Review by Booklist Review
This large-format picture book tells the remarkable story of Sarah Emma Edmonds, who grew up in Canada in the 1840s, raised by a father who mistreated her. Disguised as a boy, she ran away in her teens and supported herself by selling Bibles. When the Civil War began, she enlisted as a male nurse in the Union army. Later, she became a spy, passing on information gained when she disguised herself as a male slave, an Irish peddler woman, and an African American laundress. The portrayal of Sarah as a child, dressing as a boy in hopes of pleasing her father, will resonate with many readers, and the story of her later adventures is well worth telling. However, Jones overuses the words pretend and pretender in the text, making valid points but with little subtlety. The large-scale artwork offers dramatic scenes featuring Sarah in her many disguises. Accessible to younger children than most books on the Civil War, this would be a good addition to many collections.--Phelan, Caroly. Copyright 2010 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Jones makes a confident departure from her bestselling YA novels with an entertaining and powerful Civil War-era story about living by one's own rules. Realizing she would never satisfy her father's desire for a son, teenage Sarah Emma Edmonds fled from Canada to America where she assumed the identity of Frank Thompson. Edwards then joined the Union Army, first as a male nurse, then as a spy, passing herself off as a slave and, later, as an Irish peddler: "She was a woman (Sarah) pretending to be a man (Frank) pretending to be a woman (Bridget)." In Oldroyd's full-bleed spreads, characterized by strong cross-hatching and angular shapes, Edmonds's eyes twinkle with her secret knowledge, while Jones delivers her story with the assuredness of a natural storyteller. Ages 7-11. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 1-4-The cover portraits cleverly introduce the book's topic. The front shows a person in a Civil War Union uniform, winking, with one hand hidden. The back presents a rear view of the same figure but now her fingers are shown to be crossed. Below the uniform, a skirt and parasol are displayed. As a teenager in the 1850s, Edmonds ran away from her abusive father and native Canada to come to the United States. Being on her own, she found it safer and easier to dress as a man. When the Civil War began, she is quoted as saying that patriotism was her primary impulse for enlisting in the Union army as "Frank Thompson," then working as a nurse and a spy. Her practice at pretending served her well as she once again changed her name and took on various new identities behind enemy lines. Using an informal, conversational style, Jones succeeds in keeping the complicated narrative at a level appropriate for young readers. Based on Edmonds's own writings as well as secondary sources, the book presents a believable account of the woman's actions. While some speculation is included as to her motivations, the text makes clear what is known and what is not. The illustrations portray Edmonds's feelings through her expressions and provide a visual context for readers. Employing a palette heavy on blues, yellows, and greens, with white outlining for emphasis, the pictures are impressionistic with realistic details. An unusual heroine, Edmonds will capture readers' attention.-Lucinda Snyder Whitehurst, St. Christopher's School, Richmond, VA (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
Two complementary biographies track the life of Sarah Edmonds, a woman who, disguised as a man, nursed, fought alongside, and spied for Union troops during the Civil War. The accounts differ slightly in detail although each author lists similar sources. For example, Jones has Sarah posing as (or as she repeats throughout the text, pretending to be) a boy to please her harsh, Canadian father, while Moss indicates Sarah's first impersonation came from her need to escape an arranged marriage, crossing the border into the United States as Frank Thompson. Here, Frank, a.k.a. Sarah, enlists in the Union Army, and her dedication and bravery make her the perfect candidate to act as a spy. Jones enumerates these feats, often continuing the touch of humor indicated on the jacket that shows a mock daguerreotype portrait of a uniformed Frank, broadly winking at the reader (see the back of the jacket for the punchline), and continues Sarah's story throughout the war and her subsequent marriage. Moss, on the other hand, puts her emphasis on Sarah's early work and initial mission, concluding the biography before war's end. Hendrix's art, heavily shading pages in orange for battle scenes or blue for the somber settings of night or makeshift field hospitals, emphasizes the horror and drama of war. Using hand-lettered text reminiscent of broadsides of the time, he visually shouts danger to the reader when tension is the highest. For his part, Oldroyd makes effective use of broad, rough-hewn brush strokes, particularly in creating an impressionistic background that frequently allows a detailed illustration of Sarah to take center stage. Both books contain a bibliography (Moss's is the most extensive) and an author's note. Additionally, the Moss account includes an artist's bibliography and note, an index, and a glossary. betty carter [review covers these titles: Sarah Emma Edmonds Was a Great Pretender: The True Story of a Civil War Spy and Nurse, Soldier, Spy: The Story of Sarah Edmonds, a Civil War Hero] (c) Copyright 2011. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
(Picture book/biography. 5-10)]] Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
