Review by Booklist Review
*Starred Review* Eloquently rendered in art and text, this graphic-novel-style picture book relates the story of young Jewish immigrant Oskar, who, after Kristallnacht, is sent by his parents to New York City to live with his aunt. Arriving from Europe on the seventh night of Hanukkah also Christmas Eve with just her address and picture, Oskar searches the big, bustling city for her home. Along the way, he discovers unexpected kindnesses: a woman feeding birds shares bread, a man extends a helping hand after Oskar falls, until, finally, Aunt Esther sees him on the street and gives him a warm embrace. The descriptive prose has lyrical touches, while vibrantly accented, softly shaded illustrations incorporate varying perspectives and historical details, such as Superman, Eleanor Roosevelt, and Oskar's charming encounter with Count Basie, whose whistling inspires Oskar to whistle back his first conversation in America. From poignant to hopeful, Oskar's experiences affectingly illuminate and convey his father's parting words: Even in bad times, people can be good. Though the story is geared toward younger readers, the prelude's evocative, shadowy Kristallnacht depiction lacks explanation and may raise questions, so this may be best read with adult guidance. A brief glossary defines some terms, and a map of 1938 Manhattan pinpoints Oskar's path and the eight encounters his blessings.--Rosenfeld, Shelle Copyright 2015 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
In the wake of Kristallnacht, Oskar's parents send him off alone to New York City to live with his Aunt Esther, who he has never met. The "terribly small" boy arrives on a December day in 1938 that's both the seventh night of Hanukkah and Christmas Eve, and makes his way 100 blocks up Broadway to reach his aunt's house. The final words of Oskar's father-"Even in bad times, people can be good. You have to look for blessings"-are affirmed as the boy crosses paths with eight New Yorkers from all walks of life (including cameos from Count Basie and Eleanor Roosevelt). The Simons' moving, reserved text is beautifully paired with Siegel's vivid, canvas-textured drawings, which borrow the dramatic framings and emotional energy of contemporary graphic novels. This is a book that's wonderfully original in every way-right up to the afterword providing historical context and a map of Oskar's walk. Ages 4-8. (Sept.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
PreS-Gr 2-On the seventh day of Hanukkah in 1938, which also happens to be Christmas Eve, a young refugee boy named Oskar arrives in New York City from the horrors of Nazi Europe with only a photograph and an address to find an aunt he has never meet. As Oskar walks the length of Manhattan, from the Battery to his aunt's home in the north end of the city, he passes and encounters the city's many holiday sights and residents. Each person he meets offers Oskar a small act of kindness, such as the newsstand man who gives Oskar a Superman comic book. Each encounter is a reference to an event which took place in the city in 1938. A constant for Oskar is remembering his father's last words, "Oskar, even in bad times, people can be good. You have to look for the blessings." The majority of illustrations are presented in variously sized panels that move the story along, with inserts of long panel illustrations that serve as a glimpse of Oskar's experiences. VERDICT A wonderful, heartwarming picture book for any library at any time of year.-Diane Olivo-Posner Los Angeles Public Library © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
In 1938, the last night of Hanukkah coincided with Christmas Eve, and for a young Jewish refugee in Manhattan, both holidays provided blessings. Following Kristallnacht, Oskars parents had put him on a boat to New York with just the name and address of his aunt; his walk from the harbor takes him more than a hundred blocks up Broadway. Along the way he encounters friendly and helpful strangers, Macys Christmas windows, and Count Basie and Eleanor Roosevelt (whose historical presence in the city that night is confirmed in an authors note). The changing light of the day and developing snow are beautifully conveyed in the illustrations, an engaging blend of large and small panels paced to echo the starts and stops and blessings of Oskars (successful) journey. An appended map of Manhattan details the route and visually reprises the gifts Oskar receives along the way. roger sutton (c) Copyright 2015. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
This Hanukkah tale is deeply intertwined with its New York setting. New Yorkers know that just about anything can be found in New York City: a waterfall in the middle of the block, a tiny museum in an elevator, lox-flavored ice cream. New York is full of miracles, and this book is nothing but miracles. Put on a ship by his parents after the rise of the Nazis in Europe, Oskar arrives in New York on the seventh day of Hanukkah (it is also Christmas Eve) and must walk 100 blocks uptown from Battery Park to the home of an aunt he doesn't know. As he walks up Broadway, a woman hands him bread, and a young boy hands him mittens. Oskar whistles a duet, on the spur of the moment, with a man whom a poster reveals to be Count Basie. (Eleanor Roosevelt also makes a cameo.) These things happen in New York. When he said goodbye, Oskar's father told him: "even in bad times, people can be good. You have to look for the blessings." The blessings here are so bountiful that readers may not be surprised even when a newsstand vendor gives Oskar a copy of the very first Superman comic. Siegel's paneled illustrations make anything seem possible. The people don't look quite real, and they don't look like cartoons. They look like chalk drawings on a sidewalk, just starting to fade. They glow. People used to say that the streets of America were paved with gold, and this book almost makes you believe it. (historical note, map) (Picture book. 4-8) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
