221 one-minute monologues for women

Book - 2006

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Location Call Number   Status
2nd Floor 808.8245/Two Due Dec 6, 2023
Subjects
Published
Hanover, NH : Smith and Kraus 2006.
Language
English
Other Authors
John Capecci (-), Irene Ziegler Aston, 1955-
Edition
1st ed
Physical Description
xiii, 290 p. ; 20 cm
Bibliography
Includes indexes.
ISBN
9781575254012
  • Classical monologues : As you like it / William Shakespeare
  • The Beaux' strategem / George Farquhar
  • The clandestine marriage / George Coleman and David Garrick
  • The comedy of errors / William Shakespeare
  • The constant couple / Thomas Farquar
  • Danton's death / Georg Büchner, trans. Henry J. Schmidt
  • The double inconstancy / Pierre Carlet de Chamblain Marivaux, trans. Stephen Wadsworth
  • Emily climbs / L.M. Montgomery-- Enemies / Maxim Gorky
  • Hamlet / William Shakespeare
  • Ivanov / Anton Chekhov, trans. Mason W. Cartwright
  • A journey to London / John Vanbrugh
  • Julius Caesar / William Shakespeare
  • King Henry IV, part 1 / William Shakespeare
  • King John (2) / William Shakespeare
  • King Lear / William Shakespeare
  • King Richard III (2) / William Shakespeare
  • The Lanchashire witches / Thomas Shadwell
  • Leves amores / Katherine Mansfield
  • Little women / Louisa May Alcott
  • Love in a village / Isaac Bickerstaff
  • A midsummer night's dream (4) / William Shakespeare
  • The misanthrope (2) / Molière, trans. Hal Gelb
  • Much ado about nothing / William Shakespeare
  • Othello / William Shakespeare
  • Pericles / William Shakespeare
  • The prince of Parthia / Thomas Godfrey
  • The rebellion / Thomas Rawlins
  • The relapse / John Vanbrugh
  • A room with a view / E.M. Forster
  • The rover / Aphra Behn
  • The ruddigore, or the witch's curse / William Schwenk Gilbert
  • The sack of Rome / Mercy Otis Warren
  • The sea gull (2) / Anton Chekhov, trans. Mason W. Cartwright
  • Sonnet XVIII / William Shakespeare
  • Sonnet XXX / William Shakespeare
  • Sudden light / Dante Gabriel Rossetti
  • Titus Andronicus (2) / William Shakespeare
  • The tragedy of Jane Shore / Nicholas Rower
  • Twelfth night / William Shakespeare
  • The two noble kinsmen (2) / William Shakespeare and John Fletcher
  • Uncle Vanya (2) / Anton Chekhov, trans. Marian Fell
  • The wild duck / Henrik Ibsen
  • Contemporary monologues : 2.5 minute ride / Lisa Kron
  • After math / Jonathan Dorf
  • The air that I breathe / Theresa Carilli
  • Alchemy of desire/dead man's blues (2) / Caridad Svich
  • All stories are true / John Edgar Wideman - American standard / Jonathan Joy
  • And by his hand, lightning / Amy Unsworth
  • And now a word from our sponsor / Clinton A. Johnston
  • And the winner is / David-Matthew Barnes
  • Angry young man / Daniel Trujillo
  • Animal husbandry / Laura Zigman
  • Anne / Adam Szymkowicz
  • Approximating mother / Kathleen Tolan
  • At swim, two boys / Jamie O'Neill
  • At the salon / Maureen A. Connolly
  • Autumn come early / William J. Burns
  • Baby in the basement / David-Matthew Barnes
  • The beard of Avon / Amy Freed
  • Bee-luther-hatchee (2) / Thomas Gibbons
  • Big boy / Theresa M. Carilli
  • Bit-butt girls, hard-headed women / Rhodessa Jones
  • Bird germs / Eric R. Pfeffinger
  • The blacks: a clown show / Jean Genet, trans. Bernard Frechtman
  • Blanca / Danny Hoch
  • Bookends / Jonathan Dorf
  • Broken eggs / Eduardo Machado
  • Caitlyn / Steve Mitchell
  • Carrie / Steve Lyons
  • Cat on a hot tin roof (2) / Tennessee Williams
  • Charming Billy / Alice McDermott
  • Cheater catchers / Elizabeth L. Farris
  • Cher's fat lesbian daughter / Antay Bilgutay
  • Circus schism / Arthur Jolly
  • Conditional commitment / Terese Pampellonne
  • Corn, hogs, and Indians / Avanti A. Pradhan
  • Crimes of the heart / Beth Henley
  • The curious incident of the dog in the night-time / Mark Haddon
  • Currents / Roger Nieboer
  • Curse of the starving class / Sam Shepard
  • A day at the beach / Beth Sager
  • Dear Chuck / Jonathan Dorf
  • Distance / Grace Paley
  • Docent / R.T. Smith
  • The doomsday club / Terese Pampellonne
  • Drinking and diving / David Epstein
  • Eloise & Ray / Stephanie Fleischmann
  • Erratica / Reina Hardy
  • Father's day / Oliver Hailey
  • Faye / Rob Matsushita
  • The feast of love / Charles Baxter
  • The fish bowl / Jocelyn Hughes
  • Freshwater: a comedy / Virginia Woolf
  • Fur / Migdalia Cruz
  • Give it up / Norman A. Bert
  • Goodnight Desdemonda (Good morning Juliet) / Ann-Marie MacDonald
  • Handler / Robert Schenkkan
  • Hate mail / Kira Obolensky and Bill Corbett
  • Have mercy / Hope McIntyre
  • Herbert III / Ted Shine
  • Horrible child / Lawrence Krauser
  • House hunting / Henry W. Kimmel
  • The house of yes / Wendy MacLeod
  • How I learned to drive (2) / Paula Vogel
  • The hummingbird play / Leslie Bramm
  • Hunter! / Nuba-Harold Stuart
  • Hurlyburly / David Rabe
  • I am what I am / Aurora Levi Morales and Rosario Morales
  • If you went missing / Kelly DuMar
  • Imagine this / Alexander Speer
  • In a groove / Ryunosuke Akutagawa, trans. Takashi Kojima
  • Keely and Du / Jane Martin
  • Ladyhouse blues / Kevin O'Morrison
  • Learning curves / Allyson Currin
  • A lesbian appetite / Dorothy Allison
  • Lesbians who kill / Peggy Shaw, Deborah Margolin, Lois Weaver
  • LGA-ORD / Ian Frazier
  • Liar / Brian Drader
  • Lily Dale / Horton Foote
  • Listening / Edward Albee
  • Lizabeth: the caterpillar story / John Edgar Wideman
  • The marriage of Bette and Boo / Christopher Durang
  • Mines / Susan Straight
  • The Morgan yard / Kevin O'Morrison
  • My father's girlfriend / Irene Ziegler
  • My girlish days / Karen L.B. Evans
  • My left breast / Susan Miller
  • Never kick a man when he's down / Norman A. Bert and Deb Bert
  • Night luster / Laura Harrington
  • 'Night, mother / Marsha Norman
  • No know country / Steven Schutzman
  • The Norbals / Brian Drader
  • Normalcy / Don Nigro
  • Not about nightingales / Tennessee Williams
  • Notes form the edge Conference / Roy Blount Jr.
  • Number / David J. LeMaster
  • Olivia / Dorothy Strachey
  • One-dimensional person / Jason Milligan
  • The one-eyed guru / Andrew Biss
  • The oxcart / René Marqués
  • Patient A / Lee Blessing-- The patron saint of Jello (2) / Nell Grantham
  • Patter for the floating lady / Steven Martin
  • Perfect body / Cynthia Meier
  • Personal history / Dominic Taylor
  • The piano lesson / August Wilson
  • Population growth / Aoise Stratford
  • The primary English class (2) / Israel Horovitz
  • A private practise (2) / Andrew Biss
  • Rat Bohemia / Sarah Schulman
  • Rats / Migdalia Cruz
  • Renea / Theresa Carilli
  • The right to bare arms (and asses) / Elizabeth Wong
  • Rights wronged / Roger Nieboer
  • Romance / Barbara Lhota
  • Roosters / Milcha Sanchez-Scott
  • A Russian play / Don Nigro
  • Sans-Culottes in the promised land / Kirsten Greenidge
  • Scatsong / Ernest Slyman
  • Schoolgirl figure / Wendy MacLeod
  • Self defense, or death of some salesmen (2) / Carson Kreitzer
  • Serial monogamy / Alison Bechdel
  • Sexual perversity in Chicago / David Mamet
  • Silent heroes / Linda Escalera Baggs
  • Small domestic acts (3) / Joan Lipkin
  • So this is life? / Erin Brodersen
  • The speed of darkness (2) / Steve Tesich
  • Split britches / Peggy Shaw, Deborah Margolin, Lois Weaver
  • Storage / Lisa Samra
  • Straight stitching / Shirley Barrie
  • A streetcar named desire / Tennessee Williams
  • Stuck rubber baby / Howard Cruse
  • The suitor's ward / Clay McLeod Chapman
  • Table of discontents / Nina Kossman
  • Taking side / Clinton A. Johnston
  • Tammy / Rob Matsushita
  • This wakeful night / Rosary O'Neill
  • 'Tis better / Clinton A. Johnston
  • Tomboy / Roger Nieboer
  • The trophy room (2) / Hilly Hicks, Jr.
  • Tumor / Shelia Callaghan
  • Twirler / Jane Martin
  • Two rooms / Lee Blessing
  • Vanishing Marion / Jeanmarie Williams
  • Vent / Sean Patrick Doyle
  • Viral soup / Antay Bilgutay
  • Volar / Judith Ortiz Cofer
  • War of the buttons / Jonathan Dorf
  • Waving good-bye / Jamie Pachino
  • We were the Mulvaneys / Joyce Carol Oates
  • What a thought / Shirley Jackson
  • Where men are empty overcoats / Eric R. Pfeffinger
  • The Winkleigh murders / Don Nigro
  • Winner of the National Book award: a novel of fame, honor, and really bad weather / Jincy Willett
  • A woman of wealth / Stephanie Maari Booker
  • Women of a certain age / John Paul Porter
  • Your place or mine / Le Wilhelm.
Review by Choice Review

If brevity is the soul of a good audition, then these titles will prove a great resource. Nothing kills an otherwise successful audition like running over the allotted time. In the first two volumes, Capecci and Aston assemble bite-sized audition pieces drawn from myriad sources: plays, novels, film scripts, even comic books. In both volumes, the monologues are grouped into two categories--classics (anything before the 1920s), which take up about a third of the selections, and contemporary. Selections are indexed by age, tone, and voice: the age category ranges from teens to senior citizens; tone refers to the quality of the monologue, usually comedic, dramatic, or seriocomic; voice refers to any specific class, ethnicity, or sexual identity that defines the character. This index is particularly useful, because the actor is probably searching for a monologue geared toward a specific time period, age range, or type. To the editors' credit, the selection of authors is diverse--Shakespeare, Moliere, Suzan-Lori Parks, Athol Fugard, Don Nigro, Philip Roth, and Jane Martin, among many others.The third book in the set collects works by Glenn Alterman, who has made a name for himself writing monologues strictly for auditions. This volume offers 101 pithy, gritty, and often humorous pieces for a wide range of character types. The great strength of the 60 Seconds to Shine titles is their focus on newer contemporary works and original material. Monologues that work well often become overused, by the world at large as well as by individual actors, so including fresh selections from a wide range of sources is a plus. One word of caution: the first two volumes provide little context, so the actor should refer to the original source whenever possible. These volumes join Smith & Kraus's "Ultimate Audition Book" titles, which are also valuable. A 60 Seconds to Shine title on nondramatic sources from literature is in the works. ^BSumming Up: Highly recommended. Student and professional actors. E. D. Bochinski Fairfield University

Copyright American Library Association, used with permission.