The women's war

Jenna Glass

Book - 2019

"In a feminist fantasy epic, a revolutionary spell gives women the ability to control their own fertility--with consequences that rock their patriarchal society to its core. When a nobleman's first duty is to produce a male heir, women are treated like possessions and bargaining chips. But as the aftereffects of a world-altering spell ripple out physically and culturally, women at last have a bargaining chip of their own. And two women in particular find themselves at the liberating crossroads of change. Alys is the widowed mother of two adolescent children, and the disinherited daughter of a king. Her existence has been carefully regulated, but now she discovers a fierce talent not only for politics but also for magic--once deeme...d solely the domain of men. Meanwhile, in a neighboring kingdom, young Ellin finds herself unexpectedly on the throne after the sudden death of her grandfather the king and everyone else who stood ahead of her in the line of succession. Conventional wisdom holds that she will marry quickly, then quietly surrender the throne to her new husband. Only, Ellin has other ideas. The tensions building in the two kingdoms grow abruptly worse when a caravan of exiled women and their escort of disgraced soldiers stumble upon a new source of magic in what was once uninhabitable desert. This new and revolutionary magic--which only women can wield--might well tear down what is left of the patriarchy. The men who currently hold power will do anything to retain it. But what force in the world can stand against the courage and resolution of generations of women who have tasted freedom for the very first time?"--Jacket flap.

Saved in:
Subjects
Genres
Fantasy fiction
Published
New York : Del Rey [2019]
Language
English
Main Author
Jenna Glass (author)
Edition
First edition
Physical Description
546 pages : map ; 25 cm
ISBN
9781984817204
Contents unavailable.
Review by New York Times Review

WHILE FEMINIST SCIENCE FICTION and fantasy books have been around for decades - see Octavia Butler, Ursula K. Le Guin and Anne McCaffrey - tales that reflect recent feminist movements like #MeToo are an essential next step in an ongoing conversation. That's what makes "The Women's War," by Jenna Glass, so noteworthy. The story is set in Seven Wells, an analog for medieval Europe - wimples, kinglets and all. Each of the wells in question produces magical elements around which small nation-states have sprung up. Women can make small potions with the magic, but greater engagement is frowned upon, and the elements bend primarily to the will of men. In Seven Welis and beyond, the men are the power brokers, and the women are the pawns. Alysoon Rai-Brynna, living in Aalwell, is a widowed 42-year-old princess whose own mother, Brynna, was set aside by the king. Such "tainted" women are sent to the Abbey of the Unwanted, where they harness limited magic and work as prostitutes. Frustrated by the status quo, Brynna unleashes a spell that alters the magic of Seven Wells by granting women the power to decide whether or not to become pregnant. "This is women's magic, and it is subtle," Brynna writes to her daughter. "The spell will know the difference between true free will and coercion." In an unanticipated side effect, the spell gives rape survivors access to an element called Kai, which gives them great strength. The effects of the enchantment are felt across the land, including in Zinolm's Well, where Queen Ellinsoltah is desperately attempting to hold onto the throne as older, more experienced men scheme to wrest it from her. Glass could easily have allowed the spell and subsequent upheaval to transform the plot into a revenge fantasy. But her approach is a more measured examination of societal change. The women in Seven Wells have been oppressed for so long that they do not know how to use their newfound power. As Alysoon's daughter says, "Few men want to marry a woman who won't give them children, and few women will give a man children when they are forced into the marriage." What happens when marriages crumble, when the Abbey is razed, when the very fabric of life is altered? How do people who have never controlled their own fates do so effectively? In answering this question, Glass puts character development over world-building, though she demonstrates skill with both. The multiple points of view transition seamlessly, revealing an astute understanding of human nature - the fear and quiet rage of a widowed mother of two; the insecurity and passion of a young queen. Some of the men, too, are presented as complicated and layered, a blunt reminder that an ally is a powerful asset when a marginalized person is facing off against institutionalized powers. The primary exception to this is Delnamal, Alysoon's half brother and heir to the throne of Aalwell. Delnamal is smallminded, petty and cruel. Such people exist, of course, but one would hope their inclusion in a book would have an overarching purpose. Some of Delnamal's sections - like a graphic group rape scene - can be difficult to get through. In a novel that explores and validates the importance of female agency, to present a violation like this through the eyes of a misogynistic male character feels like a misstep. Another is the dearth of intersectionality. For a book that unpacks birth control, body autonomy, feminism and the mindset of the oppressed, the lack of any lesbian characters was a touch baffling. Glass is at her strongest when she takes us deep into the minds of her characters. "The Women's War" does what so many classic adult fantasy books do not: It gives us a nuanced portrayal of grown women dealing with a wretchedly unfair society. It is rare to read a fantasy novel with a middleaged mother as a main character. And it is refreshing to see women becoming heroes in a world that wishes to keep them muzzled. SABAA TAHIR'S most recent novel is "A Reaper at the Gates."

Copyright (c) The New York Times Company [July 11, 2019]
Review by Booklist Review

A lord's duty is to produce an heir, and wives are required to provide a son in Glass' first epic fantasy. Then a powerful spell, the culmination of generations of work, abruptly frees the world's females from male domination. The enchantment guarantees that no woman will conceive or carry a child unless she wishes to of her own free will. This disruption causes other, unanticipated changes, inspiring challenges to the men, who will do anything they can to reverse the curse. An estranged king's daughter with a forbidden talent for magic plans to protect her own daughter by seeking assistance from the timid, foreign-born wife of a brutal prince. A disinherited warrior prince and the abbess of an exiled women's conclave discover a magical source bursting with undiscovered female powers. And in a neighboring kingdom, an orphaned princess is suddenly placed on the throne, finding unexpected allies among her all-male court. The interconnected story lines, excellent pacing, and heart-wrenching ending will have readers clamoring for the next book. Offer this to fans of other recent feminist speculative fiction like Naomi Alderman's The Power (2017), Ausma Zehanat Khan's The Bloodprint (2017), or Tasha Suri's Empire of Sand (2018).--Lucy Lockley Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Glass's substantial debut stands out as both social commentary on contemporary issues of bodily autonomy, gender, and social power and as feminist retribution fantasy, made manifest through an appealing epic fantasy setting and grounded in a carefully designed magic system. The kingdom of Aaltah's disgraced women are exiled to the Abbey of the Unwanted, where they sell potions and sex. Three generations of a powerful bloodline-led by Alysoon Rai-Brynna, mother of two and the widowed, disinherited daughter of the aging king of Aaltah and the abbess-perform a ritual that transforms the world to give women the power to prevent all unwanted pregnancies and fatally retaliate against rapists. Alysoon becomes a target for the wrathful response of men in power, and a leader in exploring the uses of a secret new source of feminine magic. Palace intrigue clashes into open rebellion as the women decide they have had enough of being chattel. Though female leads take center stage, Glass gives real depth to her male characters as well. Personal and political aspects of the story blend gracefully together to provide a high-energy story with sweeping forward momentum toward the next installment. Agent: Miriam Kriss, Irene Goodman Literary. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

High fantasy with a feminist perspective. Sort of.Alysoon lives in Aalwell, the capital of Aaltah. Her mother, Brynna, was queen until Alys' father, the king, set her aside for a new wife and sent her to live at the Abbey of the Unwanted. There, women are free to use petty magicmen are the adepts in this worldbut they are also sold for sex. Alys' husband has recently died, which means that she and her children are now dependent on her father even though "she still hadn't forgiven him," and her half brother. Ellinsoltah of Rhozinolm is a princess until a terrible accident makes her ruler. Everyone expects her to yield rule to the wise men around her, and they expect her to find a king consort soon, but Ellin finds sovereignty to her liking. Alys and Ellin are adjusting to their new lives when they learn that Brynna has worked a powerful spell that fundamentally transforms their world: "From now on, no woman will conceive or carry a child unless she wishes to of her own free will." Once Brynna unleashes her magicnot much changes, at least not quickly. In this faux medieval world, the ability of women to control their own reproductive destinies should be a big deal. It's baffling that it isn't. Not only are men not freaking out about their loss of power, but it takes many, many pages before it's clear that women understand that they can now enjoy sex with men without worrying about pregnancy. Part of the problem is one of perspective. We learn a great deal about the minutiae of Alys' and Ellin's lives, but we don't know much about what's happening beyond their chambers. Another issue is worldbuilding, an essential feature of fantasy. George R.R. Martin knows more about Westeros than he will ever tell us. Ursula K. LeGuin kept returning to Earthsea because she kept discovering new stories about the place even when she thought she was done. And of course, there's the example of J.R.R. Tolkien. Glass' Seven Wells seems more like a stage set than a real universe. This is, apparently, the first in a three-book series. One suspects there is enough material for one excellent novel in those three volumes.Timely, fascinating idea. Confounding execution. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter One Every year, when the long days of summer began their inevitable decline into fall, the winds in Aalwell changed direction. Instead of skimming along the coast, they began to blow inland, carrying the scent of sea and salt over the low-lying lands at the base of the cliffs. Unfortunately, they also carried the scent of the harbor, of rotting fish, of soggy streets, of too many unwashed bodies. The cliffs trapped most of the scent, confining all but the occasional foul whiff to the Harbor District. And this year when that wind change came, Alysoon Rai-Brynna reconsidered her decision to continue living in her late husband's manor house rather than taking up residence in the royal palace above the cliffs. Her father had all but begged her to pack up her children and join him, but decades after he'd divorced her mother and made Alys and her brother technically illegitimate, she still hadn't forgiven him. If the king wanted to spend time with his bastard daughter and his grandchildren, he could come down to the Terrace District; Alys would not go to him. Besides, the manor house was her home and had been for more than twenty years. She'd learned to live with the occasional foul whiff long ago. On the most oppressive of autumn days, the gentry of the Terrace District either stayed inside their perfumed homes or flocked to the risers for a trip up to the Business District at the top of the cliffs. The merchants of the Business District loved oppressive autumn days above all others. Alys and her children had spent the last two days shopping, and if her eighteen-year-old daughter, Jinnell, had her way, they would spend a third. And probably a fourth. And a fifth. But Alysoon wasn't about to let a few smelly breezes keep her from her weekly visit to the Abbey of the Unwanted, where her mother had resided since the divorce. "But the Abbey will be intolerable!" Jinnell protested. "And you need some new gowns for winter now that you're out of mourning." Alys suppressed a smile. She knew a disingenuous argument when she heard one, just as she knew the moment they reached the Business District, it wouldn't be her own gowns they ended up shopping for. "I do need new gowns," Alys agreed, because it was true. Her winter wardrobe was almost two years out of date thanks to her year of official mourning. She doubted that her true mourning would ever end, but at least the grief was no longer quite so sharp as it had once been. "But I don't need them today. And your grandmother is expecting me." Jinnell groaned dramatically as only a teenager could do. "Every time you visit the Abbey, people talk--and that's not doing my marriage prospects any favors." Alys resisted the urge to roll her eyes. As long as the king was providing a generous dowry--over and above what Alysoon herself could offer from her husband's estate--Jinnell's marriage prospects were in no danger. As her daughter was well aware. "I've been visiting the Abbey once a week since before you were born," Alys said. "The damage is done, and I promise I'll find you a nice goat farmer to settle down with. I'm sure we can find one under the age of sixty who will take you despite the disgrace I've brought down upon you." "Very amusing," Jinnell said with a sour look on her usually sweet face. "I'll die of boredom here. All my friends are shopping today." "You might try reading a book," Alys suggested, receiving in response exactly the expression of disdain she expected. Alys had spent her whole life rebelling against the prevailing opinion that girls need not be educated beyond the basics required for managing a household, and jumped at every chance to read--especially if the subject matter was considered useless or inappropriate for females. Her daughter, however, would never dream of cracking open a book unless it was forced upon her. "As you wish," Alys continued with a careless shrug. "I'm going to the Abbey, and if you're worried about death by boredom, you can always come with me. Your grandmother would love to see you." Jinnell wrinkled her nose. "Maybe in a month or so when the winds change again." Alys wasn't surprised by the answer, and while she did on occasion force both of her children to accompany her on these visits, Jinnell was right and today would be especially unpleasant, thanks to the wind. Leaving her daughter to sulk and her son to catch up on some lessons he'd neglected, Alys headed to the coach-house, which housed her carriages, horses, and chevals. Her groom was currying Smoke, her late husband's horse, when she entered the coach-house. The poor creature was a shadow of his former self, his coat no longer gleaming, his head hanging in a habitual droop. Unlike Alys, Smoke had no friends and family to help ease the pain of loss and relieve the loneliness. Although Alys knew how to ride a horse, it was considered highly improper for a woman of her station to do so, and her son preferred his own horse to his father's. Alysoon fed the horse a lump of sugar as an echo of grief stabbed through her and tightened her throat. "Which cheval would you like, my lady?" the groom asked. Alyson swallowed her grief and glanced over the row of inert chevals against one wall. "The black, I should think," she said. It was the least lovely of the chevals, covered in plain black leather with no adornments, but it would show the dirt of the Harbor District the least. The groom bowed, then moved to the chosen cheval. His eyes turned milky white as he opened his Mindseye and fed some Rho into the cheval, which promptly came to life and gave a very horselike snort and stamped one wood-and-leather leg. As if the crafter who'd made it thought someone might mistake it for a real horse despite its lifeless eyes or its complete lack of personality. Then again, it wasn't temperamental or missing its master, as the real horses were. The groom hitched the cheval to Alysoon's smallest carriage as her coachman, Noble, emerged from the servants' quarters in the rear of the coach-house. "The Abbey, my lady?" he asked as he helped her into the carriage, but it wasn't really a question, for he knew her routine by heart--as did the rest of her household. Falcor, her master of the guard, arrived right on Noble's heels. He would sooner fall on his sword than allow Alys to leave the house unaccompanied. She had nothing against the men of her honor guard, but they were just one more reason she longed for the days when Sylnin was alive. As long as she'd had a husband to "look after" her, her father had allowed her to refuse the honor guard that was her due as a king's daughter. But the day after Sylnin had passed, Falcor and his men had shown up on her doorstep and refused to leave. She frequently had to remind herself not to be unkind to the men who had no choice but to follow orders. Alys allowed Falcor to climb onto the back of the coach without demur, having long ago resigned herself to the intrusion. Many women enjoyed more freedom when they became widows, but thanks to her royal lineage, Alys had less. She drew the sheers over the carriage's windows. The carriage descended the three sets of terraces, then clattered through the crowded streets of the Harbor District, the cheval expertly dodging pedestrians and horse-drawn carts and pits in the road, passing fish markets and taverns and storehouses all teeming with noonday business. Alys's cheval carriage was well-known along this route, and while the street merchants eyed it longingly, none tried to approach and offer her their wares. It was unseemly enough for a woman of her stature to set foot in the Harbor District. To make purchases there was unthinkable. The carriage eventually wended its way to the half-moon-shaped Front Street, which ran from one end of the harbor clear to the other. A massive warship was docked at the naval base near the Citadel, its crew and a platoon of dock workers busily repairing and refitting it after its tour of duty. Several smaller warships were docked quietly nearby, and one was putting out to sea, most likely for patrol duty. Aaltah hadn't seen true war since Alys was a child, and these days Aaltah's navy mostly did battle with pirates and smugglers. But the Lord Commander of the Citadel made sure all soldiers and sailors were kept battle-ready, for the kingdoms and principalities of Seven Wells had a habit of war that stretched back to the very beginnings of recorded history. Between the naval base and the dockyard at the other end of the harbor, the water was packed tight with a ragged flotilla. Here was where the commoners who weren't rich enough to afford a home on land settled, with their rickety crafts of questionable seaworthiness. Whole families lived on tiny boats with open cabins, braving the weather for easy access to Aal, the primary element produced by Aaltah's Well. Thanks to the Well, Aal was almost as plentiful here as Rho, the most common of all elements. Aal was the primary element in many spells associated with movement--including the spell that powered the cheval--and was thus one of the mainstays of Aaltah's economy. The flotilla was responsible for a good deal of the Harbor District's stink, and it seemed that every year at this time, some city councilman would bring a proposal to the king to outlaw it. And every year, the king refused, because having so many commoners who could see Aal was convenient when a great deal of Aaltah's economy relied on the export of Aal-infused magic items. As the carriage made its way down Front Street to the Abbey at the far end of the harbor, Alys opened her Mindseye, secure in the knowledge that no one would see her doing it through the window sheers. Her physical vision blurred and became indistinct as the elements of magic came into crisp focus. As with anywhere in the known world, the most immediately visible element was Rho--pure white globes the size of pebbles. Every living thing was surrounded by sparkling motes of Rho, and the Well spilled thick clouds of it into the atmosphere. The second-most common element this near the Well was, of course, Aal, which in Mindsight looked like a child's glass marble in a mixture of white and cloudy blue. Mingled with the motes of Aal and Rho were countless other elements, forming a beautiful tapestry of colors that never failed to take her breath away. Alys reached out to touch a radiant royal blue mote with flecks of gold in it, and for the millionth time, she wished she'd been born a man so that the world of magic were open to her. Her son, Corlin, was just beginning his magical education as adolescence developed his Mindseye. Many times she had been tempted to crack open his primer, which he often left laying around after his lessons, but she had so far resisted the urge. Reluctantly, Alys closed her Mindseye. It was her particular form of self-torture to gaze longingly at that which was forbidden to her. Every time she opened her Mindseye, she told herself that this would be the last time, that she would not allow herself to be tempted yet again. But it was always a lie, and in the privacy of her home, with her husband gone and a locked door between herself and the rest of the household, she had occasionally been known to dabble. Very little, however. Forbidden to read spell compendiums and able to recognize and name only a handful of the myriad elements she could see, it was too dangerous for her to do any serious experimentation. The Abbey walls loomed before her, twice again as tall as the nearest buildings. While the place was not technically a prison, no one had seen fit to inform its designers of the fact. Built of cold gray stone, with narrow windows and unlovely blocklike towers, it inspired a sense of foreboding in Alys's heart every time she passed through its gates. It was a stark reminder of what would happen to her if she were ever caught "dabbling" in magic. Being the king's daughter afforded her many freedoms that other women lacked, but that freedom had its limits. Just past the Abbey's walls lay the purpose of the Abbey's existence: the Women's Market. Stalls and booths were set up all along the courtyard's perimeter, each manned by at least one red-robed abigail and selling the magic that only women could create. Love charms, minor healing potions, beauty enhancers, sex enhancers--and sex. This was called the Abbey of the Unwanted because it was filled with women no one wanted as wives. Women who were unchaste--or at least accused of being so. Women who were disobedient, who caused trouble, or who inconvenienced their husbands or fathers. Women like Alys's mother, who had gotten in the way of her husband's desire to marry another. All were tainted beyond redemption in the eyes of society, and with that taint and the virtual imprisonment that resulted came the permission to practice magic. Polite society might frown upon women practicing magic, but that didn't stop polite society from buying and using the magic created by these ruined women. Likewise, polite society might consider it inappropriate for a woman to have sexual relations with anyone but her husband, but that didn't stop Aaltah's men from buying the sexual favors of whichever young and pretty abigail caught their eye. The stalls selling magic items were dwarfed by the pavilion at the far end of the courtyard, where the Abbey's most desirable displayed themselves as merchandise, their long red robes put aside for tiny scraps of red fabric that covered the bare minimum of their bodies. Men mobbed the pavilion, placing bids on their favorites, competing with one another in bidding wars that sometimes devolved into brawls. Once upon a time, Alys's mother had been one of those women. Thirty years old when she was set aside, Brynna Rah-Malrye would have been considered too old to work the pavilion had she been any other woman. But a woman who had once been queen was too profitable a commodity to pass up, commanding a higher price than any three women combined. The thought that her father had allowed her mother to be so humiliated and abused lit a fire in Alys's veins every time she entered the Abbey's courtyard and saw the pavilion. He could shower her with gifts and affection until the day he died, and still she would never forgive him. It was a time Brynna never spoke about with her daughter, and Alys was happy to keep the silence. She was also glad that when she'd visited her mother in the Abbey as a child, she hadn't understood what those women in the pavilion were selling. Excerpted from The Women's War by Jenna Glass All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.