Douglas Sirk

In the 1950s, he achieved his greatest commercial success with film melodramas ''Magnificent Obsession'', ''All That Heaven Allows'', ''Written on the Wind'', ''A Time to Love and a Time to Die'', and ''Imitation of Life''. While those films were initially panned by critics as sentimental women's pictures, they are today widely regarded by film directors, critics, and scholars as masterpieces. His work is seen as a "critique of the bourgeoisie in general and of 1950s America in particular", while painting a "compassionate portrait of characters trapped by social conditions". Beyond the surface of the film, Sirk worked with complex mise-en-scène and lush Technicolor to underline his statements. Provided by Wikipedia