A rule against murder

Louise Penny

Sound recording - 2009

In this classic drawing room mystery, Chief Inspector Armand Gamache is looking forward to celebrating his wedding anniversary at the remote, luxurious Manoir Bellechasse. As Gamache's holiday becomes a busman's anniversary, he learns that the seemingly peaceful lodge is a place where visitors come to escape their past, until that past catches up with them.

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FICTION ON DISC/Penny, Louise
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Subjects
Published
[New York] : Macmillan Audio [2009]
Language
English
Corporate Authors
Macmillan Audio (Firm), Blackstone Audio, Inc, Recorded Books, Inc
Main Author
Louise Penny (-)
Corporate Authors
Macmillan Audio (Firm) (-), Blackstone Audio, Inc, Recorded Books, Inc
Edition
Unabridged
Item Description
Title from container.
Release date supplied by publisher.
Physical Description
9 audio discs (11 hr.) : digital ; 4 3/4 in
ISBN
9781427276599
Contents unavailable.
Review by New York Times Review

Who bakes the bread in a war zone? Who's left to give the brides away? Who investigates civilian crimes like robbery and murder? These are the kinds of questions posed by J. Robert Janes, in a brilliant series of policiers set in Vichy France during the German occupation, and now taken up by Matt Beynon Rees, a former Jerusalem bureau chief for Time magazine, in his provocative mysteries set in the Palestinian territories of today. Like Janes, Rees adopts a humanist perspective, keeping the military maneuvers in the background and focusing on ordinary people struggling to live ordinary lives. In a culture that thinks of terrorist bombers as martyrs, Rees's modest protagonist, an aging Palestinian schoolteacher named Omar Yussef, is no one's idea of a hero. But in two previous books, "The Collaborator of Bethlehem" and "A Grave in Gaza," this decent man proved his courage by daring to keep an open mind in a closed society. THE SAMARITAN'S SECRET (Soho, $24) finds Omar Yussef in Nablus, helping his friend Sami Jaffari, a lieutenant with the national police, investigate the theft of a priceless Torah scroll (said to be the oldest book in the world) from a Samaritan sect's synagogue. The mystery deepens when the son of the Samaritan priest is found murdered outside the sacred temple at the top of Mount Jerizim. Both Sami and Omar Yussef find themselves in turbulent political waters when they learn that the victim was the personal financial adviser to the late Palestinian president and was involved in the embezzlement of millions of dollars in Western aid. That sleight of hand has now brought to Nablus an official of the World Bank, who threatens to cut off all further financing if the money isn't found. Rees takes Omar Yussef into every nook and cranny of this ancient city, from the tunnels of the old souk to the mansions on Mount Jerizim built by the ruling elite, who have left their palaces in the casbah "in the penniless, desperate hands of the poor." Finding opinionated characters wherever he goes, the scholarly sleuth is careful, but not cowed. He tries persuasion on a young Hamas soldier, debates a fierce sheik with "a frown like a thousand fatal fatwas" on the question of moral tolerance, and confronts his own son for becoming an "adherent of a crazy, hard-line version of our religion." But he finds no joy in Nablus until he goes to Sami's wedding, where the sounds of music and laughter finally drown out all the sad and angry voices. "The shock of death is dead in us." That chilling line is spoken by a Hamas gunman in Matt Beynon Rees's novel. But it could just as easily have come from Levin, the protagonist of THE JERUSALEM FILE (Europa, paper, $15), Joel Stone's adamantly anti-heroic novel about a former Israeli security officer who has lost his will to live. Although the book is set up as a private-eye mystery, Levin doesn't really try to catch his client's adulterous wife in the act; spying on the lovers is enough for him to develop an obsession with the woman, who turns to him after her paramour is murdered, possibly "another victim of a random terrorist act." Stone packs this brief but moving character study with beautiful writing and much thought about the numbing experience of living with the constant expectation of sudden death from an enemy you can't quite bring yourself to hate. Even in a miserable man like Levin, "fellow-feeling for another human was hard to contain." Louise Penny applies her magic touch to A RULE AGAINST MURDER (Minotaur, $24.95), giving the village mystery an elegance and depth not often seen in this traditional genre. Although Penny is no slouch at constructing a whodunit puzzle, her great skill is her ability to create a charming mise-en-scène and inhabit it with complex characters. There's something otherworldly and altogether enchanting about the Manoir Bellechasse, the magnificent lodge in the Canadian wilderness where Chief Inspector Armand Gamache, the head of homicide for the Sûreté du Québec, has taken his wife for their 35th wedding anniversary. Not only does the auberge offer grand views and the order and calm of old-world service, but it also observes a no-kill policy, with the proprietors feeding wild animals in winter and forbidding guests to hunt or fish. Someone obviously failed to explain that rule to the cultured but quarrelsome family holding a reunion to unveil a statue of their late patriarch, who makes his feelings felt by toppling down on one of his own. As Gamache observes, "things were not as they seemed," not even in a paradise like Bellechasse. And never in a Louise Penny mystery. Just as reading a mystery can give a person a good reason to wake up in the morning, solving a mystery can give a bona fide depressive like Lew Fonesca a reason not to kill himself. After his wife died in a hit-and-run accident, Fonesca, Stuart M. Kaminsky's immensely likable sleuth, got in his car and kept driving until he ran out of gas in the parking lot of a Dairy Queen in Sarasota. Five books later, in BRIGHT FUTURES (Forge/Tom Doherty, $23.95), the DQ is gone, but Lew is still solving mysteries - like the solid one here involving a murdered right-wing zealot and a popular high school student whose friends want him cleared of the crime. Although Lew uses detective work to pull himself out of his depression, it's a constant battle, and he needs the friends he's acquired in this meticulously maintained series. Kaminsky sees goodness in the oddest characters, which is why Lew is still alive, and why we're still reading. Matt Beynon Rees sets his provocative mysteries in the modern-day Palestinian territories.

Copyright (c) The New York Times Company [October 27, 2009]

One In the height of summer the guests descended on the isolated lodge by the lake, summoned to the Manoir Belle-chasse by identical vellum invitations, addressed in the familiar spider scrawl as though written in cobwebs. Thrust through mail slots, the heavy paper had thudded to the floor of impressive homes in Vancouver and Toronto, and a small brick cottage in Three Pines. The mailman had carried it in his bag through the tiny Quebec village, taking his time. Best not to exert yourself in this heat, he told himself, pausing to remove his hat and wipe his dripping head. Union rules. But the actual reason for his lethargy wasn't the beating and brilliant sun, but something more private. He always lingered in Three Pines. He wandered slowly by the perennial beds of roses and lilies and thrusting bold foxglove. He helped kids spot frogs at the pond on the green. He sat on warm fieldstone walls and watched the old village go about its business. It added hours to his day and made him the last courier back to the terminal. He was mocked and kidded by his fellows for being so slow and he suspected that was the reason he'd never been promoted. For two decades or more he'd taken his time. Instead of hurrying, he strolled through Three Pines talking to people as they walked their dogs, often joining them for lemonade or thé glacé outside the bistro. Or café au lait in front of the roaring fire in winter. Sometimes the villagers, knowing he was having lunch at the bistro, would come by and pick up their own mail. And chat for a moment. He brought news from other villages on his route, like a travelling minstrel in medieval times, with news of plague or war or flood, someplace else. But never here in this lovely and peaceful village. It always amused him to imagine that Three Pines, nestled among the mountains and surrounded by Canadian forest, was disconnected from the outside world. It certainly felt that way. It was a relief. And so he took his time. This day he held a bundle of envelopes in his sweaty hand, hoping he wasn't marring the perfect, quite lovely thick paper of the top letter. Then the handwriting caught his eye and his pace slowed still further. After decades as a mail carrier he knew he delivered more than just letters. In his years, he knew, he'd dropped bombs along his route. Great good news: children born, lotteries won, distant, wealthy aunts dead. But he was a good and sensitive man, and he knew he was also the bearer of bad news. It broke his heart to think of the pain he sometimes caused, especially in this village. He knew what he held in his hand now was that, and more. It wasn't, perhaps, total telepathy that informed his certainty, but also an unconscious ability to read handwriting. Not simply the words, but the thrust behind them. The simple, mundane three- line address on the envelope told him more than where to deliver the letter. The hand was old, he could tell, and infirm. Crippled not just by age, but by rage. No good would come from this thing he held. And he suddenly wanted to be rid of it. His intention had been to wander over to the bistro and have a cold beer and a sandwich, chat with the owner Olivier and see if anyone came for their mail, for he was also just a little bit lazy. But suddenly he was energized. Astonished villagers saw a sight unique to them, the postman hurrying. He stopped and turned and walked briskly away from the bistro, toward a rusty mailbox in front of a brick cottage overlooking the village green. As he opened the mouth of the box it screamed. He couldn't blame it. He thrust the letter in and quickly closed the shrieking door. It surprised him that the battered metal box didn't gag a little and spew the wretched thing back. He'd come to see his letters as living things, and the boxes as kinds of pets. And he'd done something terrible to this particular box. And these people. Had Armand Gamache been blindfolded he'd have known exactly where he was. It was the scent. That combination of woodsmoke, old books and honeysuckle. "Monsieur et Madame Gamache, quel plaisir." Clementine Dubois waddled around the reception desk at the Manoir Bellechasse, skin like wings hanging from her outstretched arms and quivering so that she looked like a bird or a withered angel as she approached, her intentions clear. Reine-Marie Gamache met her, her own arms without hope of meeting about the substantial woman. They embraced and kissed on each cheek. When Gamache had exchanged hugs and kisses with Madame Dubois she stepped back and surveyed the couple. Before her she saw Reine-Marie, short, not plump but not trim either, hair graying and face settling into the middle years of a life fully lived. She was lovely without being actually pretty. What the French called soignée. She wore a tailored deep blue skirt to mid- calf and a crisp white shirt. Simple, elegant, classic. The man was tall and powerfully built. In his mid- fifties and not yet going to fat, but showing evidence of a life lived with good books, wonderful food and leisurely walks. He looked like a professor, though Clementine Dubois knew he was not that. His hair was receding and where once it had been wavy and dark, now it was thinning on top and graying over the ears and down the sides where it curled a little over the collar. He was clean- shaven except for a trim moustache. He wore a navy jacket, khaki slacks and a soft blue shirt, with tie. Always immaculate, even in the gathering heat of this late June day. But what was most striking were his eyes. Deep, warm brown. He carried calm with him as other men wore cologne. "But you look tired." Most innkeepers would have exclaimed, "But you look lovely." "Mais, voyons, you never change, you two." Or even, "You look younger than ever," knowing how old ears never tire of hearing that. But while the Gamaches' ears couldn't yet be considered old, they were tired. It had been a long year and their ears had heard more than they cared to. And, as always, the Gamaches had come to the Manoir Bellechasse to leave all that behind. While the rest of the world celebrated the New Year in January, the Gamaches celebrated at the height of summer, when they visited this blessed place, retreated from the world, and began anew. "We are a little weary," admitted Reine-Marie, subsiding gratefully into the comfortable wing chair at the reception desk. "Bon, well we'll soon take care of that." Now, Madame Dubois gracefully swivelled back behind the desk in a practiced move and sat at her own comfortable chair. Pulling the ledger toward her she put on her glasses. "Where have we put you?" Armand Gamache took the chair beside his wife and they exchanged glances. They knew if they looked in that same ledger they'd find their signatures, once a year, stretching back to a June day more than thirty years ago when young Armand had saved his money and brought Reine-Marie here. For one night. In the tiniest of rooms at the very back of the splendid old Manoir. Without a view of the mountains or the lake or the perennial gardens lush with fresh peonies and first-bloom roses. He'd saved for months, wanting that visit to be special. Wanting Reine-Marie to know how much he loved her, how precious she was to him. And so they'd lain together for the first time, the sweet scent of the forest and kitchen thyme and lilac drifting almost visible through the screened window. But the loveliest scent of all was her, fresh and warm in his strong arms. He'd written a love note to her that night. He'd covered her softly with their simple white sheet, then, sitting in the cramped rocking chair, not daring to actually rock in case he whacked the wall behind or barked his shins on the bed in front, disturbing Reine-Marie, he'd watched her breathe. Then on Manoir Bellechasse notepaper he'd written, My love knows no-- How can a man contain such-- My heart and soul have come alive-- My love for you-- All night he wrote and next morning, taped to the bathroom mirror, Reine-Marie found the note. I love you. Clementine Dubois had been there even then, massive and wobbly and smiling. She'd been old then and each year Gamache worried he'd call for a reservation to hear an unfamiliar crisp voice say. "Bonjour, Manoir Belle-chasse. Puis-je vous aider?" Instead he'd heard, "Monsieur Gamache, what a plea sure. Are you coming to visit us again, I hope?" Like going to Grandma's. Albeit a grander grandma's than he'd ever known. And while Gamache and Reine-Marie had certainly changed, marrying, having two children and now a granddaughter and another grandchild on the way, Clementine Dubois never seemed to age or diminish. And neither did her love, the Manoir. It was as though the two were one, both kind and loving, comforting and welcoming. And mysteriously and delightfully unchanging in a world that seemed to change so fast. And not always for the better. "What's wrong?" Reine-Marie asked, noticing the look on Madame Dubois's face. "I must be getting old," she said and looked up, her violet eyes upset. .Gamache smiled reassuringly. By his calculations she must be at least a hundred and twenty. "If you have no room, don't worry. We can come back another week," he said. It was only a two- hour drive into the Eastern Townships of Quebec from their home in Montreal. "Oh, I have a room, but I'd hoped to have something better. When you called for reservations I should have saved the Lake Room for you, the one you had last year. But the Manoir's full up. One family, the Finneys, has taken the other five rooms. They're here--" She stopped suddenly and dropped her eyes to the ledger in an act so wary and uncharacteristic the Gamaches exchanged glances. "They're here . . . ?" Gamache prompted after the silence stretched on. "Well, it doesn't matter, plenty of time for that," she said, looking up and smiling reassuringly. "I'm sorry about not saving the best room for you two, though." "Had we wanted the Lake Room, we'd have asked," said Reine-Marie. "You know Armand, this is his one flutter with uncertainty. Wild man." Clementine Dubois laughed, knowing that not to be true. She knew the man in front of her lived with great uncertainty every day of his life. Which was why she deeply wanted their annual visits to the Manoir to be filled with luxury and comfort. And peace. "We never specify the room, madame," said Gamache, his voice deep and warm. "Do you know why?" Madame Dubois shook her head. She'd long been curious, but never wanted to cross- examine her guests, especially this one. "Everyone else does," she said. "In fact, this whole family asked for free upgrades. Arrived in Mercedes and BMWs and asked for upgrades." She smiled. Not meanly, but with some bafflement that people who had so much wanted more. "We like to leave it up to the fates," he said. She examined his face to see if he was joking, but thought he probably wasn't. "We're perfectly happy with what we're given." see another day, and always surprised to be here, in this old lodge, by the sparkling shores of this freshwater lake, surrounded by forests and streams, gardens and guests. It was her home, and guests were like family. Though Madame Dubois knew, from bitter experience, you can't always choose, or like, your family. "Here it is." She dangled an old brass key from a long keychain. "The Forest Room. It's at the back, I'm afraid." Reine-Marie smiled. "We know where it is, merci." One day rolled gently into the next as the Gamaches swam in Lac Massawippi and went for leisurely walks through the fragrant woods. They read and chatted amicably with the other guests and slowly got to know them. Up until a few days ago they'd never met the Finneys, but now they were cordial companions at the isolated lodge. Like experienced travellers on a cruise, the guests were neither too remote nor too familiar. They didn't even know what the others did for a living, which was fine with Armand Gamache. It was mid- afternoon and Gamache was watching a bee scramble around a particularly blowsy pink rose when a movement caught his attention. He turned in his chaise longue and watched as the son, Thomas, and his wife Sandra walked from the lodge into the startling sunshine. Sandra brought a slim hand up and placed huge black sunglasses on her face, so that she looked a little like a fly. She seemed an alien in this place, certainly not someone in her natural habitat. Gamache supposed her to be in her late fifties, early sixties, though she was clearly trying to pass for considerably less. Funny, he thought, how dyed hair, heavy make- up and young clothes actually made a person look older. They walked on to the lawn, Sandra's heels aerating the grass, and paused, as though expecting applause. But the only sound Gamache could hear came from the bee, whose wings were making a muffled raspberry sound in the rose. Thomas stood on the brow of the slight hill rolling down to the lake, an admiral on the bridge. His piercing blue eyes surveyed the water, like Nelson at Trafalgar. Gamache realized that every time he saw Thomas he thought of a man preparing for battle. Thomas Finney was in his early sixties and certainly handsome. Tall and dis tinguished with gray hair and noble features. But in the few days they'd shared the lodge Gamache had also noted a hint of irony in the man, a quiet sense of humor. He was arrogant and entitled, but he seemed to know it and be able to laugh at himself. It was very becoming and Gamache found himself warming to him. Though on this hot day he was warming to everything, especially the old Life magazine whose ink was coming off on his sweaty hands. Looking down he saw, tattooed to his palm, . Life Backward. Thomas and Sandra had walked straight past his elderly parents who were lounging on the shaded porch. Gamache marvelled yet again at the ability of this family to make each other invisible. As Gamache watched over his half- moon glasses, Thomas and Sandra surveyed the people dotted around the garden and along the shore of the lake. Julia Martin, the older sister and a few years younger than Thomas, was sitting alone on the dock in an Adirondack chair, reading. She wore a simple white one-piece bathing suit. In her late fifties she was slim and gleamed like a trophy as though she'd slathered herself in cooking oil. She seemed to sizzle in the sun, and with a wince Gamache could imagine her skin beginning to crackle. Every now and then Julia would lower her book and gaze across the calm lake. Thinking. Gamache knew enough about Julia Martin to know she had a great deal to think about. On the lawn leading down to the lake were the rest of the family, the younger sister Marianna and her child, Bean. Where Thomas and Julia were slim and attractive, Marianna was short and plump and unmistakably ugly. It was as though she was the negative to their positive. Her clothes seemed to have a grudge against her and either slipped off or scrunched around awkwardly so that she was constantly rearranging herself, pulling and tugging and wriggling. And yet the child, Bean, was extremely attractive, with long blond hair, bleached almost white in the sun, thick dark lashes and brilliant blue eyes. At that moment Mari-anna appeared to be doing t'ai chi, though with movements of her own making. "Look, darling, a crane. Mommy's a crane." The plump woman stood on one leg, arms reaching for the sky and neck stretched to its limits. Ten- year- old Bean ignored Mommy and continued to read. Gamache wondered how bored the child must be. "It's the most difficult position," Marianna said more loudly than necessary, almost throttling herself with one of her scarves. Gamache had noticed that Marianna's t'ai chi and yoga and meditations and military calisthenics only happened when Thomas appeared. Was she trying to impress her older brother, Gamache wondered, or embarrass him? Thomas took a quick glance at the pudgy, collapsing crane and steered Sandra in the other direction. They found two chairs in the shade, alone. "You're not spying on them, are you?" Reine-Marie asked, lowering her book to look at her husband. "Spying is far too harsh. I'm observing." "Aren't you supposed to stop that?" Then after a moment she added, "Anything interesting?" He laughed and shook his head. "Nothing." "Still," said Reine-Marie, looking around at the scattered Finneys. "Odd family that comes all this way for a reunion then ignores each other." "Could be worse," he said. "They could be killing each other." Reine-Marie laughed. "They'd never get close enough to manage it." Gamache grunted his agreement and realized happily that he didn't care. It was their problem, not his. Besides, after a few days together he'd become fond of the Finneys in a funny sort of way. "Votre thé glacé, madame." The young man spoke French with a delightful English Canadian accent. "Merci, Elliot." Reine-Marie shaded her eyes from the afternoon sun and smiled at the waiter. "Un plaisir." He beamed and handed a tall glass of iced tea to Reine-Marie and a perspiring glass of misty lemonade to Gamache, then went off to deliver the rest of his drinks. "I remember when I was that young," said Gamache wistfully. "You might have been that young but you were never that--" She nodded toward Elliot as he walked athletically across the manicured lawn in his tailored black slacks and small white jacket snugly fitting his body. "Oh, God, am I going to have to beat up another suitor?" "Maybe." "You know I would." He took her hand. "I know you wouldn't. You'd listen him to death." "Well, it's a strategy. Crush him with my massive intellect." "I can imagine his terror." Gamache sipped his lemonade and suddenly puckered, tears springing to his eyes. "Ah, and what woman could resist that?" She looked at his fluttering, watering eyes and face screwed into a wince. "Sugar. Needs sugar," he gasped. "Here, I'll ask the waiter." "Never mind. I'll do it." He coughed, gave her a mockingly stern gaze and rocked out of the deep and comfortable seat. Taking his lemonade he wandered up the path from the fragrant gardens and onto the wide veranda, already cooler and shaded from the brunt of the afternoon sun. Bert Finney lowered his book and gazed at Gamache, then smiled and nodded politely. Excerpted from A Rule Against Murder by Louise Penny. Copyright (c) 2008 by Louise Penny. Published in September 2009 by St. Martin's Press. All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher. Excerpted from A Rule Against Murder by Louise Penny All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.