Review by Booklist Review
*Starred Review* Everyone knows Barbie. And almost everyone has an opinion of her. Stone has done her homework and offers a particularly well-researched read. But she has also gotten many women (and men) to reminisce, comment, and argue about Barbie, and these voices add sparkle. Stone starts things off on a biographical note as she introduces Ruth Handler, Barbie's creator and a shrewd businesswoman who instinctively understood the Barbie concept would be a success even as detractors, mostly male, told her it wouldn't. The focus then moves to Barbie herself, in all her vast and varied incarnations. Much of Barbie's story is one of evolution, and readers will find it particularly fascinating to read that although Barbie was a leader in diversity, cloned into various roles and cultures, some customers still didn't find her ethnic enough, most often lamenting that no matter her color, Barbie usually had good hair. Near the end of the book, just when one wonders if Stone will mention what went on under Barbie's clothes, she goes there in a chapter called, Banning, Bashing, and in the Buff. Closing on a higher plane, the book concludes with Barbie as Art. Source notes, a bibliography, and lots of images, including an inset of color photos, add to an offering that pleases and intrigues.--Cooper, Ilene Copyright 2010 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
On the heels of Barbie's 50th anniversary in 2009, Stone (Almost Astronauts) delivers a cultural-history-as-biography of Barbie, "arguably the most famous doll in the world." Really two biographies in one, the book explores the lives of both the doll and her inventor, "self proclaimed tomboy" Ruth Handler. The daughter of Polish immigrants, Handler helped found Mattel, and Barbie's 1959 introduction wasn't far behind. Stone discusses Barbie's cultural relevance at length, from her numerous careers and the many races and nationalities she's represented to debates about her effect on girls' body image and even her resonance in the art world. Meg Cabot, who contributes a foreword, makes it clear what side she's on: "How Barbie looked was never the issue.... [W]hat she taught us was that, like Barbie, we could be anything we wanted to be." Filled with photographs of Barbie dolls past and present as well as quotes about her from nationally known figures and children alike, Stone's fascinating and balanced account reveals a toy of almost unmatched influence. Ages 12-up. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 6 Up-In the prologue, Meg Cabot describes her desire for a Barbie and her mother's reluctance to purchase one, basically summing up the conflict surrounding the doll since its introduction in 1959. Readers learn about Mattel Toys and the background behind Barbie's concept and development, how it was a solution for girls who wanted to imagine adult roles rather than just play mother, and details about inventor Ruth Handler. But more than that, Stone reveals the pathos behind so many relationships of girls with Barbie: those who cherished her and those who were negatively influenced. Was she a destructive role model or just a toy? Experts disagree. In this balanced overview, both sides of the quandary are addressed. Barbie's different roles, graduating from nurse to surgeon, stewardess to pilot, and always a woman of her own means, reflect societal changes over the past 50 years as well. Numerous black-and-white photos feature the doll in her various incarnations, while eight center pages deliver color versions as well as images of Barbie-inspired art. Inset quotes appear on a Barbie handbag icon. The author maintains her signature research style and accessible informational voice and includes extensive source notes and bibliographical information.-Janet S. Thompson, Chicago Public Library (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
Is Barbie a blond Chucky slashing away at little girls' self-esteem? Or is she My First Feminist, with her lab coats, astronaut helmets, and high-fashion gowns, encouraging girls to imagine themselves in whatever roles they choose? Stone's evenhanded, eye-opening cultural history examines this split personality, quoting a myriad of sources to reveal the devotion and loathing generated by a fifty-plus-year-old hunk of molded plastic. Barbie debuted in 1959, after her creator Ruth Handler, a co-founder of Mattel, noticed her daughter Barbara eschewing baby dolls in favor of adult paper dolls. Stone reports Ruth as having said, "I used to watch [Barbara playing] over and over and think: if only we could take this play pattern and three-dimensionalize it, we would have something very special." With help from black-and-white and color photos, Stone fleshes out the different meanings of "very special" -- from the persistent outcry over Barbie's impossibly "perfect" dimensions to the ways, some more successful than others, that Mattel has updated her over the years, attempting to make her more "real" (through skin tone and wardrobes). A particularly enjoyable chapter details the creative, often downright abusive play -- "We used her as swords for duels. But the best was Marie Antoinette Barbie. On a scaffold built of encyclopedias, we whacked off her head but good" -- girls have subjected Barbie to over the years. No wonder she's so popular: she's pretty, she has great clothes, and she's ours to adore or torture at will. Appended are an author's note, source notes, a bibliography, and an (unseen) index. christine m. heppermann (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
(Nonfiction. 11 up)]] Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
