The future is female! 25 classic science fiction stories by women, from pulp pioneers to Ursula K. Le Guin

Review by Publisher's Weekly Review

These 25 distinguished short SF stories from the 1920s to the 1960s evince the important early contributions made to the genre by women authors, who were intrigued by its openness to hitherto unexplored experiences. According to editor Vaszek, women made three major literary contributions to pulp and space-age SF: depth and complexity of emotion, revised gender roles, and sympathetic treatment of alien characters. A concentration on character development appears in Clare Winger Harris's "The Miracle of the Lily" (1928), a thoughtful depiction of a human-alien encounter, and continues throughout the collection, notably in Zenna Henderson's touching and perceptive "Ararat" (1952), which explores "intuition and empathy." Men and women are often shown in reversed stereotypical roles, as in Doris Pitkin Buck's stinging "Birth of a Gardener" (1961), presaging later feminist work portraying the damage stereotypes can cause to both sexes. Valuable short biographical sketches of the authors, some household names and others no longer familiar (including some who wrote under masculine pseudonyms), round out this educational, enjoyable, and significant retrospective of science fiction's foremothers. (Oct.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

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Review by Kirkus Book Review

A story collection, edited by Yaszek (Science Fiction/Georgia Inst. of Technology), billing itself as a set of science-fiction classics written by women.With a title like this, readers may assume they'll get a sweeping look at all science fiction written by women from the early to mid-20th century. And that is the caseto a point. Upon closer examination, 24 of the stories are taken directly from pulp magazines, except for Ursula K. Le Guin's contribution, which, in this version, appeared in her 1975 collection, The Wind's Twelve Quarters. The selection of pulp stories is somewhat questionable. For instance, the introduction recounts how the editor of Weird Tales "closed his office for the day in celebration" upon reading C.L. Moore's story "Shambleau." If that piques your interest, too bad: That story isn't here. Moore's "The Black God's Kiss" isbut it's sword-and-sorcery with a hint of eldritch horror, not science fiction. And why acknowledge that Marion Zimmer Bradley has been accused by her daughter of sexual abuse yet still include her in this anthology? These issues aside, make no mistake: The quality of the stories here is unassailable. "The Last Flight of Dr. Ain," written by James Tiptree Jr. in 1969, still adeptly offers the chilling fear of a global pandemic. Alice Eleanor Jones' post-apocalyptic "Created He Them" is surely just as disturbing as it was in 1955. Zenna Henderson's "Ararat," with its what if everyone on The Waltons were actually aliens? vibe, is also a delight. This could have been a thoughtful collection, specifically highlighting the women of pulp magazines, but this theme is unconvincingly broadened, apparently to accommodate a perplexing title. Also, the editor shoehorns in recently deceased Le Guin, whose selection never appeared in a pulp magazine, and her inclusion on the cover feels like cynical marketing. These storiesand the women who wrote themdeserve far better.The Future is Female!: because Shameless Ploy to Cash in on a Feminist Slogan Plus One Random Story by Ursula K. Le Guin (RIP) wouldn't fit on the cover. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

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