Mice squeak, we speak A poem

Arnold Shapiro, 1934-

Book - 1997

Illustrations and simple text describe the ways various animals communicate, such as "Owls hoot," "Pigs squeal," and "Bees buzz."

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Location Call Number   Status
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Subjects
Genres
Picture books
Published
New York : Putnam 1997.
Language
English
Main Author
Arnold Shapiro, 1934- (-)
Other Authors
Tomie DePaola, 1934- (illustrator)
Physical Description
unpaged : ill
ISBN
9780399232022
Contents unavailable.
Review by Booklist Review

Ages 1^-5. The sounds that animals make is the joyful subject of this very simple rhyme in three verses, and dePaola's exuberant illustrations in his best bold folk-art style will have kids joining in and shouting out the words. On each page, there is a big framed picture of an animal in its world and two words about how it communicates ("Monkeys chatter. Cows moo. Ducks quack. Doves coo"). Three toddler friends are the observers, and in a triumphant double-page spread at the end of the first verse, the white boy shouts to his friends, "But I speak!" At the end of the second verse, the Asian girl proclaims, "But I say!" After the third verse, the African American tells his friends, "But I talk!" The pictures are bright with color and energy. The words of Shapiro's poem (originally published in 1984) are wonderfully physical ("Flies hum. Dogs growl. Bats screech. Coyotes howl . . . But I talk!") For the lap-sit crowd, at home and at story hour, this is a must. --Hazel Rochman

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Simplicity is the soul of Shapiro's toddler-friendly poem about the different ways that animals and humans communicate ("Pigs squeal. Horses neigh. Chickens cluck. But I SAY!"). It's also at the heart of dePaola's crayon-bright artwork, a model of merry restraint. Along with a trio of the artist's trademark images of chunky, round-headed children (multicultural of course), the animals (and their sounds) are each depicted in a series of gaily bordered portraits that include just enough detail to suggest each critter's habitat‘a cozy rag rug for a tabby cat, a tree for a monkey, a muddy field for a pig. The spareness of line is carried over into the festive borders, which embellish the pages with polka dots, squiggles and zigzags set against backdrops in fresh shades of kiwi, cantaloupe, lemon and watermelon colors. A treat for the eye, this one is sure to delight during lap-time snuggles or preschool story hours‘and may well coax a baa or moo or two from the littlest ones. Ages 2-6. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

PreS-Gr 1‘DePaola's latest offering combines his wonderfully detailed folk-art illustrations with a poem by Shapiro originally entitled "I Speak, I Say, I Talk." Three wide-eyed, enthusiastic guides, two boys and a girl, bear the message that every living thing has something to utter, but only humans talk. Speech balloons encapsulate their words. The two characters who aren't speaking listen and watch their friend with happy facial expressions. Brilliant watercolors and a vignette-style format make this book a perfect choice for read-aloud sessions. The animals represented are shown in their natural habitats: the bear snores while hibernating in a cave, the sheep bleats in the meadow, the frog croaks in the pond, etc. However, Shapiro's poem uses sounds that are not commonly identified with that animal. For example, "Crickets creak" rather than chirp; "Flies hum" rather than buzz. Still, this is an entertaining presentation of a concept not commonly introduced to young children.‘Susan Garland, Maynard Public Library, MA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

Three children contrast human speech with animal sounds: 'Cats purr. / Lions roar. / Owls hoot. / Bears snore. / Crickets creak. / Mice squeak. / Sheep baa. / But I speak!' Each animal mentioned is given a page to itself, and dePaola's folk-art-like pictures, cozy and well composed, also incorporate the animal sounds (the word 'purr', repeated, wraps around a dozing cat; many 'hum's emanate busily from a buzzing fly). From HORN BOOK 1997, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Although Shapiro's name does not appear on the jacket, it is his elemental and immediate poem about animalsincluding humansand the sounds they make that is set to dePaola's handsome illustrations. Readers meet coyotes, doves, chickens, and others: ``Cats purr. Lions roar. Owls hoot. Bears snore.'' ``But I speak,'' ``But I say,'' ``But I talk'' are the three human responses, allowing dePaola to use children of different races to be included in the exercise. It's a merry communication free-for-all, and repeat readings ought to lead to a measure of audience participation. The artwork is painted in elegant muted colors, each image looking like a lovely, folk-art postage stamp. A couple of the creatures appear in unusual settings: a cricket before a glowing bed of embers, a fly surrounded by an aura of hums. But for the most part the cow is in the corn (mooing), the pig is in the poke (squealing), and the bats are in the belfry (screeching), and all is well with the world. So why is Shapiro not given credit up front? (Picture book. 2-6)

Copyright (c) Kirkus Reviews, used with permission.