Casey Stengel Baseball's greatest character

Martin Appel

Book - 2017

"A biography of the only baseball player in history to play for all the New York Teams describes how he went on to revolutionize the role of manager and won 10 pennants and seven World Series with the Yankees, "--NoveList.

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Subjects
Genres
Biographies
Published
New York : Doubleday [2017]
Language
English
Main Author
Martin Appel (author)
Edition
First edition
Physical Description
x, 410 pages, 16 unnumbered pages of plates : illustrations (some color) ; 25 cm
Bibliography
Includes bibliographical references (pages 377-387) and index.
ISBN
9780385540476
  • Introduction
  • Part 1.
  • 1. Mail Call
  • 2. Kansas City
  • 3. Lunatic Beginning
  • 4. Aurora, Illinois
  • 5. Casey of Ebbets Field
  • 6. The Grapefruit from the Sky
  • 7. Good Player? Bad Player?
  • 8. A Pennant for Uncle Robbie
  • 9. The Pirates and the Phillies
  • 10. McGraw and the Giants
  • 11. World Series Heroics
  • 12. Edna Lawson
  • 13. Managing in the Minors
  • 14. Back to Brooklyn
  • 15. Death of Koenecke
  • 16. Oil!
  • 17. Crossing Kenmore Square
  • 18. Milwaukee and K.C
  • 19. Oakland
  • Part 2.
  • 20. The Yankees Beckon
  • 21. "I Owe It to Myself"
  • 22. DiMaggio and Mr. Berra
  • 23. Whitey and Billy
  • 24. The Mick
  • 25. Taking on Jackie Robinson
  • 26. Five Straight
  • 27. October Off
  • 28. Elston Howard
  • 29. One Last Subway Series
  • 30. Trading Billy Martin
  • 31. Dazzling Congress
  • 32. Third-Place Yankees?
  • 33. A Pebble at Shortstop
  • 34. Fired!
  • 35. Summer in Glendale
  • Part 3.
  • 36. Selling the Amazin' Mets
  • 37. Worst Team in History
  • 38. Closing the Polo Grounds
  • 39. Shea Stadium
  • 40. A Slip and a Fall
  • Part 4.
  • 41. Cooperstown
  • 42. An Active Retirement
  • 43. Saying Goodbye
  • 44. Legacy
  • Appendix 1. Congressional Record, July 9, 1958
  • Appendix 2. Career Statistics
  • Acknowledgments
  • Bibliography
  • Index
Review by New York Times Review

at the outset of the 1936 baseball season, Ford Frick, the president of the National League, admonished his players and managers. Baseball had become too friendly, he told them. He wanted to see less fraternizing on the basepaths; more cutthroat, cleats-up competition. So you could say that Leo Durocher and Casey Stengel were merely following orders when the Cardinals met the Dodgers at Ebbets Field that spring. Durocher was then a slick-fielding, weak-hitting shortstop for St. Louis; Brooklyn's Stengel had graduated from outfielder to manager. For nine innings, the two men traded insults, eventually getting sufficiently under each other's skin that Stengel suggested they settle the score in a postgame bout beneath the stands. The Brooklyn Daily Eagle records that Stengel brought a bat to the fight. Durocher claimed he used it. But Stengel swore he needed only his bare knuckles to get the better of his younger opponent. "That fresh boob is lucky I didn't knock out his few brains with that bat," he said. "But nothing like that was necessary. He can't hit any harder with his fists than he can with a bat." Stengel and Durocher were natural adversaries. Stengel was the affable Midwesterner - Casey, as in K.C., his hometown - who charmed fans with his meandering speech (affectionately known as "Stengelese") and absurd antics. As a player with Pittsburgh, he once collected a sparrow that had flown into a bullpen wall, hid it under his cap and, as he stepped up for his next at-bat, released the resuscitated bird in an impromptu magic act. Durocher was the hard-edge product of hard-knock West Springfield. Mass. - his mother had worked for A. G. Spalding & Brothers, stitching baseballs - whose nasty ribbing of opponents earned him the unaffectionate nickname Leo the Lip. He scandalized the league with his gambling, carousing and other conduct unbecoming a ballplayer. When Durocher first came up with the Yankees, Babe Ruth accused him of stealing his watch. In 1939, Durocher followed Stengel into the managing ranks, and the two men would spend the next three decades competing for the title of most captivating skipper in midcentury baseball. Stengel's achievements are unimpeachable: After middling stints with Brooklyn and the Boston Braves, he claimed ten pennants and seven World Series with the Yankees. Durocher's Cooperstown plaque was less assured, and is less decorated, but his career was equally storied. He figured in two of the most dramatic pennant races in baseball history: the New York Giants' improbable triumph in 1951 (capped by Bobby Thomson's "shot heard 'round the world") and the Chicago Cubs' spectacular collapse before the Miracle Mets of 1969. The '51 Giants lost the World Series in six - to Stengel's Yankees. Three years later, however, Durocher's Giants took home a world championship behind the stellar play of a young outfielder he had nurtured named Willie Mays. As the 2017 season begins, Stengel and Durocher are set to square off once more, this time on the New Releases shelf. Each is the subject of a new biography, though neither baseball's great clown nor its great cad is done justice by his volume. "Casey Stengel: Baseball's Greatest Character," by Marty Appel, is the lesser of the two books, a workaday account that fails to improve on the rich Stengel literature. Appel, a former public relations director for the Yankees, approaches the work of the biographer the way an official scorer approaches a ballgame: dispassionately noting every event, with little to differentiate the mundane from the miraculous. Appel adds to the historical record details from an unpublished memoir by Stengel's wife, Edna, but as she would be the first to admit, her husband was most alive when he was on the diamond. Robert Creamer's lyric "Stengel: His Life and Times" will remain the definitive account of his life, and there's more pepper in every sentence of Clay Felker and Ernest Havemann's irresistible Stengel sketch, published in Life in 1952, than in the entirety of Appel's dutiful new book. Stengel presents his biographer with an intriguing paradox, one Appel fails to decode. The manager's vaudevillian face and legendary gift for stem-winding non sequiturs - he made his catcher Yogi Berra sound like Cicero - contributed to the impression that he was a codger who'd had the dumb luck to inherit a Yankee organization already stocked with the likes of Berra, Phil Rizzuto and Whitey Ford. In fact, Stengel was a canny strategist. A cutup at the hotel bar with his beloved baseball writers, he was coldly unsentimental with his players, unafraid to bench a slumping star or trade a player at the first sign of diminishing returns. (At the time, the manager's role often encompassed the player acquisition work today performed by general managers.) As Bill James recounts in his indispensable book on baseball managers, Stengel was once asked by a reporter why he'd used three pinch-hitters in the first three innings of a game. "Whaddaya want me to do," he asked, "sit there and lose?" Stengel knew that managers who coddled their players didn't win pennants. Or to use the aphorism Leo Durocher is credited with coining, "Nice guys finish last." No one mistook Durocher for a nice guy. In the introduction to "Leo Durocher: Baseball's Prodigal Son," the veteran baseball writer Paul Dickson notes that his subject was "one of the most hated men in the game, a distinction he did little to shed and much to cultivate." Durocher rode his players hard and umpires harder. In 1942, baseball introduced a system of fines and penalties to protect officials from managerial abuse, specifically Durocher's. So the Lip took to unloading vitriol on whichever of his players happened to be standing within earshot of the offending official, pulverizing the ump by proxy. Baseball was no more successful at curtailing Durocher's extracurricular activities. Dickson recounts that Commissioner Happy Chandler once asked Durocher if he knew the notorious gangster Bugsy Siegel. He was a "nodding acquaintance," the manager acknowledged. "Don't nod at him anymore," Chandler replied. But Durocher was incorrigible. He liked lunch at the "21" Club, cocktails at Toots Shor's and the company of women who were married to other men. He was the proverbial cookie full of arsenic. What authorities like Chandler saw as poisonous to the hallowed national pastime, however, was delicious to fans and inseparable from Durocher's success. Only a denizen of the racetrack and the craps table would have played hunches with such frequency and bravado, and perhaps only a man acquainted with Bugsy Siegel would have had the ethical flexibility to engineer the elaborate sign-stealing scheme that helped the '51 Giants go 23-5 at home down the stretch. (Whether or not that scheme helped Thomson hit his famous home run is a debate revisited but not advanced in these pages.) Dickson does a fair job of capturing the grit and glitz of a man whose idea of a doubleheader was a ballgame in the afternoon and a bender with his friend Frank Sinatra after dark. But there's insufficient depth of insight here to provide a satisfying appreciation of the confounding Durocher. The Lip could be an unapologetic heel, but also a hero of sorts. As the manager of Brooklyn, he advocated on behalf of the prospect Jackie Robinson, for pragmatic if not principled reasons. Ever the gambler, Durocher could see the advantage Robinson's talent would confer on the team that dared to play him. During spring training in 1947, he demanded that his wary players set aside their prejudice. Alas, he wasn't around to enjoy the rewards of his progressivism. Shortly before opening day, Happy Chandler suspended Durocher for the entirety of Robinson's historic rookie season, citing an "accumulation of unpleasant incidents" he deemed "detrimental to baseball." JOHN SWANSBURG is the deputy editor of Slate.

Copyright (c) The New York Times Company [April 9, 2017]
Review by Booklist Review

*Starred Review* Casey Stengel won 10 American League championships and 7 World Series with the New York Yankees and 7 World Series. The 58-year-old Stengel was hardly the obvious choice to lead baseball's premier franchise when he was hired in 1949. (His managerial career up to that point had been undistinguished.) Stengel's subsequent success during baseball's golden era led to his enshrinement in the sport's Hall of Fame in 1966. Appel, once the Yankees public-relations director, has written 19 baseball-related books, including the best-selling Munson: The Life and Death of a Yankee Captain (2009). With access to a previously unpublished memoir by Stengel's wife, Edna, Appel brings out a wealth of humanizing detail here concerning Stengel's personal life details about not only his relationship with his wife but also the surprising source of his nickname, the Old Perfesser, and the evolution of Stengelese, the wacky but cagey dialect Stengel used to amuse and misdirect the press. There's plenty of baseball material, too, as Appel shows that, while Stengel was a showman and an entertainer, he was also an underrated baseball genius who earned the respect of multiple Hall of Fame players whose egos were as formidable as their on-the-field skills. Great subject and a fine biography, well researched and sensitively written with just the right amount of humor.--Lukowsky, Wes Copyright 2017 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Appel (Munson: The Life and Death of a Yankee Captain) relies on recent access to the unpublished memoir of Casey Stengel's widow, Edna, as well as new digitized versions of vintage small-town newspaper reports and old letters sent by the Baseball Hall of Famer to family members, to write a contemporary biography of the man the MLB Network calls "Baseball's Greatest Character." Unpolished and unpredictable as a player and a manager, Stengel became an enduring icon of the sport who would hide a live sparrow under his ball cap during a game, publicly complained about his salary, and made no secret of his disdain for Jackie Robinson. Born Charles Dillion Stengel in Kansas City, Mo., he adopted the nickname "Casey" from the initials of his hometown and briefly pursued dentistry before embarking on a Major League Baseball playing career that lasted from 1912 to 1925. He then managed teams in the majors between 1934 and 1965. He felt most comfortable in New York, and tales featuring the likes of Yogi Berra, Joe DiMaggio, and Mickey Mantle play a large role in Stengel's story. Appel, whose tenure as public relations director for the New York Yankees was just getting started when Stengel died in 1975 at age 85, acknowledges that his friend Robert Creamer wrote a solid Stengel biography in 1984. But new interviews and access to family documents warranted this new bio, which reveals a more personal side of Stengel. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Casey Stengel (1890-1975) is a baseball legend. He managed a dominant Yankees team that won eight pennants between 1949 and 1960 and was involved in several historical games and moments as a player for the Brooklyn Dodgers and Pittsburgh Pirates, among other teams. Beyond these accomplishments, Stengel is widely known for being an eccentric and quirky personality who injected levity into his management and playing styles. This work by frequent baseball chronicler Appel (Pinstripe Pride) and former PR director for the New York Yankees provides an excellent look at Stengel's life through more than 50 years of baseball. Appel's narrative and easy writing style pairs well with Stengel's lighthearted antics, and the intertwined excerpts from the unpublished memoir of Stengel's wife, Edna, is a welcoming parallel story of lifelong love and partnership. The author has done his homework, and this book benefits from firsthand accounts and historical perspectives that create an engaging story from beginning to end. VERDICT Baseball history buffs will definitely want to add this biography to their shelves. Suitable for both YA and adult -readers.-Matt Schirano, Univ. of Bridgeport Lib., CT © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

1 Mail Call It was time for the mail at the Stengel home. Casey Stengel, now nearly eighty, loved this time of day. He would get up to three hundred letters every week, and since his home address--­and phone number, of course--­were listed in the phone book under "Stengel, Charles Casey," it was not hard to know where to send a fan letter: 1663 Grandview Avenue, in Glendale, California. He and his wife, Edna, had lived there since her father built the place forty-­six years before, in 1924. People wanted his autograph, and he loved that they did. Now, in 1970, in his retirement years, the home was a "splendid" place to be Casey Stengel. Old friends would visit, or new ones would just ring the bell, and he would regale them with stories, jumping with ease from Babe to Joe D to Yogi to Mickey to Marvelous Marv. In his den, he would sit back in his ancient Yankee underwear (Edna was always on him to wear Mets underwear) and observe the world through six decades of baseball and worldly wisdom. The home sat on a quiet two-­lane street in a fashionable neighborhood, near the homes of the USC baseball coach Rod Dedeaux and Babe Herman, his old Brooklyn Dodger teammate from the 1910s. Most people thought of Casey as either a Yankee or a Met, but of course he was a baseball lifer, who had played or managed almost everywhere and played with or against nearly everyone. He batted against Grover Cleveland Alexander, chased fly balls hit by Babe Ruth, sent Ron Swoboda up to pinch hit, and moved Cleon Jones to left field. His career had spanned John McGraw and Tug McGraw. Was there a ballpark he hadn't stood in? Never mind all those major-­league and minor-­league parks over more than half a century. For over fifty years, starting in 1910, the year of his first spring training, he had to check train schedules, road maps, and eventually flight schedules to get to his next training camp. In 1910 and 1911, he traveled to Excelsior Springs, Missouri; then he went to Montgomery, Alabama (1912), Augusta, Georgia (1913-­14), Daytona Beach, Florida (1915-­16), Hot Springs, Arkansas (1917), Jacksonville, Florida (1918), Birmingham, Alabama (1920), Gainesville, Florida (1921), San Antonio, Texas (1922-­23), Marlin, Texas (1923), St. Petersburg, Florida (1924-­25), Jackson, Tennessee (1926-­27), Biloxi, Mississippi (1928-­29), Anniston, Alabama (1930), Miami, Florida (1931), Clearwater, Florida (1932), Miami (1933), Orlando, Florida (1934-­35), Clearwater (1936), Bradenton, Florida (1938-­40), San Antonio, Texas (1941), Sanford, Florida (1942), Wallingford, Connecticut (1943), Bartlesville, Oklahoma (1945), Boyes Hot Springs, California (1946-­47), San Fernando, California, 1948), St. Petersburg (1949-­50), Phoenix, Arizona (1951), and St. Petersburg (1952-­60, 1962-­65, and 1966-­74 as a consultant). And, of course, that excludes the road games and barnstorming games heading north that were part of spring training. One could learn a lot about people and a lot about America just by being Casey Stengel. And his recall! Late in his life, some fan might come near the railing and say, "Casey! Casey! My dad sold you a pair of shoes in Biloxi in 1928!" Casey might rub his jaw and say, "I was almost out the door and he sold me a pair of socks, too. He was a good salesman!" His home was not quite a mansion, nothing you would find in Bel Air, but it was grand in the upper-­middle-­class neighborhood in which it stood. Or "splendid," as he loved to say about almost anything that got his approval. Its forty-­six hundred square feet (a bedroom and den were added in 1937 and 1956, respectively) sat on a lot that went back from the quiet street the length of a football field, with a swimming pool, a pool house, a tennis court, and an orchard. It was a two-­story Spanish-­architecture stucco dwelling, described in real-­estate terms as "Spanish eclectic with a hipped roof." There were fourteen rooms, including five bedrooms, one living room with a barrel ceiling, two sitting rooms, maid's quarters, and five bathrooms, on one and a quarter acres. "Eclectic." That was a good word for a Casey Stengel residence. Edna had styled a room or two into Japanese traditional after making tours of the Far East. It was an odd fit with the Spanish architecture, but it worked. Casey sat at a big desk in his den, surrounded by trophies and souvenirs, including the school bell from Central High School in Kansas City. He had always been a walking advertisement for Kansas City--­his nickname came from "K.C." "To Charles (Casey-­Dutch) Stengel, dentist, athlete, manager, raconteur," said the inscription on the bell. "For whom the bell tolled at Central High School, 1906-­1910, from your many Kansas City friends." There were autographed baseballs on shelves surrounding the room. Sometimes, if Edna was scolding him about something from another room, Casey might look up with those blue eyes and wink at his young assistant, Bobby Case. He'd whisper, "Whose name does she think is on the sweet spot of all these baseballs?" But he'd say it for a laugh, because he loved Edna; theirs was one of the great love stories in baseball, a splendid marriage that lasted fifty-­one years, till his death. They had no children, which meant she did a lot of traveling with him. She lived the life of a baseball wife. On this day, Bobby Case had the day's mail and was "commencing" (another Casey word) to sort it out by priority. Business letters took precedence over fan letters, but eventually he would get to all of them. He would sign most anything, and if someone just asked for his autograph, he had paper disks with a photo of his wrinkled face topped by a Mets cap. He would sign "Let's Go Mets--­Casey Stengel." Bobby had been working as attendant in the visiting clubhouse for the Los Angeles Angels when they played at Chavez Ravine (which is what the Angels called Dodger Stadium). When the Angels prepared to move to Anaheim in 1966, Casey told him, "You don't want to commute to Anaheim. Come work for me." He had been lucky enough to be nabbed to be Casey's "business manager," or assistant, which meant showing up each day to do whatever needed to be done. The mail was one of the few things that were part of a daily routine. This particular day was early in 1970. Casey had been retired for five years from his last position, manager of the New York Mets. He would soon be off to St. Petersburg for another spring training, but these days he wasn't in uniform; he served as a vice-­president of the Mets, holding court, letting a new generation of sportswriters get to know him, and singing the praises of the "amazin' world champion Mets," who had stunned the nation with a miracle title in '69. Bobby handed Casey one unopened letter. It bore a familiar logo and return address: New York Yankees, Yankee Stadium, Bronx, New York 10451. Casey took a puff of his Kent cigarette and proceeded to slice open the envelope with a letter opener. It was from Bob Fishel, the Yankees' public-­relations director, one of the few team employees who went back to his days with the team. Fishel was writing to invite Casey to Old-­Timers' Day that summer at Yankee Stadium. Just as he had every year. Bob had added in his own handwriting at the bottom, "Really hope you and Edna can join us, Casey. The whole event would center on you, and we have plans to retire your uniform number as well." Since that ugly day in October 1960 when Casey was told his "services were no longer desired," he had never returned to Yankee Stadium, save for an exhibition game while managing the Mets or as a fan at a World Series game. A decade in exile. He was still bitter, despite the logo on his boxer shorts. Ten pennants in twelve years, then fired after losing a seven-­game World Series? Because he had made the mistake of turning seventy? The Yankees had just staged Mickey Mantle Day at the stadium in 1969, the year before. It was an enormous event, with over sixty thousand in attendance. Everyone of importance came back to honor Mantle and to see his number 7 formally retired. George Weiss, the general manager Mick hated, the man who had hired Casey and who was retired with Casey, came back. Mel Allen, the fired broadcaster who had given Mantle a bad medical reference, came back. Mick's minor-­league managers, his scout, and illustrious teammates (except for Roger Maris) came back. Casey Stengel did not. He loved Mantle like a son, but he would not go back, not even for this. But something told him that it was time for a return. Bobby Case was surprised--­he had expected to hear another "no." What was it? At seventy-­nine, was his boss growing sentimental? Was it the appeal from Fishel, whom he liked? Was it the realization that the team's ownership had changed and prolonged anger was pointless? Was it that, with the Mets reigning as world champions, he was getting satisfaction out of seeing the Yankees down? Edna had entered the room by now. Casey told her about the invitation, and about the note from Fishel saying his number would be retired. "This is a big thing," he said to her. "Having your number retired, that doesn't happen every day. I'm thinking of going." They always talked through big decisions. Edna remembered when Casey was managing Oakland in the Pacific Coast League in 1948 and the opportunity to manage the Yankees came up. They were so happy in Oakland. They needed a lot of discussion before finally saying yes--­but maybe only for a year or two. This wasn't going to be as important as that decision, but it did call for a conversation. And the answer was, again, yes. The exile would end. A bad moment in Casey Stengel's history, and in Yankee history, would be set aside for a day. 2 Kansas City The term "Stengelese" first appeared in print in the 1930s, but instead of describing his method of speech, it was a nickname for the players he was managing, as "Sudanese" would be used to describe the people of Sudan. In 1940, The New York Times began to use it for his unique way of turning short answers into run-­on sentences. Sometimes this was a tactic to bury what he really thought; at other times he might seem to be tangoing with the English language until he remembered what he wanted to say. "They brought me up to the Brooklyn Dodgers, which at that time was in Brooklyn." "Good pitching will always stop good hitting and vice versa." "Sometimes I get a little hard-­of-­speaking." "When you're losing, everyone commences to playing stupid." He always had his own unique way of talking, but the term "Stengelese" wasn't really popularized until he went to the Yankees in 1949, and the New York sportswriters adopted it when quoting him at length or describing his speech patterns. During spring training in 1940, while Casey was managing the Boston Braves (then called the Bees), the Times's John Drebinger wrote: Life with the Giants these days seems to be pretty much up and down, and today it was down indeed as Professor Casey Stengel and his Bees polished off Colonel Bill Terry's vast army for the second time this Spring. The score was 4 to 3 and was achieved in typical Stengelese fashion. This consists of Professor Casey's engaging the enemy in some of his most entertaining conversation while his helpers grab a few hits and run them out for all they are worth. Because part of Casey's charm was surely in his colorful use of language, this seems like a good time to introduce it, as he described his childhood to a group of sportswriters in Kansas City in 1956: Lots of people think I was born in California because I live in Glendale and when they get you out there they forget where you come from and anything I read it states I was a Californian and when I am in Chicago I am taken for a fellow who was born in Illinois because no doubt I played there but it is never further than Davenport, Iowa, which is not too far off and which I also played in New York I never know where I was born to read it because they get all the stories there and I don't know if anybody is ever going to build me a monument, but I will bet they have some time to spend deciding where I was born because they put that on those things. What I know is a fact, that I was born right here in Kansas City but I ain't sure of the street but I think it was Agnes Avenue, because my father sold water from a truck and people said he was pretty smart to sell something that didn't cost anything but we had to move a lot of times to sell the water and we never had a cellar and we couldn't store the potatoes which they did when I was around here and that meant we had to do something with the potatoes and I guess I can tell you nobody was as smart with a potato as my brother Grant out there who was a much better ballplayer than I was and very smart. We'd like to think that Casey (and his audience) took a breath here, but it's possible he continued right on, as though it was all one endless sentence. One day we were carrying around the potatoes in our pockets when we have to play a game and Grant is at second base when the pitcher tries to pick off a guy and he missed, but Grant just reaches in his pocket and throws it back to the pitcher and when the runner walks off the base Grant takes the ball out of his glove and tells the guy, "I have something to show you." I was never that smart but I remember we used to root for Central High and we would beat Manuel High pretty good and then we would go down and have a real fight, but I know I only won one thing at Central High and that was a sweater with a letter on it and you don't know how I loved that sweater because I was the seventh man on the basketball team when they only needed five. I wore that sweater you know how hot it is today and I wore that sweater, a thick heavy sweater right through the summer so everybody would see the letter from Central High. Excerpted from Casey Stengel: The Greatest Character in Baseball by Marty Appel All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.