The alehouse at the end of the world

Lovers of absurdist humor with an epic flavor will find a delight in Allred's second novel (after A Simplified Map of the Real World: The Renata Stories). The fisherman is a simple man: he loves the sea and he loves his CariA±a, from whom he's been separated by time and shipwreck. Upon receipt of her final letter to him before her death, he embarks on a mythic hero's journey to the Isle of the Dead, where he encounters shapeshifting birds, demi-deities, a legendary beast, and a snarky, narcissistic Crow who fashions himself the king of the dead. What began as a quest to reunite with his lost love quickly becomes a battle for the survival of a spirit world, in whatever form that might take, and an examination of the divine. Sparked with risquAc humor, the nearly Sisyphian questing of the fisherman devolves into a series of increasingly absurd and astonishing scenarios, all underscored with a strong thematic element of hope. Scholars of myth and lore, and readers prepared to be swept away on someone else's trip (perhaps of the hallucinogenic variety), will be enthralled. (Nov.) © Copyright PWxyz, LLC. All rights reserved.

An imaginative journey into a spirit world, evoking ancient myths about death and the afterlife.A fisherman travels from the material world to the Isle of the Dead to find his beloved. The island is populated with shape-shifting characters, many of them gods or goddesses. Countless clams hold the souls of the dead, which are "tasty little morsels" for the crow who is the undisputed King of the Dead. The fisherman strikes a deal with the crow to find the clam containing his beloved and not eat it, but the crow thinks of him as that "flaming dingleberry," and the fisherman soon wants to kill the "foul tyrant" crow. The characters are marvelously entertaininga frigatebird, a pelican, and a cormorant are low-level gods with distinct personalities. They befriend the fisherman and fear the crow, who refers to himself with the royal "We." (He can take the form of a man, a mole, a dragonfly, or any other shape he wants.) And there is Dewi Sri, the goddess of rice and fertility, who cannot do harm and finds the crow pretty sexy in his human form. For the crow's part, she makes his "zibik" hard enough to carve an "entire forest into toothpicks." A couple of sex scenes are explicit despite metaphors of arrows and quivers and touching that brings "earth and heaven together." But both know that lust doesn't equate with love, and soon he wants her dead. Incidentally, the entire spirit world lies inside the belly of the giant beast Kiamah, "the devourer of all things." Yet island residents still enjoy their ale, and at one point the fisherman declares "It's good to be alive!" This island of the dead is more active than a lot of retirement communities.Richly conceived, enjoyable, and a treat for readers of myths and legends. Copyright Kirkus Reviews, used with permission.