Impulse

Ellen Hopkins

Book - 2007

Three teens who meet at Reno, Nevada's Aspen Springs mental hospital after each has attempted suicide connect with each other in a way they never have with their parents or anyone else in their lives.

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YOUNG ADULT FICTION/Hopkins, Ellen
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Subjects
Published
New York : Margaret K. McElderry Books 2007.
Language
English
Main Author
Ellen Hopkins (-)
Edition
1st ed
Item Description
A novel written in free verse.
Physical Description
666 p.
ISBN
9781416903574
9781416903567
Contents unavailable.
Review by Publisher's Weekly Review

Hopkins (Crank) weaves together the story of three troubled teens locked up in a psychological facility after suicide attempts, once again writing in artful free verse. Each character is full-bodied and distinct. Conner is a wealthy overachiever who had an affair with a teacher; Tony, who thinks he is gay, was locked up in juvenile detention center for years after killing his mother's child-molesting boyfriend; Vanessa is a manic-depressive who cuts herself to "hush the demons/ shrieking inside my brain." All three have attempted suicide. As they begin to open up to their counselor-and each other-they reveal an almost unbelievable amount of grittiness in their backgrounds. Vanessa, for example, found her own mother dying after an overdose and did not call for an ambulance, and had a boyfriend who "wouldn't even hold/ my hand" while she was waiting to have an abortion. But readers will find themselves invested in the characters by the time the three head to their outdoor challenge-the final piece of their program-and can finally divulge their darkest secrets to one another (Tony and Vanessa even form an unexpected romance). This is a thick book, but the free verse makes for a fast read. By book's end, readers may well feel the effects of each protagonist's final choice. Ages 14-up. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 9 Up-Three teens tell their stories, in free verse, from a psychiatric hospital after failed suicide attempts. Their lives unfold in alternating chapters, revealing emotionally scarred family relationships. An absent father, a bipolar mother, and a secret abortion have caused Vanessa to slash her wrists. As a compulsive cutter, she hides a paper clip to dig into her skin. Tony's drug overdose was triggered by an addiction in which he exchanged sex for money. Abused as a child, he is confused about his sexuality. Connor is the son of rich, controlling parents, and he survives a self-inflicted gunshot wound after a doomed affair with a female teacher. Initially, the narrators are inwardly focused, having arrived at "level zero," the beginning of their treatment. As they become acquainted with one another, the story, told in spare verse and colorful imagery, becomes more plot-driven and filled with witty dialogue. Both boys value Vanessa's friendship and there is an inkling of competition for her affection, although she assumes that Tony is gay. During a wilderness camping trip with other patients and staff, which would graduate the trio to the final level of treatment, it becomes apparent that one of them is mentally backsliding at the thought of returning home and has stopped taking meds. The consequences are played out, leaving the others to grapple with an additional loss and a newfound appreciation for life. Mature fans of the verse format will devour this hefty problem novel.-Vicki Reutter, Cazenovia High School, NY (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

Three teenagers who share a history of suicidal behavior meet in a psychiatric hospital. Reflecting on issues of sexual abuse, abortion, and homosexuality, their conversations and interior monologues weave back and forth amid the hundreds of terse but unremarkable poems that constitute this verse novel. The characters, though sympathetic, lack depth; the melodramatic plot, despite its shock-factor appeal, lacks tension. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

In sharp, searing free verse divided into two-page chapters, Hopkins sketches three adolescents who have just attempted suicide. Vanessa (razors), Tony (drugs) and Conner (gun) tried to "close out / the ugliness, close / out the filthiness, / close out all light." They begin treatment at Aspen Springs residential center in pits of numb despair, unhappy to have failed and lacking human connection. The therapists broach some psychological issues, but Aspen Springs is more behavioral than psychiatric, awarding levels of privilege for acts of progress. Each distinct first-person story slowly reveals its grim secrets, stinging from start to finish. The origins that the text identifies for Tony's sexuality prevent his being a standard-bearer for gayness in literature, but the three main characterizations ring true. There's a tiny place for love here, but readers familiar with Hopkins' Burned (2006) or with signs of serious depression will anticipate the tragic ending. A fast, jagged, hypnotic read. (Fiction. YA) Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Without Warning Sometimes you're traveling a highway, the only road you've ever known, and wham! A semi comes from nowhere and rolls right over you. Sometimes you don't wake up. But if you happen to, you know things will never be the same. Sometimes that's not so bad. Sometimes lives intersect, no rhyme, no reason, except, perhaps, for a passing semi. Triad Three separate highways intersect at a place no reasonable person would ever want to go. Three lives that would have been cut short, if not for hasty interventions by loved ones. Or Fate. Three people, with nothing at all in common except age, proximity, and a wish to die. Three tapestries, tattered at the edges and come unwoven to reveal a single mutual thread. The Thread Wish you could turn off the questions, turn off the voices, turn off all sound. Yearn to close out the ugliness, close out the filthiness, close out all light. Long to cast away yesterday, cast away memory, cast away all jeopardy. Pray you could somehow stop the uncertainty, somehow stop the loathing, somehow stop the pain. Conner Arrival The glass doors swing open, in perfect sync, precisely timed so you don't have to think. Just stroll right in. I doubt it's quite as easy to turn around and walk back outside, retreat to unstable ground. Home turf. An orderly escorts me down spit-shined corridors, past tinted Plexiglas and closed, unmarked doors. Mysteries. One foot in front of the other, counting tiles on the floor so I don't have to focus the blur of painted smiles, fake faces. A mannequin in a tight blue suit, with a too-short skirt (and legs that can wear it), in a Betty Boop voice halts us. I'm Dr. Boston. Welcome to Aspen Springs. I'll give you the tour. Paul, please take his things to the Redwood Room. Aspen Springs. Redwood Room. As if this place were a five-star resort, instead of a lockdown where crazies pace. Waiting. At Least It doesn't have a hospital stink. Oh yes, it's all very clean, from cafeteria chairs to the bathroom sink. Spotless. But the clean comes minus the gag-me smell, steeping every inch of that antiseptic hell where they excised the damnable bullet. I wonder what Dad said when he heard I tried to put myself six feet under -- and failed. I should have put the gun to my head, worried less about brain damage, more about getting dead. Finis. Instead, I decided a shot through the heart would make it stop beating, rip it apart to bleed me out. I couldn't even do that right. The bullet hit bone, left my heart in one piece. In hindsight, luck wasn't with me that day. Mom found me too soon, or my pitiful life might have ebbed to the ground in arterial flow. I thought she might die too, at the sight of so much blood and the thought of it staining her white Armani blouse. Conner, what have you done? she said. Tell me this was just an accident. She never heard my reply, never shed a tear. I Don't Remember Much after that, except for speed. Ghostly red lights, spinning faster and faster, as I began to recede from consciousness. Floating through the ER doors, frenzied motion. A needle's sting. But I do remember, just before the black hole swallowed me, seeing Mom's face. Her furious eyes followed me down into sleep. It's a curious place, the Land of Blood Loss and Anesthesia, floating through it like swimming in sand. Taxing. After a while, you think you should reach for the shimmering surface. You can't hold your breath, and even if you could, it's dark and deep and bitter cold, where nightmares and truth collide, and you wonder if death could unfold fear so real. Palpable. So you grope your way up into the light, to find you can't move, with your arms strapped tight and overflowing tubes. And everything hits you like a train at full speed. Voices. Strange faces. A witches' stewpot of smells. Pain. Most of all, pain. Tony Just Saw A new guy check in. Tall, built, with a way fine face, and acting too tough to tumble. He's a nutshell asking to crack. Wonder if he's ever let a guy touch that pumped-up bod. They gave him the Redwood Room. It's right across from mine -- the Pacific Room. Pretty peaceful in here most of the time, long as my meds are on time. Ha. Get it? Most of the time ,if my meds are on time. If you don't get it, you've never been in a place like this, never hung tough from one med call till the next. Wasted. That's the only way to get by in this "treatment center." Nice name for a loony bin. Everyone in here is crazy one way or another. Everyone. Even the so-called doctors. Most of 'em are druggies. Fucking loser meth freaks. I mean, if you're gonna purposely lose your mind, you want to get it back some day. Don't you? Okay, maybe not. I Lost My Mind A long time ago, but it wasn't exactly my idea. Shit happens, as they say, and my shit literally hit the fan. But enough sappy crap. We were talking drugs. I won't tell you I never tried crystal, but it really wasn't my thing. I saw enough people, all wound up, drop over the edge, that I guess I decided not to take that leap. I always preferred creeping into a giant, deep hole where no bad feelings could follow. At least till I had to come up for air. I diddled with pot first, but that tasty green weed couldn't drag me low enough. Which mostly left downers, "borrowed" from medicine cabinets and kitchen cabinets and nightstands. Wherever I could find them. And once in a while -- not often, because it was pricey and tough to score -- once in a while, I tumbled way low, took a ride on the H train. Oh yeah, that's what I'm talking about. A hot shot clear to hell. Copyright (c) 2007 by Ellen Hopkins Excerpted from Impulse by Ellen Hopkins All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.