serving as a linchpin between Scotland Yard and the Secret Service, Robert MacFarlane pays a visit to Maisie Dobbs, seeking her help. He is accompanied by an agent from the US Department of Justice--Mark Scott, the American who helped Maisie escape Hitler's Munich in 1938. MacFarlane asks Maisie to work with Scott to uncover t...he truth about Saxon's death. As the Germans unleash the full terror of their blitzkrieg upon the British Isles, raining death and destruction from the skies, Maisie must balance the demands of solving this dangerous case with her need to protect Anna, the young evacuee she has grown to love and wants to adopt. Entangled in an investigation linked to the power of wartime propaganda and American political intrigue being played out in Britain, Maisie will face losing her dearest friend--and the possibility that she might be falling in love again.

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1st Floor LARGE PRINT/MYSTERY/Winspear, Jacqueline Due May 24, 2024
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Subjects
Genres
Mystery fiction
Historical fiction
Detective and mystery fiction
Published
New York, NY : HarperLuxe, an imprint of HarperCollinsPublishers [2019]
Language
English
Main Author
Jacqueline Winspear, 1955- (author)
Edition
First HarperLuxe edition. Large print edition
Physical Description
493 pages (large print) ; 23 cm
ISBN
9780062888037
Contents unavailable.
Review by New York Times Review

THE much-lamented death of Philip Kerr means that METROPOLIS (Marion Wood/Putnam, $28) is the last we'll see of his cynical antihero, Bernie Gunther, an honest policeman whose life is a daily struggle to preserve a shred of human decency in the decadent world of Berlin between the two world wars. Kerr's 14th novel in this series proves to be Gunther's origin story, which makes it feel imperative as well as poignant. "I've been lucky," says Gunther, who saw action in the trenches of the Great War. "I've come through the worst of it with my soul still intact." That sense of hopeful optimism would be ground down in the years that followed, but now it's only 1928 and he still believes he can stand up for the miserable and the mistreated, for people like the prostitutes being murdered while they ply their trade, then ceremoniously scalped. Kerr's studies of the wounded veterans populating the streets of Berlin are as arresting as his portrait of Hans Gross, the police photographer known as "Cecil B. DeMorgue." "Metropolis," the Otto Dix triptych that illustrates the text, must have been under Kerr's nose when he wrote the novel's vivid night-life scenes, as observed in underground clubs like the Topkeller, a lesbian cabaret known for staging Black Masses, and the Cabaret of the Nameless, "a place all respectable people should avoid," according to Gunther's scandalized landlady. Avoided by all but the artists, that is. As George Grosz tells Gunther, "My themes as an artist are despair, disillusionment, hate, fear, corruption, hypocrisy and death." Of all the sights of this jaded city none are more appalling than the stark images of amputee veterans rolling along on wooden "cripple-carts." "Ten years after the armistice, Berlin's disabled veterans were still so ubiquitous that nobody - myself included - gave them a second thought," Gunther confesses. "They were like stray cats or dogs - always around." No wonder he chooses to disguise himself as one of them in order to catch the killer. No one will notice him, more's the shame and the pity. Tucking into A brand-new mystery series by Alexander McCall Smith is a lazy-dazy pleasure, something like going fishing. And, as the author reminds us in THE DEPARTMENT OF SENSITIVE CRIMES (Pantheon, $24.95), "If you can't find the time to go fishing, then ... well, what's the point?" McCall Smith's Swedish detective, Ulf (the Wolf) Varg, heads up a special unit of the Malmö Criminal Investigation Authority charged with probing crimes of a peculiar nature. There's the curious case of the owner of a market stall who was stabbed in the back of the knee. And a head-scratcher about a lonely student suspected of murdering her imaginary boyfriend. Not to mention the mysterious matter of the werewolf terrorizing clients at a spa. There are no connections among these bizarre crimes, which are resolved individually, with humor and a dash of tristesse. What binds the stories are the tight relationships of Varg and his colleagues and their hilariously human crotchets. They share their thoughts on everything from dealing with dry skin to political correctness (someone worried about using the word "midget" for a dance instructor is advised that "it's safer to call him a very small person"). As for Varg, he's such a sweetheart that he teaches his deaf dog to lipread. Talk about timely! Peter May's unnerving nail-biter, THE MAN WITH NO FACE (Quercus, $26.99), IS set in Brussels, where a diplomatic debate is politely raging over Britain's possible membership in the European Union. Although the politics are dirty and the politicians dirtier, May's prescient plot actually dates back to 1979, two years before this novel was first published in England. For his sins against the dignity of his stuffy Scottish newspaper, a headstrong journalist named Neil Bannerman has been sent to cover the boring negotiations. Lucky for him, a professional assassin known as Kale is also on his way to Brussels, on assignment to eliminate a high-ranking British diplomat. With his unforgettable mug ("What was it about this face whose still, dark eyes stared out from the back seat?" a spooked cabdriver asks himself), Kale seems a strange choice for a hit man. But he knows his bloody business. NAISIE dobbs is adept at repairing an automobile engine and driving an ambulance. That's her dangerous job in the american AGENT (Harper/HarperCollins, $27.99), Jacqueline Winspear's latest mystery featuring this trained nurse and full-time sleuth. It's 1940 and Britain is bearing up under the Blitz when a government agent asks Maisie to investigate the murder of an American war correspondent. "We can't lay this one at Hitler's feet," her contact says, pointing out that the killing took place at the reporter's London lodgings. Well, yes, we can, because everything in this series turns on the psychological traumas of war. That's what gives Maisie's sometimes prosaic cases their sturdy backbone and air of urgency - that and Maisie's own dynamic character. Hang onto your helmet and carry on, girl! MARILYN STASIO has covered crime fiction for the Book Review since 1988. Her column appears twice a month.

Copyright (c) The New York Times Company [July 21, 2019]
Review by Booklist Review

The London blitz is the backdrop to Winspear's latest as the inimitable Maisie Dobbs investigates the death of Catherine Saxon, an intrepid American journalist determined to document wartime Britain's hardships for the folks back home. Saxon and Dobbs are kindred spirits both struggle to make it in a man's world, and both are putting a brave face on their recovery from heartbreak. Dobbs' hunt for the killer, aided by the dashing agent of the book's title, is a lesson in English gentility; Winspear also offers an intriguing view of the WWII propaganda machine that sought to convince Americans to join the fray. The historical descriptions are sometimes stiff, as when characters discuss at length conditions that the other party in the conversation would already know about, but, overall, this is an immersive tale of wartime grit and grief. Fans of the series won't be disappointed; the book can also cross over to historical-mystery buffs and devotees of British detective shows.--Henrietta Verma Copyright 2019 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

As a volunteer ambulance driver in London in 1940, Maisie Dobbs aids the victims of the German blitz, in bestseller Winspear's excellent 15th novel featuring the psychologist/investigator (after 2018's To Die But Once). One night while on duty, she meets American journalist Catherine Saxon, who reports on the horrors of the blitz for radio listeners in the U.S. Maisie enjoys the company of the effervescent American, who unfortunately is found murdered in her flat the next morning. When Scotland Yard enlists Maisie's help in solving the case, she's reunited with Mark Scott, an American agent with whom she once had a brief flirtation in Munich. As the number of suspects in Catherine's murder increases, Maisie's romantic feelings grow for Mark, who's also investigating the American ambassador to the U.K., Nazi sympathizer Joseph P. Kennedy. Meanwhile, Maisie seeks to adopt a war orphan. In Winspear's capable hands, Maisie has evolved into a deeply sympathetic character. Readers will eagerly await her next outing. Agent: Amy Rennert, Amy Rennert Agency. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

The Blitz is in full swing in the newest "Maisie Dobbs" mystery by Winspear (To Die but Once). Maisie and best friend Priscilla are driving their ambulance with young American reporter Catherine Saxon, who believes firsthand experience will help her get work with Edward Murrow on BBC radio. The day after this ride-along, Maisie receives a call from Scotland Yard and the American embassy requesting her investigative services for Catherine's murder. Maisie begins this sudden investigation while the stresses of the adoption process for her young ward, Anna, weigh on her mind. Maisie must collaborate closely with Mark Scott, the agent attached to the American embassy, whom she worked with in Berlin before the war. But as the case progresses, she feels romantically drawn to him, all while uncovering secrets about Catherine. VERDICT This is a fantastic read for historical mystery fans who enjoy complex and flawed characters. Highly recommended for all public libraries.-Kristen Stewart, Pearland Lib., Brazoria Cty. Lib. Syst., TX © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

An intrepid British investigator continues her war efforts.September 1940 finds England nightly suffering the horrors of the Blitz. The morning after volunteer ambulance drivers Maisie Dobbs and her best friend, Priscilla Partridge, spend an evening with Catherine Saxon, an American print reporter who hopes to work for Edward R. Murrow, whose radio reports have done so much to change America's isolationist views, Maisie gets a call from Robbie MacFarlane, whose hush-hush job has required her services before. Acting on the recommendation of American agent Mark Scott, whom Maisie met while spying in Germany, Robbie asks her to investigate a murderthat of Catherine Saxon, whose throat was cut in her own lodgings sometime after her night out with Maisie and Priscilla. Maisiea widow, nurse, spy, psychologist, and independent enquiry agentfinds Scott strangely uninterested in the case, perhaps because he has his own fish to fry. Maisie's first look at the body reveals marks of a strangulation attempt, a tiny tattoo of the initials JT, and signs of a prior pregnancy. She interviews Cath's best friend, Jennifer Barrington, and also the other women living in the house. Cath comes from a wealthy political family. Her father, an isolationist senator who just wanted her to make an advantageous marriage, had virtually cut her off. Jennifer acknowledges that Cath had a child who died while she was reporting in Spain. She can't name the father, but she does know that Cath has dated an American flying with the RAF and has been visited by other unidentified men. Maisie gets some help from Scott, and their partnership tacks toward romance, but his calculated reserve prevents her from trusting him. After Priscilla is badly burned rescuing several children, Maisie has more time to devote to her investigation, whose disparate clues will lead to a shocking finale.Winspear (To Die but Once, 2018, etc.) advances Maisie's inspiring activities, highlights the bravery of an embattled people during the Second World War, and intimates that lessons from that period have yet to be learned. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.